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conversations overheard through the batkid com lines pt 5 (masterpost here)
Dick: ok i think that's our guy. you ready to- *pause* Hood.
Jason: *distracted questioning hum*
Dick: who are you texting right now? we're supposed to be working.
Jason: yeah, yeah- i'm paying attention, i am, it's just the demon brat.
Dick: wait- you're texting Damian?!
Jason, casual: yeah, he's still pissed that Bruce's made him go on that overnight fieldtrip. been complaining to me all day about it.
Dick: *incredulous noise* i text him once to ask how it was going and he told me if i kept 'hovering' he'd block my number! how come you can text him all day and i get banned instantly?!
Jason: because i'm the fun brother?
Dick: you are not the-
*distant ping* *a snort*
Dick: -wait what'd he say?
Jason: uh, 'this is fucking stupid, i should have stayed in the desert'. hold on, let me voice message him back a sec and then we can go jump our target.
Jason: *throat clear* you should just shoot up the school, it would solve all your problems instantly.
Dick: JASON JESUS CHRIST-
Jason: don't fuckin' yell in my ear! and don't yell my goddamn identity, what's your problem?!
Dick: you can't say that shit to him!
Jason: see this is why i'm the fun brother. Damian'l find that funny, you guys are all just cowards.
conversations overheard through the batkid com lines pt 1 (masterpost here)
Jason: yeah me and B are on ok terms now,
Dick: oh you guys are getting along-?
Jason: well we’re doing ok, I’m not mad at him anymore.
Dick: thought you wanted him to kill the Joker?
Jason: i did, but then like last week i went to the manor and i saw him smash the coffee machine with a hammer because it didn’t fill his mug enough; and i just don’t think he’d be a good killer.
Dick: *light wheeze* because he broke the coffee machine?
Jason: well it was just- *cracked grin* he gets- he gets angry, you know? and he’s not good at self control? like that machine did nothing and he just destroyed it. and i was just thinking about how, like, he decided that adopting kids was an acceptable thing to do, and now he has like eleven of us,
Dick: *silent cackles*
Jason: like he can’t see a kid without thinking ‘wonder if i can draft this one’. i think if we managed to convince him killing was ok it wouldn’t go well. he’d just keep doing it.
Dick: *through laughter* because of no self control?
Jason: yeah, like once he crosses that line he’d probably step over it at any minor inconvenience. he gets addicted and he gets mad at a lot of things.
Dick: so B shouldn’t kill?
Jason: no.
Dick: but you can?
Jason: well i- *wheeze* i have practice honing the rage, i don’t kill for stupid reasons. *pause* apart from that one time.
Dick, audibly amused: what time?
Jason: i sneezed and accidentially pressed the trigger.
Dick: *loud cackles*
Jason: i felt bad, man, like his cat was there-
Dick: *falls off his chair*
Jason: how are you this apathetic.
Dick: is that where Damian’s new cat came from?
Jason: it’s not like i could just leave it there!
Dick: i thought i saw trauma in it’s eyes. it had that wartime stare.
Jason: the blood spattered right across its fur. i had to bathe it.
Dick: Damian thinks it has anxiety
Jason: anxiet- dude it has more than anxiety, it has fucking PTSD-
conversations overheard through the batkid com lines pt 78 (masterpost here)
*gunshot*
Jason: yeeeeee~ boi! dude, these guys suck.
Bruce: Hood, *grunt, harsh impact* just focus, please.
Jason: wa-wah wah, you’re always so against mid-fight chatter. we’re winning, aren’t we? anyway, what were we talking about?
Tim: *yelp* sHIT- man i hate when the bad guys get creative with weapons. fuck you for bringing hairspray and a lighter, you asshole.
Damian: i believe we were talking about whether Robin was ‘worth it’.
Jason: oh yeah. what’s your verdict?
Damian: well for me? yes. if i wasn’t Robin, then i wouldn’t have been present and capable of supplying this man with a lighter so he could throw fire at Red Robin.
Tim: ROBIN-
Bruce, sternly: Robin.
Jason, over more gunshots: *laughing* ok what about you, Replacement? was Robin what you wanted it to be?
*crashing, groans of pain*
Tim, panting: eh-? oh, no, not even close. i thought i’d get to rescue so many more bullies than i did.
Damian: …what?
Jason: yeah, elaborate.
Bruce: i need somebody on my six, Robin get over here. Hood, can you and Red Robin get to the hostages?
Jason: yeah yeah- sh, hold on. whaddaya mean save more bullies?
