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@norest4dapitted
the pitt awakened β¨somethingβ¨ in me so here I am reactivating a 15-year-old tumblr account to post a fan edit I made

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The departure of Samira Mohan and some of the responses to it can really boil down to a few salient points. Many of which are... not informed, to say the least.
"She's a senior resident, of course she's leaving next season."
It's been confirmed for just about as long as we've known the show was getting renewed that the time jump between season 2 and season 3 would be a smaller time jump than between seasons 1 and 2. That means, the time jump will be less than ten months. Which means that Samira Mohan will still be an R4.
There are residency programs that allow you to finish early if you complete all of your program's requirements ahead of time, but all of them are promote-in-place programs. Which means that even if Samira finished her residency early, she would need to be an attending at PTMC.
"But she's applying to a fellowship. It makes sense that she won't be there."
You cannot do a fellowship in a subspeciality without being at least board-eligible for your specialty. Samira will not be board-eligible until she finishes her residency on June 30, 2027.
"Her entire story has been about how she's not fit for emergency medicine."
Categorically, no. Samira Mohan's story has been about how she is the person that Robby transfers all of his fragmented parts of self onto. He does not see Samira Mohan. He sees the younger, more idealistic, more empathetic version of himself. When he is triggered and one of those younger parts surfaces, he lashes out at her.
By destroying her confidence and sense of self, that is what her story has become.
In season one, Samira Mohan's storyline was about how she had a grounded sense of self through the creation of stable priorities, values, and ethics as an emergency medicine physician. It was about how she may see things differently than her colleagues, but that does not make her any less valuable to the emergency department at PTMC. It was about how she can in fact, both take her time and be thorough with her patients to ensure they receive proper care and treatment, and flourish in an MCI situation with limited time and resources.
"Samira's storyline is just over, that's all. We'll see it wrapped up in the final episodes."
From Supriya's interview with Collider after episode 10:
You mentioned Mohan wanting a letter of recommendation from Robby, and there is a moment in this episode where she mentions she was hoping to circle up with Abbot to ask him for one. Her decision about what kind of specialty she wants to pursue has been hovering over her storyline this season. Do you feel like she's any closer to deciding what she wants to do than before, or is this question going to continue even heading into Season 3? GANESH: If she starts the day with that question, it's very likely she's going to end the day with that question. If we wanted to push things along like that, things wouldn't be interesting. So I definitely think that she's asking for the recommendation because she would like to stay, but I don't know if that's something that initially gets resolved.
"Samira is being written off because Supriya Ganesh is going to medical school."
We literally don't know that. And taking their responses to questions out of context from a Teen Vogue interview that was conducted back in February isn't helpful.
"But Samira wants to leave PTMC."
Not according to Supriya Ganesh's interview with Collider:
"Robby's consistently hot and cold with her. It's a very paternal type of dynamic where you're not sure whether it's going to be a good day or bad day, especially with that type of fraught relationship. For her, she just wants to continue to impress him and feel... especially because she's looking for a place at PTMC next year, and she's a little like, "Okay, should I ask him for a recommendation?" She just wants to be on good terms with him, so she isn't really picking at him in the same way as he does in the following hours. I definitely think she's hoping she can get back on his good side."
"It's just realism."
From a television show that has fumbled the seriousness of a shoulder dystocia, how mandated reporting works in cases of suspected child abuse, and the proper HR protocol of re-integrating Langdon into the workplace.
Is it realistic for season 3 to be Samira's day off, or that she's at an away elective in New Jersey moving her shit out of her mom's house, or that she (or someone else!) finally reported Robby to HR for his treatment of her, and now they can't be on the same shift? Sure. Fine.
"It's just a storytelling decision."
And who is telling that story? Who are the executive producers? Who is the showrunner? Who are the lead writers?
Who made this decision to cut her out of season three, when Supriya Ganesh was still talking to the media pretty recently about her excitement about getting the script for season three, since Samira's arc in season two did not wrap up neatly, did have loose ends, and did need resolution. Who made the decision to write off Heather Collins? Who made the decision that it was Kiara's day off, that Gloria wouldn't get involved with the cyber attack?
And to echo what other people have said, Abbot is almost obsolete without Mohan. Like a major part of his character is to be there for Mohan and to further her character (whether you read it as romantic or not) and also Robby. This season I felt we were getting a situation where Abbot would have to choose and he would choose Mohan because he understands that sheβs the smartest and sheβs the future of how healthcare should operate. That he would be the mentor she needs because heβs not rotted by the system and not nihilistic. Heβs jaded but sees and appreciates that she isnβt and that the key to her success is someone who backs her unconditionally against the system thatβs designed to fail the one person that SHOULD be doing the job.
And now, Abbotβs just there to stand around and flirt.
Such a waste truly.
I've been waking up every Friday before work to watch the episode, otherwise I wouldn't be able to focus the whole day. 5am every damn week. am I gonna do that tomorrow? for Supriya's favourite episode of the season? who the fuck knows at this point. this makes so little sense it baffles me.
simple as that.

