(this scene is why I watch this movie on Valentine's Day every year)
The Birdcage (1996)
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Mike Driver
untitled
Lint Roller? I Barely Know Her
$LAYYYTER
EXPECTATIONS

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Fai_Ryy
The Stonewall Inn
Jules of Nature

#extradirty
todays bird

Love Begins

Product Placement

Origami Around
cherry valley forever
Stranger Things
The Bowery Presents


seen from United States

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seen from Germany
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seen from Türkiye

seen from United States
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@movienightxx
(this scene is why I watch this movie on Valentine's Day every year)
The Birdcage (1996)

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JENNIFER'S BODY
2009, dir. Karyn Kusama
"THE PRINCESS BRIDE" 1987, dir. Rob Reiner
HORROR FILMS + LANTERNS/KEROSENE LAMPS
THE AWAKENING (2011) dir. Nick Murphy THE EVIL DEAD (1981) dir. Sam Raimi TAKE SHELTER (2011) dir. Jeff Nichols THE WITCH (2015) dir. Robert Eggers THE EVIL (1978) dir. Gus Trikonis INSIDIOUS (2010) dir. James Wan ANNABELLE: CREATION (2017) dir. David F. Sandberg THE BROTHERS GRIMM (2005) dir. Terry Gilliam THE NUN (2018) dir. Corin Hardy DEAD SILENCE (2007) dir. James Wan THE REAPING (2007) dir. Stephen Hopkins THE FINAL GIRLS (2015) dir. Todd Strauss-Schulson FEAR STREET PART THREE: 1666 (2021) dir. Leigh Janiak SILENT HOUSE (2011) dir. Laura Lau & Chris Kentis BRAM STOKER’S DRACULA (1992) dir. Francis Ford Coppola THE OTHERS (2001) dir. Alejandro Amenábar WINCHESTER (2018) dir. The Spierig Brothers
In the early 1930s, scholarly studies were done on the impact of screen stars on teenagers, because of fears that the movies were sexualizing them. These studies found that teenage girls learned sex techniques through watching Garbo’s sex scenes, especially those in Flesh and the Devil; they then practiced her techniques at home with their girlfriends. Raymond Daum described Garbo’s many young female fans as having “schoolgirl crushes on her” that “defined a national idolatry.” And knowledge of Garbo’s non-heteronormative sexuality was spread through lesbian networks “from coast to coast.” Moreover, the 1920s was an era of commercial expansion in which the ranks of saleswomen and typists, careers dominated by young women, increased. These women made enough money to see a movie more than once. They identified with female stars and liked to see them in powerful roles. Greta Garbo in Flesh and the Devil (1926)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I ask for so little. Just let me rule you, and you can have everything that you want.
Labyrinth (1986) dir. Jim Henson
The AristoCats (1970)
#she is such a vibe #literally me every damn day when I inhale my cat #love that fuzz ball #id do anything for that cat 🤌🏻✨
Eternal Sunshine of the Spotless Mind (2004)
BATMAN RETURNS 1992, dir. Tim Burton
THE UMBRELLAS OF CHERBOURG (1964) dir. Jacques Demy

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They actually make physical media for a much larger percentage of movies than they ever did in the past. Often with a lot more care than any small release was treated in the early dvd days. Its just if you only watch streaming stuff or the big new recent box office hits you won't see that. It is so ridiculously easy to get physical media for movies that even 5 years ago you couldn't even find. Like yes Netflix is a stingy bastard but so many things are available on disc WITH special features than ever before
And here is where you can get them! (mostly American)
Diabolikdvd
Grindhouse Video
Deep Discount
OrbitDVD
Barnes and Noble
And specific labels:
Kino Lorber
Criterion
Arrow Films (UK based)
Shout Factory
Eureka (UK based)
Vinegar Syndrome
Synapse
Warner Archive
Indicator/Powerhouse (UK based)
Severin
Second Sight (UK based)
Umbrella (Australia based)
And many of these have sales several times a year so if you're patient you don't need to buy full price for any of it.
For operas, ballets and theatre:
Opus Arte
No, I'm not. I'm not gonna turn the beat around, I refuse to
One thing about living in Santa Carla I never could stomach; all the damn vampires.
The Lost Boys (1987) dir. Joel Schumacher
READY OR NOT (2019) TOP OR CLIFF - KIM SEJEONG (2023)
Late Night with the Devil 2023, dir. Cameron Cairnes, Colin Cairnes

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They Live dir. John Carpenter | 1988
Letterboxd reviews of A Knight's Tale.