Like. Gojo's entire life revolves around Geto. The entire series happens because he loved Suguru too much to kill him, even though he knew he would have to do it eventually. The world literally went to shit because he wasn't over him

Geto Suguru's life would be completely unimportant to the story without Gojo Satoru, and Gojo Satoru's would be completely unimportant without Geto Suguru. They complement each other. They need each other

Two male betta fishes can't coexist. They will fight and one will die. They can't see each other — even if they're in different tanks, they won't be able to live. They'd eventually tire each other out, resulting in death. The only way for Satoru and Suguru's lives to be able to continue without the other would've been for them to never have met at all. And they can't be together. Not now, not ever again. Not while they're still alive. Not after everything that's happened

The entire story revolves around their relationship. Yuuji is a boy who ate a curse('s finger[s]), and Megumi is the prodigy who befriends him. Satoru is a prodigy, the strongest, and Suguru, the boy whose technique is eating curses, befriends him. The Jujutsu Kaisen story is all about parallels and they all connect to fucking Satosugu. It's all about them

The only reason Kenjaku's plan worked is because the body he used didn't belong to some random person Gojo killed, it worked because the body he used was Geto Suguru's, Gojo's one and only, his best friend. He must be thinking “Thank god they're gay” right now lmao

Gojo fucking hesitated. He hesitated multiple times when it came to Geto. He was supposed to kill him, yet he let him go. He has the Six Eyes, he could've easily tracked him down. He probably could tell if he was nearby (he can recognize Suguru from his scent) and just didn't go looking for him. And he could've so very easily escaped the trap that was set up for him, he was going to run away from it because we see him about to take that step but then Suguru's body shows up and says “Yo, Satoru!” with Suguru's voice and Satoru freezes and hesitates

They weren't able to let go of each other even after years of being separated (like a decade). When they meet, Suguru still greets Satoru warmly

Suguru is pretty much Satoru's moral code. He was the only person Satoru took at least mildly seriously pre-Toji (and we know Satoru just didn't do serious back then). He actually took his words to heart. He was kind, of course (especially from Suguru's PoV, since he's the person that knows him most), and not a bad person, but he wasn't nice. Suguru was always the ‘nice(r) one’, the one who actually had a moral code, while Satoru was more of an asshole to literally everyone and everything (some more, some less), thinking he and Suguru were above everyone else

When Suguru finally snaps (which, honestly. Fair) and goes genocidal (not so fair), Satoru slowly starts to be somewhat nicer and starts applying Suguru's old moral code to his own being — their roles weren't exactly reversed, but now they're not together anymore, so they might as well be. And Suguru was shown for having faith in the school and its system while it was Satoru the one who absolutely abhorred the higher-ups and all kinds of authority, but then it ended up with Suguru being the one to leave and become a cult leader with the blood of hundreds on his hands while Satoru was the one that stayed behind in the same place of the people he despises so much

(Imagine someone saying something like “Sometimes I doubt you even have a moral code” and Gojo answers with “Oh, my best friend my one and only is pretty much my moral code. He went homicidal a while back but it's okay haha” “...Actually, that explains a few things”)

Gojo doesn't have a god complex, but I wouldn't blame him if he did. I mean, he might as well be the closest thing to god human beings have ever seen. He used to put himself above everyone else, when he was a teenager. He thought that, the higher he was, the more he could do. And no one was better than him. But not Suguru. Back then, it wasn't “I'm the strongest” it was “We're the strongest and “We're the best” and “We're the ones that will beat you” and “We're the duo” and it was all about “us, us, us, us, us” instead of “me, me, me, me” like people thought it was — they were a pair. They still are

We know people thought and still think of Gojo as a weapon. As something that must be controlled, because on the moment he decides he doesn't want to be around them anymore, he could just straight up kill then without any effort (but getting rid of people in positions of power only gets other people in positions of power and it'll be a neverending story, and Gojo knows this so he's trying to do his best to fix it all through the younger generation, by letting them live). And we also know that Suguru is one of the very few people who did not believe that at all

