The Kissing Knife, The Thorn Knife, The Leather Knife, The Black Knife - Chloe Arrouy
Cosimo Galluzzi

PR's Tumblrdome

Cosmic Funnies
Monterey Bay Aquarium
h
"I'm Dorothy Gale from Kansas"

roma★
cherry valley forever
RMH

if i look back, i am lost
NASA

tannertan36
Lint Roller? I Barely Know Her
sheepfilms
todays bird

blake kathryn
he wasn't even looking at me and he found me

shark vs the universe
YOU ARE THE REASON
seen from Malaysia
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seen from Brazil
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seen from Finland
seen from Malaysia
seen from Malaysia
seen from United Kingdom
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seen from Russia

seen from Germany

seen from Türkiye
seen from Germany

seen from Russia
seen from Mauritius
seen from Brazil
seen from Poland
seen from Pakistan
@mostly-rad
The Kissing Knife, The Thorn Knife, The Leather Knife, The Black Knife - Chloe Arrouy

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finally got one of these!!!!!
Contemporary utopians only consider the efficiency and the abundance of goods and services without sufficiently taking into account the qualitative and material side of production, that is, the autonomy and independence of workers and the sustainability of the natural environment. Their vision of an economy of abundance based on market-driven innovations ends up reinforcing the real subsumption under capital and easily turns into the means of further expropriation from nature and surveillance over workers. Since alienation of work cannot be overcome in this way, fully automated post-capitalism propagates an alternative hope that everyone keeps driving electronic SUVs, changing smartphones every two years and eating cultured meat hamburgers. Such a vision of the luxury future obviously sounds attractive to many people in the Global North because ecological modernization assures them that they do not need to change anything about their extravagant lifestyle. This kind of abundant future appeals to the satisfaction of people's immediate desires without challenging the current imperial mode of living in the Global North. The problem is, however, that such a vision accepts too uncritically existing value-standards and consumerist ideals. It ends up reproducing the social relations marked by oppression, inequality and exploitation that are inherent to capitalism.
Paradoxically, hidden under the optimistic tone of this technocratic vision is actually a pessimistic 'capitalist realism' that holds that there is no strong class struggle to challenge the existing social relations and to fundamentally detach from the capitalist mode of living. People are deprived of the power to transform the system, and this is why technology must play a central role to fill the void left by agency. In fact, this transformation can be implemented without strong social movements, and its promise of a comfortable life appear attractive. Such a productivist vision of post-capitalism ends up endorsing capitalist value- standards under the guise of a grandiose emancipatory project for infinite production and consumption. It gives up the revolutionary subjectivity of the working class and accepts the reified agency of machines as the subject of history.
Kohei Saito, Marx In The Anthropocene
soft grasses
“…she bloomed in his hands.”
— Anais Nin, ‘Little Birds’ (via 89words)

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they should invent a profound love between two people that doesnt involve the power and chance of doing profound hurt
being afraid to reach out to people who you love desperately is like. i dont know what to say but heres a photo of my cat. id lay down my life for you in a heartbeat but i cant picture your face off the top of my head. heres my outfit for the day. do you think im pretty? i think about you all the time. i love you. is it raining there? its raining here. i don't know whether i can talk to you. do you think about me? do you think im pretty? is it raining there? are you cold? im cold. do you still think im pretty?
do you miss me? do you miss me? do you think about me too? do you still think im pretty?
It amazes me how many teslas I see out and about. Like you guys bought one for real? On god? No joke?????
Houtouwan - Abandoned fishing village in China [1400x974]
Tauba Auerbach, Mudra S, 2019

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Ship on a Stormy Sea (Marcus Larson, 1859)
a Summer pool
Robert Newton (British, 1964) - A Darkening Landscape (n.d.)
they diagnosed me with i love you and it’s incurable
i hate to be that guy, but the idea that gender, sex, and sexuality are ontologically pure concepts that can be rigidly defined if we simply police our language enough (our english language, because of course) is—i cannot stress this enough—a total waste of time. you may as well spend your afternoons teaching a brick how to swim

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torn between getting a girlfriend and getting really into russian literature. i feel like the two are mutually exclusive somehow