❣ Chile in a Photography ❣
★
sheepfilms
#extradirty
dirt enthusiast
cherry valley forever
Sweet Seals For You, Always
trying on a metaphor
i don't do bad sauce passes
roma★
KIROKAZE
occasionally subtle
Show & Tell
we're not kids anymore.
YOU ARE THE REASON
$LAYYYTER
Game of Thrones Daily
Mike Driver
Not today Justin
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@mrcyviolet
Aroace person here, was Mariner in romantic love with Canary or was it a qpp/alterous attraction kinda situation? Or is Mariner aro in that he does not frequently fall in love with people, but can still experience romance?
Mariner was not in romantic love with Canary BUT their relationship was a romantic relationship not queer platonic. It's based on my aromantic wife's feelings toward me, where he describes me as his favorite guy that he always wants to be with and spend time with.
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PAGE 74
He's a bad apple.
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A SURPRISE 5 YEARS REDRAW & PRIDE MONTH ALL IN ONE!! 🌈
I had this redraw sketched the beginning of this year but just wasn’t sure what I wanted to do WITH the piece- I got it done not long ago but wanted to revisit it with some text or something and realized pride was LITERALLY the perfect theme. So heres my lil fruit in all his glory!! And damn what a DIFFERENCE to the old one… which you can swipe to the end to see :3 ⋆｡°✩
now I’m curious— if Fearless were born king and Play Piper had been haruspex, how different would the story and the way they act be?
Very very very different. But Fearsome is probably right in that they would be "better" in each other's roles - insofar as much as they would fulfill the expectations of a ruler and a haruspex, and be less frustrated with their lives.
Fearsome as a king would be very tight and strict and run the hive as efficiently as he could manage. The ruler does have total power after all.
Play Piper as a haruspex would be deeply sensitive to prophecies and signs and spend hours and hours working out their meanings in her head.
Sorry for another question I'm just really invested lol. As an amateur artist myself, how do you come up with ideas for your original stories and more specifically, how do you make character designs that look related but still distinct enough to tell them apart? Let's take Sycamore/The General and Aster (+The King while we're at it) as an example, how do you make them look related without giving them same face syndrome? Which is something I'm sure we as artists struggled with A LOT at some point (literally me rn at this stage 🥲🥀)
I don't have much advice for coming up with stories, a lot of it comes from realizing and dissecting what I enjoy. I like stories about abuse/power/control, complicated characters, familial problems, queer people/bigotry against them, and the intersection of all of those things. Almost all the stories I get invested in enough to make a comic draw from several or all of these things. I also just use narratives to work through personal struggles I have.
As for designing characters that are related, it's important to take into account more than just the markings/colors of the parents/child. With your examples of Sycamore/the King/Aster; Aster shares Sycamore's colors-scheme (blue-grey) but body-type wise is much closer to the King (very fluffy/bigger, has the little "bowtie" fluff under his chin. smaller ears.), though, he does share the sleeked back hairstyle of Sycamore.
Markings/colors can help reinforce blood relation, but physical traits should do that as well. I also do like to give children unique traits of their own (Aster's parallel stripe down his back/downward facing cheek fluff) that don't match either parent to make them not just like. the direct middle point between the two, sometimes resessive genes can appear without either parent physically presenting them (two brown eyed humans having a blue-eyed child for example)!
With cats there's only so many markings you can give them, there's going to be repeats, so you should work to distinguish them/denote relation in other ways as well.
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what pages are you especially proud of? (for any reason; the dialogue, flow, art, etc) :-J
Several of the pages I'm particularly proud of have not gone up yet, and won't go up for a while, but I'm partial to 103 (The stupid cat "99 bottles of beer" build up to Condor's last line was so much fun), 162 (I really like the composition of the page and I had a lot of fun drawing all the bubbles/air leaving lain's mouth. sucks that the king is there), and 189 (I like Lain fully snapping, even if it's for just a moment, and I like Mariner's moment of surprise like "oh shit").
I'll give numbers for unreleased pages, but I'm also very happy with 221 (Composition), 230 (Composition/dialogue), 237 (Backgrounds), 268 (Kinda like. everything. lmao.)
Thumbnail contest entry for the "I know the end" map <3 this squirrelstar design is severely epic
Yes!
they could never make me hate you morally gray manipulative female characters who do unforgivable war crimes especially for the purpose of a greater good
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New official Squilf art by Johanna Tarkela!!! She's gorgeous omg
I'm fascinated by how the animators for TADC handle Caine's impossible anatomy so well. There's so much to balance and they've somehow engineered a solution for his expressions to hold during speech.
I also traced Caine answering the phone from episode 4 to demonstrate his phonemes and mouth shapes.
Waves Always Crash /// Page 211
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What was the hardest thing to write, emotionally and technical?
This one, emotionally:
Technically, probably these two.
I said it on patreon and I'll say it again.
Play Piper, you can't "nuh-uh" your way out of difficult conversations
Just WATCH her!
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PAGE 73
End of conversation.
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fearsome looks different