Tim: well… *gunshot* jesus- *punching sound* you know, it’s like that common trope in teen superhero movies? the bullied kid gets powers, becomes a hero, and then in-mask rescues their high school bully from a villain to show that they are stronger both physically and morally. i wanted that moment, but i never fucking got it, and it really pissed me off.
Damian, slightly strained: you are a very strange boy, you know that?
Tim: shut up, you literally grew up in a cult.
Jason, amused: *snickering* are you- so are you saying you got bullied in high school?
Tim, bland: yeah. lotta people thought i was a peeping tom because of the camera hyperfixation, so ‘peeping Tim’ was a common nickname back then.
Jason: *cackle*
Damian, absently: ‘thought you were a peeping tom?
Jason: *cackling harder*
Tim: *outraged* NO?!?
Bruce, hissing: no names in the mask—we are in the middle of a mission!
Jason, still laughing: calm down, me and peeping Tim over here are alone, we haven’t made it to the hostages yet.
Tim: SHUT UP. I WAS NEVER A PEEPING TOM, OH MY GOD, I JUST LIKED TAKING PHOTOS OF VIGILANTES DOING COOL FLIPS IN THE AIR-!
Damian: i have seen photos of Hood shirtless during his Robin days.
Tim: *sputtering*
Jason: *laughing even harder*
Tim: how is it my fault that this idiot got his top splashed with acid mid-photo?!!?!
Jason: i take it- i take it back, i’m no longer surprised you got bullied, this is awesome.
Tim, whining: shut up!
Damian: honestly Red, a single nickname does not seem that bad. i have witnessed much worse. i have done much worse.
Tim: oh no, i got beaten up a bunch too.
Jason: tracks.
Bruce: Robin, what do you mean you’ve done much worse?
Damian, completely serious: it’s Gotham public school, Father. it’s kill or be killed.
*a beat*
Bruce: …you don’t go to public school.
Damian: …i don’t? it’s a school built in a public area, isn’t it?
*another beat*
Bruce: ok, you don’t know what a public school is.
Jason: Red i hope you know i’m literally never letting the peeping Tim thing go, like ever.
Tim: honestly? not the worst name i got called. i skipped a couple grades and made the mistake of carrying a briefcase once.
Jason: …so?
Tim: i got called Young Sheldon so much that the school counseller thought i’d transitioned and Tim was my deadname.
*another beat*
Jason: *abrupt breathless cackles* OH MY- OH MY GOD THAT’S SO GOOD- *choking wheeze*
Tim, dry: yeah thought you might like that.
Jason, still losing it: WHERE’S MY- FUCK I NEED TO TEXT DICK- *more wheezing*
Tim: i hate having older brothers.
Damian: you did literally give him this yourself,
Tim, whining: -i know! i forget how much of an asshole they both can be.
Damian: so you never got to save any bully from a rogue?
Tim, forlorn: no. one of my old bullies ended up working for Scarecrow, though?
Damian: *interested hum*
Tim: yeah, but apparently he got drunk and sucked on a pipe of fear gas thinkin’ it was helium. had a panic attack and broke his legs jumping into Gotham harbour.
Bruce: i would like to circle back to Robin claiming to be a bully.
Damian: i only beat up those who deserve it!
Bruce: son, you shouldn’t be beating up anybody. you don’t have the right to decide who deserves to be physically assaulted, you should know this.
*a long stretch of silence*
Damian, blandly: uh-huh. your knuckles are bruised. *pointedly* did i do a good job watching your six?
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"I don't understand how this still keeps working." "Well, the flesh is weak, and you are attractive." "I guess... But I just don't see why people are so easily manipulated by it, I mean, I don't see it the appeal." "Wait... Are you telling me you of all people, are ace?" "What's that?"
An Archive of Our Own, a project of the Organization for Transformative Works
"I don't even know if you're real.”
They'd both tried to reach for Shoko when she'd retreated, but her words make them both stop. Shoko shouldn't feel bad, but she does, because the real versions of them would be offended. Hurt, maybe, on the inside. These things seem so inhuman and so like her friends at the same time, behaviors oscillating rapidly between those of malicious curses and those that could only belong to her dead classmates. In the event that they are real, they'd want her to elaborate.
So, even with raw eyes and a wobbly voice, Shoko sniffs, looks at the blankets, and explains, “I can't tell if you're just echoes. How am I supposed to know if you're you or if you're just obeying my unconscious desire for something that's gone? What inside joke do we have that a curse connected to my soul couldn't find for itself by fishing through my head? How do I prove to myself you guys are who you used to be?”
