Here are seven of this past monthās selections in our ongoing Black History MonthĀ and Womenās History MonthĀ series on films helmed by black women directors:
š A Dry White Season (Euzhan Palcy, 1989): Made at the height of the anti-apartheid movement, Palcyās furious and urgent political thriller remains a textbook case of directorial risk-taking. At its heart is the truth that change can only be brought about if we first open our eyes. š Eveās Bayou (Kasi Lemmons, 1997): Lemmonsās masterful talent is evident in every luscious composition, swoon-worthy color, pitch-perfect performance, and bracing narrative turn as a Louisiana girl gains clarity on the world around her ā and those entrusted to protect her from it. š Finding Christa (Camille Billops, 1991): In 1981, visual artist Billops reconnected with Christa, the daughter she gave up for adoption 20 years before. A decade after reuniting, Billops composed this rueful, docu-fictional examination of the difficult choices that define a life. š Free Angela and All Political Prisoners (Shola Lynch, 2012): Angela Davis put her intellect into revolutionary practice and brought her fight for freedom to the masses. Here, the scholar and prison abolitionist recounts a pivotal chapter, her courage and convictions undiminished. š Gideonās ArmyĀ (Dawn Porter, 2013): Porter is one of our most empathic nonfiction storytellers. Her debut movingly captures the warrior spirit of three indefatigable public defenders in Georgia as they weather heartbreaking losses and narrow victories, dejected but not yet broken. š Happy Birthday, Marsha!Ā (Tourmaline, 2018): Tourmaline and co-director Sasha WortzelĀ commemorate history by treating it as a felt experience. As played by Mya Taylor and captured by Arthur Jafa, Marsha P. Johnson is again a living, breathing being resisting to a song all her own. š Hidden Memories (Jacqueline Frazier, 1977): Frazier evocatively experiments with sound, editing, image, and POV in this gutsy and unusual memory piece. As her protagonist recalls an unwanted teenage pregnancy, Frazier passes no judgment, honoring the sanctity of a womanās choice.
Written by Matthew Eng






















