neptuna

it’s the middle of the night and you wonder where you lost track of your dreams 

when out of the corner of your eye you spot him

motivational speaker shia labeouf 

&&&&&&&&&&&&&

ERYKAH BADU BLESSED ME AND TOUCHED ME AND SANG TO ME.

Today I learned a neat trick while working in Photoshop. I thought it would work nicely for creating comic panels so I thought I’d share it here. This is probably old news to some but maybe there are people like me who just now hear about this.

The first thing I did was open a new canvas the size of the page. Then I proceeded to create several panels using the Marque and Polygonal Lasso tools. You can create these separately or at the same time, it doesn’t matter. It might be more convenient to create all panels on the same layer but it’s not necessary either.

I filled in the panels with grey just to make them visible here. The colour doesn’t matter.

Then I double click the layer(s) to get to the layer properties. There, on the Stroke tab I set the desired colour, width and any other property of the panel line.

The great thing about this is that you can modify (cut, expand, even out, whatever) the panels but the line still follows the outlines of the panel. I think this is much more convenient than using a manual stroke because if you want to edit the panels you need to erase and recreate the lines. Here you don’t have to do this.

I did this in Photoshop CS6 and I’m not sure if/how this works in other versions.

click this link

draw whomever you get

don’t worry about making it super-accurate, just focus on the characteristic parts of the face and have fun

the outcome might not look like the ref, but it will be different and more varied than faces you draw out of your head, an dprobably pretty rad on its own right!

heidi8:

sonneillonv:

dressthesavage:

narwhalsareunderwaterunicorns:

anglofile:

spicyshimmy:

how is it possible to love fictional characters this much and also have people always been this way?

like, did queen elizabeth lie in bed late sometimes thinking ‘VERILY I CANNOT EVEN FOR MERCUTIO HATH SLAIN ME WITH FEELS’ 

was caesar like ‘ET TU ODYSSEUS’ 

sometimes i wonder

oh my GOD

the answer is yes they did. there’s a lot of research about the highly emotional reactions to the first novels widely available in print. 

here’s a thing; the printing press was invented in 1450 and whilst it was revolutionary it wasn’t very good. but then it got better over time and by the 16th century there were publications, novels, scientific journals, folios, pamphlets and newspapers all over Europe. at first most were educational or theological, or reprints of classical works.

however, novels gained in popularity, as basically what most people wanted was to read for pleasure. they became salacious, extremely dramatic, with tragic heroines and doomed love and flawed heroes (see classical literature, only more extreme.) books in the form of letters were common. sensationalism was par the course and apparently used to teach moral lessons. there was also a lot of erotica floating around. 

but here’s the thing: due to the greater availability of literature and the rise of comfy furniture (i shit you not this is an actual historical fact, the 16th and 17th century was when beds and chairs got comfy) people started reading novels for pleasure, women especially. as these novels were highly emotional, they too became…highly emotional. there are loads of contemporary reports of young women especially fainting, having hysterics, or crying fits lasting for days due to the death of a character or their otp’s doomed love. they became insensible over books and characters, and were very vocal about it. men weren’t immune-there’s a long letter a middle-aged man wrote to the author of his favourite work basically saying that the novel is too sad, he can’t handle all his feels, if they don’t get together he won’t be able to go on, and his heart is already broken at the heroine’s tragic state (IIRC ehh). 

conservatives at the time were seriously worried about the effects of literature on people’s mental health, and thought it damaging to both morals and society. so basically yes it is exactly like what happens on tumblr when we cry over attractive British men, only my historical theory (get me) is that their emotions were even more intense, as they hadn’t had a life of sensationalist media to numb the pain for them beforehand in the same way we do, nor did they have the giant group therapy session that is tumblr. 

(don’t even get me started on the classical/early medieval dudes and their boners for the Iliad i will be here all week. suffice to say, the members of the Byzantine court used Homeric puns instead of talking normally to each other if someone who hand’t studied the classics was in the room. they had dickish fandom in-jokes. boom.) 

I needed to know this.

