half-savage and hardy, and free

Leaves | Lloyd Schwartz

A Room with a View (1985) dir. James Ivory

Re-Animator (1985) dir. by Stuart Gordon

“I had to assume this was the end for the series. So I thought it was time for Sherlock to stop beating around the bushes and let the subtext be the text for once. When you look at any of our seasons, what you see or feel between them is love. I think that’s the way it is for all Watsons and Holmes, or Holmeses…  If I thought it was the last time I was going to see someone I cared about, I think I would say that with great ease. It’s why Sherlock was able to say it in that moment. He really thought it was goodbye, and you don’t walk away from even a platonic relationship without telling your partner how you feel. I wish there was an even more appropriate word than “platonic.” It’s fraternal. There’s great love, and there’s great respect, but there’s no romance.”  — Robert Doherty

— Mark Dowie, The Myth of a Wilderness Without Humans (via probablyasocialecologist)

MULDER + ONE LINERS [3/?]

Frank O'Hara, from Selected Poems; "Meditations in an Emergency"

BLACK SAILS (2014-2017) ⇢ anne and/or jack from black sails requested by @sunoficarus

by Patrick Branwell Brontë

TWIN PEAKS | 1.01 — “Pilot” (1990)

No loyalty to the institution”

The Sign of Four, covers of the early editions, 1890-1906.

frankenstein (1931) | the curse of frankenstein (1957) | flesh for frankenstein (1973) | frankenstein and the monster from hell (1974) | bride of reanimator (1990) | frankenstein’s cinematic dream, marc redfield

THE X-FILES | 01x12 - Fire

2- Mikko Harvey / 3- @beetlejuices / 4- Ocean Vuong / 5- Sarah Kay and Philip Kaye / 6- Franz von Stuck / 7- Cortes Edouard Leon