A warm ceramic hand reaches for Shoko's again, ridged joints odd against her skin. Reluctantly, she lets the pale, too-smooth fingers fold into hers this time, and the hand squeezes softly in gratitude. In her peripheral vision, she observes the other doll hand reach over to poke the black blob of cold on Shoko's other side and point at her bedside desk. Maybe-Getou nods and starts rifling through the top drawer and comes back with a felt-tip pen, which he holds out by the cap. Maybe-Gojo tugs the pen out of its cap, and then, in Shoko’s palm, draws a fucking penis.
Silence.
He scribbles down next to his crude little doodle, Would an evil curse draw dicks on your hand?
There are obvious, less obvious and ghostly queer characters in JJK, and I thought of writing them down in order of textual presence.
(Text, subtext and interpretation, are not interchangeable concepts.)
Text: trans, genderqueer, genderfluid
Even though Kirara is neither called trans nor does she call herself that, the manga (a shonen title in Weekly Shonen Jump, that's why the word trans doesn't appear) couldn't be more explicit that she transitioned from male to female. Gege achieves this with contrast: Kirara couldn't look and act more feminine while Panda confirms to Megumi that she's male.
Some might argue that Uraume is also trans but I'd say they're presented to be a mixture of genderqueer, non-binary and bigender. Eg. the first mention of them explicitly says they're androgynous. The manga then makes sure that we never get a clear explanation of their gender, neither with characters talking about them, nor with a drawn panel of their body, nor a difference in their appearance in the present and the past.
The later reveal from Gege that Uraume was originally male and was then reincarnated into a female body should, in my opinion, not be understood as a starting and endpoint of a transition, but as a timeless "inhabiting both a male and female body".
Kenjaku doesn't need much of an explanation as he (or she or they) has no problem inhabiting male and female bodies. He jumps wherever he wants to go, but unlike Uruame, he isn't androgynous about it; he clearly presents as male or female. He also never comments on changing his gender so genderfluid is the best description for him.
Subtext: bisexual
I have seen many, many people not understanding what subtext is, so here is an explanation for that first, taken from Wikipedia:
Subtext is "the underlying or implicit meaning that, while not explicitly stated, is understood by an audience."
Is Kirara being trans subtext? No, because the contrast that Gege uses for her reveal is too heavy for that and straight up slaps you in the face. But Megumi's first interaction with Todo and subsequent implications aren't.
Todo asks Megumi what type of woman he likes. Then he adds that he can also like men.
In Japanese, it's common to either omit gendered pronouns or use words for "person" that don't have a gender marker either. This does not mean that everyone talks queer with each other. In context, everyone knows about who or which gender someone talks about, and in 99.9% of the time, heterosexuality is the underlining assumptions and reality everyone brings to the table for those conversations.
Todo, however, expands that context into gay territory and that for the only time in the entire manga. Answering without gender markers now is an explicit acknowledgement of that new context. In this case: that Megumi is interested in both men and women.
Subtext, baby.
(Additional subtext here is that Megumi has a one-sided crush on Yuji. This comes from his answer to Todo about liking people who are like his sister. And who is someone he constantly compares to his sister? Yuji.)
Interpretation and Metatext: gay couple
Satosugu is probably the one where opinions vary the most, and as I don't care in any way about this ship, I can't make a comprehensive list of canon interactions and themes about them being (spiritually) together. From what I've seen talked about, some basic facts have to be laid out first.
Canonically these two are not a couple nor are they portrayed as gay in a textual way. Geto and Gojo have room for queer readings of course, especially in relation to each other, but any subtext you might see for them can also be interpreted differently. What these two have between each other is something we've seen in countless other explicitliy heterosexual manga as well.
But here comes the big But (from someone who is bored to tears by stsg): Unlike other shonen best buddies turned enemies, there is a solid foundation for a gay interpretation. A metaphorical groundwork for Gojo and Geto being star-crossed lovers who couldn't be together/get together just to end in tragedy with one of them having to kill the other.
What's unique with these two and with JJK overall, is that the author, Akutami Gege, is also a fan of gay stories. That man is a fudanshi and has listed BL titles as his favourites. The metaphorical groundwork for satosugu is in how they're portrayed in the manga, coupled with how Gege could write them like that intentionally.
(Really often, anti ship people will say things like "the mangaka would never write them like that, he would never want them together, it's illogical to push a queer agenda onto an author who has nothing to do with queer things." Well, Gege has sth to do with queer things. He reads and likes them and is open about it, too.)
