Movie poster for the Francis Ford Coppola film, Apocalypse Now - 1979.
PUT YOUR BEARD IN MY MOUTH
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RMH
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON
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Color Me Curious

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Monterey Bay Aquarium
KIROKAZE

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Movie poster for the Francis Ford Coppola film, Apocalypse Now - 1979.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Stenciled pattern has added distinctive decoration to our homes since the beginning of our country. In this bedroom simple wall-stenciling patterns are a homey contrast to the elegant gold stenciling on the bedposts. Pattern and texture are combined in the woven turkey-red coverlet and the afghan.
The Good Housekeeping Complete Guide to Traditional American Decorating, 1982
Mirror, directed by Andrei Tarkovsky, screenplay by Andrei Tarkovsky and Aleksandr Misharin, cinematography by Georgi Rerberg, and edit by Lyudmila Feyginova.
When I speak of poetry I am not thinking of it as a genre. Poetry is an awareness of the world, a particular way of relating to reality, said Tarkovsky. From the perspective of a filmmaker, Tarkovsky allures with his grasp for the art of cinema. Still, and more importantly so, from the stance of one who shares in this experience of human life, Tarkovsky allows us to connect with the heart of cinema through his portrayal of emotions and truth, in other words, what makes us human. In a Tarkovsky film, we face life.
Mirror is a true masterpiece and an unforgettable cinematic experience.
Orlando (1992), dir. Sally Potter
Nothing thicker than a knife’s blade separates melancholy from happiness.
Orlando (1992) dir. Sally Potter

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Mary Judge - Works on Paper.
I manifest a teenage girl subculture of doxing plastic surgeons to vandalize their houses
where is that quote that’s the cure to the male fantasies quote ?
“The first feminist gesture is to say: “Ok. They’re looking at me. But I’m looking at them.” The act of deciding to look, of deciding that the world is not defined by how people see me, but by how I see them.” - Agnès Varda
Traditional thatched cottages and their equally traditional planting and gardens.
Creative Gardens, 1986

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You & i are Earth 1661
Earthenware plate excavated in London
Museum of London
Verner Panton ‘Wonderlamp’, model no. TYP H, c. 1970.
Produced by J. Lüber, Switzerland.
Verner Panton Lippen 1968 Textile

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SYD MEAD Unknown
Apparition on Hill St.