Like their personalities and characters and stories and literally everything, their names complement each other. Gojo Satoru and Geto Suguru are such similar names, I get them mixed up all the time (the amount of times I've called them “Gojo Suguru” and “Geto Satoru” is embarassing. Also, “Saturu”. “Goto”. “Gejo”. Ugh). Both of their last names start with a G, end with an O and have 4 letters. Both of their given names start with an S, end with an U and have 6 letters. They complement each other. They need each other

The only times we've seen Gojo with an expression of actual pure, raw emotion is when it's about Geto. When he finds out about what Geto did, when he realizes how thin and wrong Geto looks, when he sees him again for what we assume to be the first time in years, when he dies, when a thing wearing his corpse and using his voice greets him (“Yo, Satoru!” oh my god)

Suguru was able to fight back when in Kenjaku's control after Satoru said his name. Kenjaku himself says that had never happened before

Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.

A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness

Then we have this heartbreakingly beautiful moment with Gojo and Geto:

I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.

Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look

Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.

Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.

The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.

I've always really loved how Geto's trauma has been portrayed. His weight loss is a small detail that I love even though it's sad and besides that his messy, unruly hair (even in scenes where he had his hair tied in a bun it still looked unkempt) and the way he didn't even wear his uniform properly anymore... :( These little details make his story so sad; he didn't have the motivation anymore to do even the simplest of things. This is something that is very important to show when you're portraying depression and trauma in media and Gege (and Mappa) did it perfectly.

For anime onlys this episode was really important. All they know about Geto is from the movie where he was an antagonist and it's important for them to know what exactly happened that made Geto become like that.

Geto was empathetic, kind, caring, and loving. But he's the one who suffered the most from being a jujutsu sorcerer. First of all, his cursed technique is the hardest both mentally and physically. It's literally described as “the taste of a cursed spirit no one knows... Like swallowing whole a cloth that was used to wipe up vomit”. Consuming people's negative emotions daily? It's understandable why Geto felt so shitty after doing it.

But after seeing people cheering at Riko's death, seeing his friends die protecting non-sorcerers, seeing a whole village of more than a hundred residents call on for the death of two little girls, it's very understandable why Geto just snapped. He undertook so much burden and pain, so much suffering and hardship, and all it resulted in was humans mistreating sorcerer's in such a horrible way.

That's when this quote comes: “it's just that in a world like this, I couldn't laugh from the bottom of my heart”. He couldn't live in a world where he and other jujutsu sorcerers were treated in such a way. And that's how he started away from his ideals.

I really hope I don't have to see anime onlys blindly hate on him anymore now that his full story and trauma is in front of them.

everyone and their mothers have talked about the kfc breakup scene to hell and back, we've gotten a dozen and more think pieces about the episode on twitter and tumblr and wherever else, but I really needed to add my two cents because it's been on my mind ever since I watched the episode.

something fun I've noticed about mappa's adaption of jjk is the way they animate gojo's technique—specifically in relation to his eyes.

I just had a chat with one of them and pointed out how I love friendships and queerplatonic relationships but satosugu is very much implied to be romantic, pointed out the whole theme of "love as a curse" in jjk 0 and the parallel that exists between Riko & Yuta and satosugu. How gojo killed geto in the most romantic date of the Japanese calendar, how geto asked gojo to curse him a little bit. Then their whole high school relationship where Gege talked about it being Gojo's first and last warm/blue spring. How it is pointed out that even though sashisu were super close friends Gojo and Geto's bond was just different. The whole Gojo saying he would never mistakes Geto's residual cursed energy. Him being distracted by Geto at shibuya, Geto being his only weakness, the whole six eyes telling him he's Geto but his soul knowing otherwise, and then Gojo telling Kenjaku that they'll have a rematch the 24th of December and Kenjaku calling it romantic.

That and that one song Gege assigned Gojo that I can't remember the name of but it was about heartbreak and the opening 2 having lyrics that are confirmed to be Gojo's pov.

I don't know what more they need.