As a reminder: Japanese society is rather conservative especially when it comes to demographics that WSJ aimes their titles at. If Gege wanted to write a battle shonen with an explicitly gay protagonist, WSJ would gently push him towards another publication or make him change his mind. Outside of a little bit of subtext, they would also never allow a male protagonist to be queer in any way.
On a metatextual level, Gege would be open to write a tragic gay love story but the place he could write it in wouldn't allow for it. This gives weight to any gay interpretation of satosugu that other pairs like them don't get because their creators aren't known for being open to queer writing.
-
That got rambly at the end but when it comes to stsg my thoughts aren't that concrete because I simply don't think about them that much. But as a quick recap this late into the night: Kirara, Uraume and Kenjaku are textually queer (canon). Megumi is subtextually queer (canon). Satosugu is widely open for a queer interpretation (non-canon).
Hi guys! I've noticed a lot of stuff both in the show and the fandom recently and I thought I would compile my thoughts in an essay as practice for my exams!! Please be nice and give me your thoughts!! Reblogs are very much appreciated 🫶
Firstly, JJK has a wide array of queer coded or canon queer characters. A few examples of this would be Megumi, Kirara, Uraume, Mai, and Mahito. Homophobia is an issue I've taken particular notice of recently. To begin, JJK has a lot of implied queer action going on, from Todo hinting that Megumi might be attracted to boys rather than girls (and being very chill about it too, unslanderable king) , to Gege indicating that Mai might be into girls. Gege also stated that he drew on a BL he likes to write Gojo and Geto's relationship. The addition of queer undertones in the show appears purposeful. Of course, as with any fandom, there are lots of ships. These ships are usually based on real reasons, like story, tensions between characters and emotional connection.
A common accusation is that MLM or WLW ships are 'fetishisation', meaning people assume fans are sexualising queer relationships rather than engaging with character dynamics. The term is often used loosely by some fans, without a clear understanding of what it actually means. The misuse of the term diminishes the issue when fetishisation does occur. A common argument against the very popular ships ItaFushi and SatoSugu is that 'cant two guys just be friends'. This obviously comes from a place of frustration, they see it as platonic, and get mad when someone else sees the same relationship as romantic. Most people who ship either of those ships will be able to see the platonic side, because at the end of the day, its a headcanon. Shipping is inherently down to interpretation, and you can interpret media differently to others. Often, people will promote straight ships like YutaMaki or GojoHime, and use them to dog on queer ships, saying things like "can we normalise straight ships," Straight ships have been the norm for centuries, so framing them as marginalised within fandom spaces ignores the long history of homophobia in society.
This all stems from a lack of fandom etiquette, the concept of 'don't like, don't read' may be familiar with AO3 users, but it carries across all elements of fan culture. If a person doesn't like a queer ship, they don't have to ship it. Another argument is that its 'mischaracterisation', which it usually isn't (especially Satosugu). However, if a ship is mischaracterisation, that shouldn't matter, its an opinion, not a fact. Some people, particularly male fans, use these arguments to dismiss or ridicule fangirls, reinforcing both misogyny and gatekeeping within fandom spaces.
Kirara, who has recently been in the spotlight, is widely understood to be trans. Shes an excellent portrayal of a very underrepresented community in anime. Some fans seem to have a big issue with this, claiming that Hakari is gay instead. The blatant transphobia shown by these people is deeply concerning, misgendering her out of spite. Furthermore, some people think its acceptable to comment on her genitalia, making crude comments about how they 'Don't care and they would still crack'. This is completely unacceptable, one of few canon transfeminine characters in mainstream anime and she gets immediately disregarded and objectified as soon as her episode airs.
One thing JJK does excellently is gender ambiguous characters, Kenjaku, Uraume and Mahito could all be considered gender fluid or non binary. Though people still like to hate on trans or trans coded characters, in JJK they are well-written examples of how representation can be integrated naturally into a story. They are accepted by other characters, and their identity is never a point of contention to drive the plot. They are allowed to exist alongside other characters, rather than being ostracised. Despite this, some people will choose to single them out to further a transphobic agenda.
