If you had to fight against one of the Inquisition companions, who would you pick?
Vivienne
Dorian
Solas
Sera
Varric
Cole
Iron Bull
Cassandra
Blackwall
Claire Keane

Love Begins
h
wallacepolsom
Aqua Utopia|海の底で記憶を紡ぐ

roma★
ojovivo
trying on a metaphor
Monterey Bay Aquarium
Mike Driver
Acquired Stardust
d e v o n

I'd rather be in outer space 🛸
Keni
YOU ARE THE REASON
Game of Thrones Daily
art blog(derogatory)

祝日 / Permanent Vacation

seen from United States

seen from Singapore
seen from Singapore

seen from United States
seen from Lithuania
seen from Bangladesh
seen from Brazil

seen from Guernsey
seen from Germany

seen from India

seen from Malaysia

seen from Singapore
seen from China

seen from United States
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seen from Malaysia

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@nerdlordholocron
If you had to fight against one of the Inquisition companions, who would you pick?
Vivienne
Dorian
Solas
Sera
Varric
Cole
Iron Bull
Cassandra
Blackwall

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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if moogles were real id make one smoke cigarettes until it died
Moogles already have one addiction and they’re sticking to it
The following text has been transcribed in it's original form, to serve as a copy for the University of Coruscant Department of Linguistics and Cultures.
Date Written: c. 8,942 ARF (After Republic Founding)
Description of Text: A complaint tablet sent to a local beskar merchant in Keldabe, planet Mandalore.
Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.
While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.
On some of the uncredited dialogue and story revisions for Star Wars:
On some of her work in Star Wars:
On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:
On her uncredited work in The Empire Strikes Back:
On how her input changed the ending of Raiders of the Lost Ark:
On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:
On editing the climactic ending in the Throne Room in ROTJ:

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"Where you walk, my dearest friend, fate shall surely follow."
i think the key difference between george lucas’s star wars and disney’s star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because that’s how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation can’t have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when you’re a giant corporation who only cares about selling to the widest audience possible, you can’t take sides. you can’t decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and it’s finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40’s adventure serials#but disney are making a ‘star wars film’ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)

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"Sold to fleetwood mac" fic trend but the main character just gets forgotten and left behind at the hotel within 3 days bc the band is too busy fucking and fighting each other
we joke about the cubus in amaurot but honestly if a new yorker made a simulacrum of new york 10,000 years in the future and someone was like "why are there fucking rats" they Would react like that one tweet
STAR WARS: ANDOR - The Axe Forgets
this is nature's way of saying "do not, under any circumstances, enter the game development profession right now"

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so much could have been improved in the sequels if kylo ren hadn’t been force sensitive
no wait think about it. kylo ren not being force sensitive, but so desperate to be so he’s willing to do anything. he feels cheated out of his grand destiny, his powers that his mother and uncle (and cousin?) have. give me the story on the entitlement towards the force. it would have shown that the force is beyond biological, it always has been. it would have given a better reason for kylo ren to “fall to the dark side”, so desperate for a connection to the force that he plays the part of a dark sider, swinging a cracking red lightsaber around with no finesse or training, killing hoping that it will push him further into a dark side of the force he cannot feel. it would have given a reason for him to hate han; that because han isn’t force sensitive, it’s his fault that kylo isn’t either. kylo’s character would have been stronger because his choices would have been his own, instead of whatever whisper dream manipulations they were in canon. his evil has nothing to do with the force, but an entitled man trying to claim a power he believes is his by birthright.
this would have foiled perfectly with finn, too- one is a child born to the most powerful force sensitives in the galaxy who cannot feel the force. and finn is a child who was taken from his family, forced into soldier-hood, who feels such a deep and powerful connection to himself and the force that he breaks free. kylo ren, seething and entitled trying to claim a destiny and power that just aren’t his, and finn, who has suffered at kylo’s actions and still connected to the powerful light inside of him. the “nobody” hero of the sequels who has the power of the force and the legacy-born villain who doesn’t.
In these two Tumblr posts you've come up with a better plot for free than we got in a trilogy that cost MILLIONS of dollars to make
It would fit with Kylo's character in the first two films as well where he's basically a pathetic manchild edge-lord desperately doing space fascist-cosplay because he wants to feel important and powerful if it turns out that he wasn't "corrupted" by anything...the dark side didn't influence him at all, he's just deliberately choosing to be a monster because he WANTS to dark side to corrupt him further
via @firebirdeternal add that to the main post-
People will see an underwritten woman or black character and act like it's the character's fault