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sejd reading list
This reading list contains works that I do not wholeheartedly agree with, but have been influenced enough by to feel they are worth including. Please read carefully and critically. If you have questions about aspects of these works, feel free to reach out to me in my ask box or DMs with questions! Similarly, if there's a resource that you're wondering about but don't see listed here, you're also welcome to ask me about it! I might not have read it (and I always love another thing to read), or I might have very strong opinions about the book and/or author and would be more than happy to elaborate.
Academic Books The Norse Sorceress - Leszek Gardela, Sophie Bønding, & Peter Pentz The Viking Way - Neil Price Freyja - Great Goddess of the North - Britt Mari Näsström The Road to Hel - Hilda Roderick Ellis Pre-Christian Religions of the North - ed. Jens Peter Schjødt, John Lindow, and Anders Andrén Shamanism in Norse Myth and Magic - Clive Tolley (I don't like sejd being characterized as shamanism, but worth checking out regardless)
Academic Papers Spirits Through Respiratory Passages - Eldar Heide Gand, seid og åndevind - Eldar Heide The Maiden with the Mead - Maria Kvilhaug Vǫrðr and Gandr: Helping Spirits in Norse Magic - Clive Tolley A biography of seiðr-staffs - Leszek Gardela The Norns in Old Norse Mythology - Karen Bek-Pedersen Spinning Seiðr - Eldar Heide Seid-seansen i Eiriksoga - Eldar Heide (Magic) Staffs in the Viking Age - Leszek Gardela Trolls and Witches - Gunnar W. Knutsen and Anne Irene Riisøy
Books Written by Contemporary Practitioners Elves, Witches and Gods - Cat Heath (I have some major disagreements that stem from my own UPG around sejd, but I do believe this is the best book on sejd from a practitioner's POV)
Podcast Episodes Secrets of Seiður (part 1 and part 2) - Nornagaldur Fröja's Apples with Sara Bonadea - Radical Elphame Viking Sorceress with Adam Bierstadt (and the Q&A) - The Nordic Mythology Podcast The Sacred Flame Podcast (no specific episodes, because I find the podcast as a whole to be very relevant) Brute Norse Podcast (again, no specific episodes because I think this whole podcast gives good thought on bringing myth/folklore into the modern world)
Interviews with Contemporary Practitioners Ask and Icelandic Völva - The Norse Witch Eaten by the Wolf with Andrea Hejlskov - The Nordic Mythology Podcast Living Tradition with Icelandic Völva Tanya Lind - The Nordic Mythology Podcast
Youtube Channels and Videos Performing Magic in the pre-Modern North The Shape of the Soul: The Viking Mind and Individual Life and Afterlife: Dealing with the Dead in the Viking Age
Blogs Brute Norse - Myth, Magic, and Religion Heathen Soul Lore
I hope to continue to add to this post as I remember more sources, and as I continue to read and learn (I have a huge reading list that I hope to add here as I finish each piece). I think that learning sejd means it's necessary to read more books and papers that you dislike than ones that you like, and I would generally say that I have not liked most books written by practitioners.
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it's a monday
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there is not a man in the room (besides your partner)
dan and phil are not in the corner of your room
dan and phil are not under your bed
you're a strong confident person and [ad placement]
phil's "i have a video of us kissing" from pinof 1 reveal followed by dan's "i would've not done the hiatus" confession in back to back videos i fear i'm living in a dream of things i never thought i'd hear them ever say

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One of the other items in the Sai Thamë College folder was this supplementary information for the Aristasia 101 course. I have seen this conversation before in the archives of the forum, and shared them on this blog, but not presented in this way. This also includes a bonus Q&A from the White Rose Room, which appeared to be a live text chat, so none of that was archived unless the Aristasians did it themselves. What a treat to have found that! As usual, I have done a little bit of formatting to make it a bit more readable, but this is a plain text file of a series of forum posts from 2006 made into an html page in the early 2010s or so, so I may have made some mistakes. I've inserted some little lines between each "post", because it gets a bit confusing otherwise. Take note of the usernames, as Lady Aquilla and Chancandre Aquitaine are presumably both Miss Langridge (although, yes, I previously believed Lady Aquilla was Miss Martindale, but I now am a firm believer that she was Miss Langridge), as well as how suspiciously instantly accepted the Mysterious "A Home-come Wanderer" fanciful story of Aristasia Pura visions is, I do suspect this is entirely Miss Langridge, on 3 different usernames, really really selling the idea of Aristasia Pura to Miss Caridwen.
It's a quite long conversation after the jump cut.
Prayer to Sekhmet for Health
Breathe onto me, Sekhmet, Lady of Power, Mistress of Fire, and let your breath burn away all that is impure
Breathe onto me, Sekhmet, Ruler of Disease, Mother of War, and let your breath make me clean and free of evil
Breathe onto me, Sekhmet, Goddess of Life, Bringer of Death, and lift me in your strength and vitality
Oh Sekhmet, thrower of spears that bring terror onto men, one who inflicts misery, do not let your rage blind you and make you forgetful
Remember my prayers, oh lioness, that I gave in my service to you
Remember the hymns I sang to you with fervor
Remember, oh goddess, the offerings I have laid out before you, and the love and loyalty I have given as your child and servant
Guardian of Heaven, Guardian of Ra
Praise be to you, she who has all nations underfoot, she who delights in the blood of all beings
Praise be to you, giver of health, wielder of every spell and potion that gives relief
Praise be to you, giver and taker of affliction, subduer and rallier of illness
Destroyer of demons, destroy the impure ones that torment me
Slayer of the wicked, slay the cold ones that bring me plague
Killer of my enemies, kill the evil that resides in my flesh
With your mighty breath, I am cleansed
With your mighty breath, I am cured
With your mighty breath, I live again
Hail Sekhmet!
Death Note the Musical News 5/14/26
We have our leads!
The manga musical runs this summer
—- Big fan of this Aphrodite
in my experience being vegan is easy, fun, cheap and rewarding