See, we’re all just the current steps in a time-honored tradition! (And this post is good to read along with Affectingly’s post this week about old-school-fandom-and-history-and-stuff.

Ancient Iliad fandom is intense

Alexander the Great and and his boyfriend totally RPed Achilles and Patroclus. Alexander shipped that hard. (It’s possible that this story is apocryphal, but that would just mean that ancient historians were writing RPS about Alexander and Hephaestion RPing Iliad slash and honestly that’s just as good).

And then there’s this gem from Plato:

“Very different was the reward of the true love of Achilles towards his lover Patroclus - his lover and not his love (the notion that Patroclus was the beloved one is a foolish error into which Aeschylus has fallen, for Achilles was surely the fairer of the two, fairer also than all the other heroes; and, as Homer informs us, he was still beardless, and younger far)” - Symposium

That’s right: 4th Century BCE arguments about who topped. Nihil novi sub sole my friends.

Apparently this post is going around again, and every time I glance at reblogs and notes there are requests for citations and people doubting any of this is true. Since at least some of that appears to be directed at me, please enjoy a small sampling of sources regarding Alexander the Great: Actual Achilles fanboy. (I assume that the Symposium quote is not what’s bothering people, but if it is, just pick up a copy of Plato’s Symposium and flip to section 180a.)

From Plutarch’s Life of Alexander:

“[The young Alexander] was naturally a great lover of all kinds of learning and reading; and Onesicritus informs us that he constantly laid Homer’s Iliads, according to the copy corrected by Aristotle, called the casket copy, with his dagger under his pillow, declaring that he esteemed it a perfect portable treasure of all military virtue and knowledge.”

and

“With such vigorous resolutions, and his mind thus disposed, [Alexander] passed the Hellespont, and at Troy sacrificed to Minerva, and honoured the memory of the heroes who were buried there, with solemn libations; especially Achilles, whose gravestone he anointed, and with his friends, as the ancient custom is, ran naked about his sepulchre, and crowned it with garlands, declaring how happy he esteemed him, in having while he lived so faithful a friend, and when he was dead, so famous a poet to proclaim his actions.”

Arrian’s Anabasis recounts the same story, but gives Hephaestion an explicit role:

“When [Alexander] went up to Ilium, Menoetius the pilot crowned him with a golden crown; after him Chares the Athenian, coming from Sigeum, as well as certain others, both Greeks and natives, did the same. Alexander then encircled the tomb of Achilles with a garland; and it is said that Hephaestion decorated that of Patroclus in the same way.”

Mad Max: Center Framed from Vashi Nedomansky on Vimeo.

One of the many reasons MAD MAX: FURY ROAD is so successful as an action film is the editing style. By using “Eye Trace” and “Crosshair Framing” techniques during the shooting, the editor could keep the important visual information vital in one spot…the Center of the Frame. Because almost every shot was center framed, comprehending the action requires no hunting of each new shot for the point of interest. The viewer doesn’t need 3 or 4 frames to figure out where to look. It’s like watching an old hand-drawn flip book whiz by. The focus is always in the same spot! 

This was an edict passed down directly from director George Miller. Over the walkie talkies during every scene he could heard saying “Put the cross hairs on her nose! Put the cross hairs on the gun!” This was to protect the footage for editorial and to ensure that the entire high speed film would be easily digestible with both eyes and brain. Every new shot that slammed onto the screen must occupy the same space as the previous shot. This is by no means a new technique, but by shooting the entire film in this way, Margaret Sixel could amplify and accelerate scenes, cut as fast as possible with the confident knowledge that the visual information would be understood. (via Vashi Visuals)

Mad Max - Fury Road

I repeated the experiment later, wearing the boots but otherwise my usual clothing and mimicking the expression I thought I’d had at that moment. People parted like I was Charlton Heston.

I now wear that style of boots whenever possible. I recently had a man do a double-take as I walked by and ask me, politely, where I had served because I “looked like a soldier.” I’m not current or former military. I was wearing a flowy purple peasant top and looked as un-soldierlike as possible.