siamo eterni come il bacio di Klimt

We NEED to talk about this scene because it shape-shifts when you watch the movie a second time???

On your first viewing, when Grace leaves the party to join Stratt on the deck, you’ve been following Grace's POV for the whole movie. You can feel how he's trying to break the ice and connect with Stratt via humor: "Permission to come aboard, captain?🫡"

And Stratt being Stratt kills the joke immediately: "You’re already aboard." And by killing that joke she also kills his attempt at connecting with her. That's her thing. You feel it in the knock-knock scene and you feel it here because Grace is feeling it. He stammers and he's nervous ("Talk too much, that's my problem, like right now"). His attempt at human connection is painfully unrequited (again).

When you finish the movie, you learn, however, that that is not true at all. You hear Stratt's voice crack when she has to do what she has to do, and you realize how her carefully constructed armor fractures because of him. He is not nothing to her.

And when you (inevitably) watch the movie again, and your POV is not limited to Grace's anymore but you can shift your view to Stratt ever so slightly, then suddenly the whole connecting-via-jokes business drops away to make room for the metaphorical meaning of "coming aboard".

"It is okay to be in your space? Am I allowed to be closer to you?"

And her answer?

He is already in her space, behind her defenses, and he doesn't even realize it (blissfully unaware about SO many things in fact). He is asking to be allowed inside the house while standing in the damn living room.

Of course watching a movie a second time will always deepen your understanding of the characters, but it's remarkable that Stratt's answer does not just gain a more differentiated level of meaning. Instead, it is transformed into it's opposite, from a very clear "I am not letting you in" to an equally clear "You've come in uninvited a long time ago", and both can be true at the same time!