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accept nothing less than empty cages
they say vegans are whiny and agressive but have you ever heard a non-vegan react to someone saying they are vegan
"Animals do not ‘give’ their life to us, as the sugar-coated lie would have it. No, we take their lives. They struggle and fight to the last breath, just as we would do if we were in their place."
– John Robbins
hecate
an homage to the greatest character in the entire comic

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ppl arguing that Rumi and Jinu don't make sense as narrative foils because "Jinu's shame is justified and Rumi's isn't"
.......yeah, that's like, actively the thing that the movie is trying to get you to contemplate by making the two of them narrative foils. like. they did that on Absolute Purpose. That's like. The Point.
You're introduced to Rumi, and she's so lovable and forgivable. Her shame is obviously not justified because she's "one of the good ones," a perfect victim who hasn't done anything wrong and has worked so so hard to make up for her so-called flaws.
Pretty much the entire audience finds it very easy to recognize that Rumi should not be ashamed of herself. From the moment it's revealed that Rumi's dad was a demon--you see this in reaction after reaction--the audience is on Rumi's side. Because that's not her fault. She didn't ask for that. She hasn't done anything bad, other than maybe lying, and even that is understandable given the circumstances. (Most audience members forgive her very quickly for lying, if they even consider it an issue in the first place.)
Rumi's arc is lovely, but not very transgressive in this way. It follows a pretty well-known message in stories nowadays, which is that you shouldn't feel shame for your identity, for who you are.
But Rumi doesn't see it that way. To Rumi's mind, she is wrong and bad in measurable ways that she needs to make up for, and no amount of "no, it's not your fault" will convince her otherwise. Such is the nature of shame: everyone who feels it believes that it's a justified feeling.
...So then we get introduced to Jinu.
Jinu is... not the perfect victim, although he is a victim. He starts out as the antagonist of the movie. Where Rumi overcompensates for her shame by trying to be as good as possible, Jinu's shame (and, you know, Gwi-Ma) makes it difficult for him to try and be a "good person," because to him that feels like an unattainable goal that will only hurt more to try and reach. He's "inherently bad." That's what his shame tells him.
And unlike Rumi, Jinu made choices. "Choices he had no choice in," like Ahn Hyo-Seop said, but still choices. Over the course of the movie, we see him hurt people. That's what he's ashamed of. Genuinely hurting people.
And suddenly, a large part of the audience is starting to hesitate. People who were preaching self-love and empathizing with Rumi are getting uncomfortable, because this isn't the standard shame arc. Jinu isn't a perfect victim. So like... maybe he shouldn't have self-love. Maybe he should be a little ashamed.
...That's what a lot of people start to say.
But, crucially, the movie does not say this. In fact, the movie says the opposite.
The reason why Jinu and Rumi's two shames are framed as parallels to each other isn't because they have the same source, it's because they have the same degrading effect on the characters involved, and the same solution.
The audience might not view Jinu and Rumi's shame as "the same," from the outside, but it is super critical that Rumi views Jinu's shame as the same as hers, and Jinu views Rumi's shame as the same as his--actually, they both view each others' shame as less justified than their own. Because, again, remember, everyone who's ashamed of themself thinks their shame is justified. But they're both able to recognize that they're having the same feeling, and that feeling is holding them back from so much in their life. It's trapping them in constraints and limits.
And the only good and useful way forward, for either of them, will have to be self-acceptance.
Yeah, Jinu's shame stems from his choices. The movie challenges you to think about that--it says, okay, so you sympathize with Rumi. Now what about someone whose shame comes from their actions? Will you extend him the same grace? He's suffering in the same way. Or is there a line you can cross, something you can become that degrades your inherent worth and makes you less deserving of help and support?
Because, you know, if there is a line, everyone who has shame is going to think that they've crossed it. No matter what. That's what Rumi thinks of herself.
Jinu, I think, is for all the people struggling with shame who looked at Rumi and went "okay, maybe her shame isn't justified, but mine is. I'm not like Rumi, I'm actually bad." Jinu is the movie's way of doubling down and saying, no, we mean it. Shame is never useful. Everyone deserves freedom from shame. Everyone. Yes, even you. There is no line you can cross where you don't deserve that anymore.
That's the point they're trying to make by making Rumi and Jinu narrative foils.
btw, before I get comments arguing about how shame can be a useful motivator: I use a very specific definition of shame and a very specific definition of guilt. Shame is when you feel that some part of you is inherently bad in an unchangeable, immutable way. Guilt is when you feel that you've done something bad, but that you yourself are not inherently bad. Guilt can be a useful motivator to change your behavior, shame can usually not. I learned in a sociology class I took in college that they've actually done studies on this--generally, shaming someone for what they've done or who they are is counterproductive. The person usually either learns to hide the behavior/trait they're being shamed for better (but continues it in private), or leans into it more as a way of lashing out. Guilt tends to be much, much more useful towards changing someone's behavior. I don't have the study cited anymore because it was in my textbook, but here's a psychology today article that echoes a similar sentiment to what I'm trying to explain.