Fullmetal Alchemist: Brotherhood gets praised pretty often for being one of the only shonen anime with actually good female characters, and I really wanted to talk about what that means to me personally. In general, I think the concept of ‘well-written’ or ‘strong’ female characters often gets watered down to meaning just “a woman who is good at fighting” or “a woman who doesn’t show many emotions or feminine traits”. So, I want to evaluate my personal definition of a ‘strong female character’ using FMAB ladies as examples. Let’s begin!

Winry Rockbell

I wanted to start off by talking a bit about Winry! Something I love about Winry is that in the FMAB universe she’s just a normal girl. Well, as normal as a prodigy mechanic can be. Right off the bat, I absolutely love that this teenage girl is considered one of the best mechanics (which is typically considered a male dominated profession) in the whole show. That already is a subversion of gender roles that just feels pretty neat.

But going back to the fact that she’s a ‘normal girl’, Winry is not a fighter, and that is okay. She is a humble resident of Resembool and has no business getting into gun fights or alchemic battles the way Ed, Al, and the adult military officers do. And this aspect of her character leads to the very emotional scene where Ed tells Winry her hands are made for healing people, not hurting them. If Winry were the only female character in the show and she was told she shouldn’t fight people, that might be a problem. But fortunately, she is not! Which is a great transition into our next character.

Riza Hawkeye

Riza, an incredible skilled marksman and sniper (another skill that could be considered traditionally ‘masculine’) is pretty stoic for the majority of the show, but when she shows emotion, she shows emotion. When the person she loves is in danger, she does not put on a brave front, she full on sobs and screams and reacts appropriately, which is great. She is proof that you do not need to suppress your emotions to be strong and competent.

(Also, her relationship with Mustang is a whole other thing I’d love to praise, but that really deserves its own post)

General Olivier Mira Armstrong

At first glance, the hardened and ruthless General Armstrong seems like she would fit neatly into the ‘strong women don’t show emotion’ stereotype, but I want to talk about why I think she rises above that.

Yes General Armstrong is a badass, but her main thing is that loyalty and trust are essential for leadership, and that having a strong bond with her subordinates gives her a huge advantage over other military officials. The reason why the Briggs soldiers are a cohesive, trustworthy group is because they know that Armstrong has their back and genuinely cares about them. Compared to other higher up officers we see in the show who have subordinates who full on hate them or distrust them, it’s clear that Armstrong is the most efficient at leading due to her genuine care.

Later on in the show, Armstrong also has a moment where she acknowledges that resting after being hurt is the smart thing to do, rather than pushing through your injuries to try and seem strong. I really loved that Armstrong in particular was the one to make that statement.

May Chang

Something I really love about May is that she is very ‘feminine’ in a lot of ways. She is cute, she is very bubbly and positive, she isn’t afraid to cry or to fangirl over the Elric brothers. However, she is also one of the most skilled fighters in the show, and is incredibly humble about it as well. I think May is one of the best examples in the show of not having to forego your femininity to be a badass.

Teacher/Izumi Curtis

Though it is used as a recurring joke (especially when she mentions it after using incredible feats of alchemy) the fact that Izumi self identifies as a housewife is what I like the most about her. It’s not used as an insult, she is a housewife; she takes care of the house while her husband runs their business. But her being a housewife is not a bad thing, that’s literally just what she wants to do and there’s nothing wrong with that. Women don’t have to completely brush aside traditionally feminine roles to be really cool and strong.

In conclusion, imo what makes the girls of FMAB ‘good’ or ‘strong’ is that 1. they are their own people who have their own goals outside of the main characters’ lives, 2. they are able to fight and defend themselves if they so desire to, and 3. they can have feminine traits that have nothing to do with their ability to fight or achieve their goals. Also, the fact that there are so many of them. When discussing any kind of representation, having more than just one person with the trait you’d like to represent is the way to go.

Anyway, I’d like to hear your thoughts! this is obviously just my personal opinion, as I’m using my own cultural concepts of femininity and womanhood as a basis here. So if you have anything to add from a different perspective I’d love to hear it.

Thanks for reading!