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I rarely post but I haven't seen anyone talk about this little line, caught it on rewatch: during the trauma while intubating Jack says to Santos "Slow is smooth, smooth is fast." Do we think it's a callback to the deleted scene from 1x01 when he defended Samira? ("Slow and steady wins the race.")
Or am I reaching?
so much of what happened in 2x5 really sharpened robby for me. thereβs a bit of a jagged, almost intentional cruelty to the way he moves this episode. from his blatant distrust of frank, to the comment about dana needing a cigarette, to almost giving a beer to louieβit all starts to feel like a deliberate sabotage of hope.
robby seems to operate under a kind of fatalistic existentialism: the belief that once you are somethingβan addict, a failure, a lost causeβthat is all you will ever be. but the deeper truth is that heβs terrified of the alternative. because if frank can get clean and stay clean, or if dana can function without a crutch, then robby loses his greatest armor: his excuses.
he treats his own flaws as set in stone, unmovable and unavoidable. heβs decided heβs finishedβfixed in placeβand because of that, watching anyone attempt the grueling, unglamorous work of change feels like a personal indictment. he validates the worst impulses of those around him because their failure makes him feel safe in his brokenness. if everyone stays stuck in the mud, he doesnβt have to ask himself why he stopped trying to climb out; he doesnβt have to face the fact heβs still down there by his own design. hurting is familiar, a known quality, something robby feels heβs earned. he has fundamentally decided he is incapable of betterment and the concept of anyone else changing, growing, healing??? feels improbable! impossible, even.
itβs the same reason therapy never quite works for him, why he canβt find a therapist he likes. he doesnβt want a nice person to challenge his delusions of worthlessness; he wants a witness to his self-hatredβsomeone who will confirm every ugly thing he believes about himself so he can finally stop fighting the urge to give up. he hoards his mistakes like relics, blaming himself for things that arenβt even his to carry, simply because itβs easier to be a guilty man than to face the raw uncertainty of trying to heal.
knowing he sleeps with the tv on feels like another piece of the puzzle slotting into place. here is a man who the entire ED looks to for guidance, yet he is incapable of being alone with the person he is when the work stops. he gets through the day full of sounds and nonstop motion; the pitt keeps his head full so it never has to be empty.
he needs the noise the tv provides because he is paralyzed by the honesty silence forces on him. he canβt let a thought even begin to form, because if he does, the feelings start. the grief, the PTSD, the sheer weight of everythingβitβs all too loud, too much. he has to keep the volume up at all times so he doesnβt have to hear himself think.
which makes his upcoming three-month sabbatical feel less like a getaway and more like a slow-motion collision. heβs a man who canβt survive a quiet evening in his own apartment, yet heβs planning to drive straight into the wilderness alone. itβs the ultimate contradiction: fleeing from himself by heading toward the only place where thereβs nowhere left to hide.
it makes you wonder what it is heβs chasing. if we know the sabbatical isnβt βvacationβ and we know heβs spent years outrunning himselfβoutrunning grief, guilt, the quiet, the parts of him he doesnβt likeβthen what is it heβs going to find in the face of all that silence? all that time alone? nothing but the open stretch of road ahead of him?
How old are you, huh? Fifty? Ish. THE PITT S02E03
Dr. Jack Abbot (The Pitt) β An Iliad, Lisa Peterson & Denis O'Hare
fuck AI, all my homies hate AI
THE PITT 2.02 β’ 8:00 A.M.

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βmohan and abbot need to fuckβ i say into the mic. the crowd boos. i begin to walk off the stage in shame. βno, sheβs right.β i hear a voice in the back say. the lights come on. itβs shawn hatosy.
THE PITT 2.01 | β7:00 A.M.β
do you drink coffee? uh, no I avoid caffeine
gestures to make you more elegant and feminineπ
MOHABBOTS WAKE THE FUCK UP
I AM AWAKE

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The Women of The Pitt (Hozier - De Selby)