Naoya Zenin is a very controversial character among the fanbase. He's blatantly misogynistic, but people claim to like him because 'hes well written'. This is true, Naoya is a great example of how being raised in a toxic environment can give a person extreme views and deeply embedded misogyny. However, a common opinion is that like Maki, Mai and Toji, "Naoya is a victim too," There is an important difference between a victim of a toxic household, and a product of a toxic household. Maki and Mai were shunned and told they were useless. Toji was ostracised and thrown into a pit of curses as a child. These three are most certainly victims of the Zenin clans abuse. On the other hand, Naoya was constantly put on a pedestal. He lived with extreme privelege, and was always reassured he would eventually be the head of the clan. Naoya becomes an abuser later in live, believing that women are inferior and exist to serve him. Some readers interpret some of his comments as implying sexual violence against Mai, though this remains debated. If interpreted as sexual violence, this would be an unforgivable act, regardless of a person's background.
People who defend Naoya use another argument, that there are other, worse characters in the show. "How can you hate Naoya but love Sukuna or Kenjaku?" Simply put, most women experience sexism on a daily basis, whereas they don't get eaten and shredded by magic powers or get brought back from the dead to participate in a death game. To add to this, both Sukuna and Kenjaku hate absolutely everyone, on the contrary, Naoya hates just women. Others may say that women only like Sukuna because hes attractive, but without his attitude, most JJK fangirls agree Naoya would be pretty cute.
Furthermore one could even argue that Sukuna is actually a feminist character (yes I'm defending sukuna here ik im crazy) Firstly, Sukuna himself actually presents a lot of feminine qualities, during childhood, he was objectified and shunned for being deformed. This could be referring to the idea that women have to be beautiful to be respected in society. Sukuna then overcomes this, becoming the most powerful of his time. Cannibalism is sometimes used in feminist horror as a metaphor for reclaiming agency and power. Sukuna blurs the lines between human and curse, embodying the trope of 'the monstrous feminine' Instead of submitting to his circumstance and trying to survive by following social standards, Sukuna embraced destruction to gain power. This shows a shift in power dynamics we often see in feminist body horror, transforming from prey to predator. Feminist cannibalism is also closely connected to a praying mantis eating her mate, and Sukuna ate his own twin in the womb. This act can be interpreted symbolically, echoing themes in feminist horror where consumption represents transformation and control over one's fate.
Sukuna also shows his feminist side through his actions. He praises Maki for her strength and he also adopts Uraume, who is non binary, indicating that he doesn't care about gender. He is happily willing to fight Nobara, saying that she has lots of 'vitality' he will 'have some fun' A lot of people take this out of context and interpret this as Sukuna wants to sexually assault Nobara. In context, the line appears to refer to the thrill of combat rather than sexual intent. While Sukuna is hedonistic, we see him rejecting the sexual advances of Yorozu, so we can infer he is indifferent to this. In his introduction, he asks 'where are the women and children' The specific mention of women could be an implication of sexual violence, given that Sukuna appears largely indifferent to sexual desire, the line can be interpreted as reflecting his cruelty toward the most vulnerable rather than sexual intent. During Shibuya, Sukuna actually addresses Mimiko and Nanako before Jogo, considering hes from the Heian period, this is highly unusual, perhaps suggesting he once again doesn't care for gender stereotypes. (im a villain not a monster ahh)
Nobara is an kind and confident young girl. Shes decently strong, knows her way around a fight, and yet somehow, male fans still find ways to put her down. The biggest reason for Nobara slander is her 'attitude'. This is rooted in a hatred of outspoken young women. Her personality is similar to Yuji, but while hes 'the goat' shes an 'annoying bitch' Nobara doesn't show romantic interest in her friends, joking that Yuji would get a girlfriend before she got a boyfriend. Perhaps her open romantic desires are off-putting. Nobara has a conversation with Momo during the tournament arc. The message of the conversation was that in society, women need to be perfect to be respected, whereas men just need to be strong. As a result, when people hate on Nobara for her outspoken nature, they prove Momos point. Nobaras character exudes self love, and she doesn't rely on male validation, which often gets interpreted as having a big ego, which isn't the case. Nobara in this scene has a sort of girlboss moment, she says she loves herself when shes pretty, and when shes kicking ass. This is a really nice sentiment, and its great for young girls to hear. However, framing the moment purely as a "girlboss" scene can sometimes overshadow the deeper message about systemic misogyny in Jujutsu society. (a metaphor for women in professional settings perhaps)
Maki is another character brought up in the conversation about JJK and feminism. She overcomes her misogynistic clan and annihilates them. This part of her storyline is empowering and its great, no issues here. Unfortunately, some people sexualise Maki (calling her mommy etc) which is fine in theory as its just headcanon. However, it leads to the feminisation of Yuta in their relationship, people say she is the 'man of the relationship' This implies that women cannot be strong and empowered and feminine at the same time. Before Maki was burned, she was quite feminine presenting, we see her in skirts, legwarmers and with long hair. This is before her awakening, so she was weaker. After she is burned, she starts wearing trousers, showing her arms and has shorter hair. As Maki became less feminine-coded, some male fans appeared to respond more positively to her character. It’s positive that male viewers admire strong female characters, but admiration should not depend on those characters adopting traditionally masculine traits. There is nothing wrong with Maki being more masculine on its own, but its something that's happened with Megumi too.
