posted on Kate Bornstein's substack

Kaledo Art
Cosimo Galluzzi

Origami Around

pixel skylines

Kiana Khansmith

Andulka

Product Placement

oozey mess
trying on a metaphor
taylor price
sheepfilms
Keni
we're not kids anymore.
will byers stan first human second
🩵 avery cochrane 🩵
occasionally subtle
he wasn't even looking at me and he found me
d e v o n

★

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@non-binar-ysunset
posted on Kate Bornstein's substack

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SPIRITED AWAY 千と千尋の神隠し 2001, dir. Hayao Miyazaki
Christopher Lee on the set of Star Wars II
the Zodiac collection, by Tiara

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does anyone have that reddit exchange screenshot where someone is like "what colour is this mouse??" and posts a mouse who is like in some sort of purple world with confetti around it and the top comment is like "it would be easier to tell if your mouse wasn't at the club" . i keep thinking about & referencing mouse at the club and i cant find it
Here ya' go ❤️🙏
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Kristof Santy (Belgian, 1987) - Schmink (Make-up) (2024)
you're not supposed to wander around appalachia at night bc you'll fall off a sheer drop that you couldn't see coming. this is also a major risk during the day. you really have to watch out for the sheer drops that you don't see coming due to the undergrowth. I suspect 100% of spooky missing persons cases in appalachia have the spooky explanation of "sheer drop disguised by undergrowth"
really cannot overstate how many utterly invisible ravines we got here and also how big the woods are. they can't find people because the woods? are big
in seriousness you can learn about the isolated Appalachian communities that were up here until quite recently by checking out the foxfire books. it is true that there were many isolated communities that remained pretty separate from mainstream American life for a longish time but most of the last ones were my grandpa's generation. and they were regular? can't overstate how regular they were. just rural and isolated with their own culture. do check out the foxfire museum if you want to learn more about them and their lives! those books are based on real interviews conducted by local high schoolers and college students of the old folks in their communities and they are very interesting windows into day to day rural life up in the mountains in the early to mid 20th century.
I absolutely 100% do not mean this in a like derogatory city slickers way; I myself grew up mostly in a city and I think that it is morally neutral to not have experience with The Outdoors. having said that, I have noticed that a lot of people who do not have regular interactions with "landscape that can kill you" do seem to have an internalized idea that "landscape that can kill you" is something that only happens to other people, or not very often, or only under extreme circumstances. which I think often leads them to assume that there must be something else out here that can kill you. but I fear I must inform the people who wanna believe scary Appalachian woods monsters are real that it's Landscape. inclusive of the beasts that dwell there such as the cougars and bears. its Landscape! (GRASPING EVERYONE ON THE SPOOKY APPALACHIAN TRAIL SUBREDDITS) IT'S LANDSCAPE THAT KILLS YOU! ITS ALWAYS LANDSCAPE! Old Man Hidden Ravine and his best friend Exposure!
Tumblr being the "piss on the poor" reading comprehension site makes sense when you realize that 79% of adults in the US are functionally illiterate. Same goes for Twitter and TikTok.
that's a real high number, sport. where'd you get it?
hey anon
please tell me you didn't google "US literacy rates" and then make the funniest possible mistake one could make in that situation

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I'm sorry WHAT
'lazy people don't feel guilty about not doing anything' is insane to me and I have been trying to make my brain believe it for a long time, it shocked me to my core when I first heard it
An important corollary to "if you were faking your mental illness, you could stop whenever you wanted."
help... no you're thinking of breaking bad
Breaking Things
Hello all! As my job search wears on, I’m opening $30 one-color fullbody commissions in the style of the examples above. Want to see your character lounging around? Maybe a repeat of media I drew one time and then never mentioned again? I can make that happen!
Email me at [email protected] with reference image(s) and, optionally, pose preferences/character description/a color that you associate with the character. I’ll draw most things (furries, mech/armor, OCs, gore, etc) except sexual nudity. Extra characters are +$20 each, no charge for a simple background/props (+$10 for a full scene). I accept payments through Venmo and PayPal, and the turnaround on these should be fairly quick (one week?). Thanks for taking a look!

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Why did “be critical of your media” turn into “find all its flaws and hate it” why did people become allergic to FUN
Because people confuse “critical as in critical thinking” with “critical as in criticizing something,” so they think that “look for something bad, no matter how far-fetched” is what “being critical” means.
They also don’t realize that “literary criticism” means…
Okay. What literary criticism IS, is like taking a mechanical clock apart to see all the gears and learn how it fits together and approach your next clock with more knowledge of what makes it tick.
What they THINK literary criticism means is, you take the clock apart and beat all the pieces with a hammer, then scream at it because it doesn’t tick for you the way it used to.
OMG SOMEBODY PUT IT IN WORDS
And sometimes literary criticism can be PRAISE. Sometimes while deconstructing it, you discover cool shit the writer did in terms of structure or character, and it’s worthy of note that it was done and done effectively and well.
Yes to all of this. But especially that last addition.
I feel sorry for those people whose school took all the fun out of literature class.