In season one, Megumi is a very feminine presenting man, notably, he has very long eyelashes. In the latest season, as hes becoming more powerful, hes no longer animated with his eyelashes. This repeated shift from feminine to masculine presentation as characters gain power can reinforce the stereotype of 'woman weak, man strong' Megumi often gets called a 'potential man' by fans, which implies that because Megumi is more feminine and weaker than he could be, hes not a 'real man' Yuta also gets slandered for a similar reason, because he relies on Rika (a girl) to protect him, hes 'a bum' He also presents more feminine qualities. There is a common theme that femininity means weakness.
JJK also attempts to spoonfeed feminism to teenage boys, through Nobara, Maki and Yuki, they show strong female characters. Another way they do this is through male characters. Todo for example, has an obsession with an idol, Takada. His qualities here are very similar to teenage fangirling. Through this, it tells its male audience that the female audience is chill (like nonchalant Todo) Todo also never questions anyones masculinity, and hes also never homophobic, presented through his scene asking Megumi his type, where Todo assures Megumi that its okay if he likes guys. Megumis response to this is also a model answer young boys could look up to, listing emotional qualities rather than physical attributes.
Yuji answers with his type 'tall women with a nice big ass' This makes Yuji relatable to his male audience, but it doesnt affect how he sees women. Yuji is very respectful of women around him. Not only that, but he himself shows feminine qualities, Traits like compassion and cooperation are often culturally associated with Yin—the receptive or nurturing side of the Yin-Yang balance. Yuji has a fairly small ego, and open body language. All of these make Yuji an ideal role model for teenage boys. JJK excels at showing healthy masculinity in an easily digestible and appealing way.
Anyways I hope you guys enjoyed!! pls feel free to disagree but also pls be respectful, interact if you liked it!!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anyway, homie is, like all wealthy white dudes, egregiously imperfect, but he’s definitely fucking trying. So in that regard, he’s valuable because he’s reaching audiences that you personally probably wouldn’t be able to reach, and if you find he has specific stuff on topics you need to persuade people on, he’s a valuable avenue.
“Everything gets cold when I stay somewhere for too long,” Uraume insists. “When I sleep, it gets even worse, and then everyone nearby goes cold.”
“I'm not everyone. I don't get cold.”
“But that’s—”
Sukuna squats his giant form down to look Uraume in the face. “Look at me,” he orders.
Uraume anxiously pulls his sleeves around his arms a little tighter and tries to work up the nerve to obey, but he apparently takes too long, because a hand the size of his head is grabbing his jaw and forcing him to look up. His big fingers smush Uraume's face slightly.
“Do you get cold?” Sukuna asks.
“Yeush,” Uraume manages through his squished mouth.
Sukuna rolls all four of his eyes. “Has the cold ever hurt you the way it hurts others?”
Ah, that's what he meant. “Nouh.”
“The cold doesn't hurt me, either,” Sukuna states firmly, giving Uraume's face a little shake. “Neither does the heat. Lying is for cowards and weaklings who can't meet anything head-on, so when I say something, I mean it. Do you understand?”
Uraume nods as best he can.
“Good.” Sukuna lets go, and then heavily drops himself the rest of the way down onto the ground at Uraume's side. He rests one of his upper arms on his folded up knee, rests his lower arm and other upper hand on the ground to hold himself upright, and then uses the lower arm on that side, the one closest to Uraume, to hold out one end of his robe.
Confused, Uraume blinks up at Sukuna. Context suggests the man is offering Uraume a spot under the fabric, but no one has ever…
Once again, Uraume takes too long, and once again, impatient, Sukuna reaches out to grab him rather than wait. A very large, very warm arm holding a handful of fabric wraps around Uraume's shoulders, and the hand attached to it tugs him inwards so he's held against Sukuna's side. It's… comfortable, but almost painful, too. Uraume is used to the cold. It feels like the sensation of his own perpetually frigid hands being dunked in hot water, except for his whole body. Sukuna himself is like a blazing hearth, and when was the last time Uraume felt this warm?
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