I wasn't going to reblog this, but then it got to that last one. Mad respect to the guy in that one for holding the pose.

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I wasn't going to reblog this, but then it got to that last one. Mad respect to the guy in that one for holding the pose.

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Willow Park my beloved
Caleb, holding a box: What would you say if I came home one day with six kittens?
Essek: What's in the box?
Caleb:
Essek: What's in the box, Caleb?
Caleb: I think you know.
My bestie harassed me until I made Ozzie. He may have been on to something...
Itās so interesting to me that Kingsley Tealeaf, unlike any of the previous people in charge of that body, does actually take interest in the past and those who came before him.
Molly used to run away from any mention of the person who had his body before hand. Nothing good ever came out of it, and every interaction with that past was intimidating and unpleasant to him. A reminder of the shaky foundation and loneliness his life started in. The only thing he knows, and needs to know, about that person, is that they died, and got buried in a lonely shallow grave from which he had to crawl, empty and alone.
Lucien, when he came back, didnāt want anything to do with Molly either. He didnāt care for āthe speckā, he wanted nothing to do with the full life he lived, with the person he was. That person was nothing. There is only Lucien. Even as he yearned for the things Molly left behind, the warmth and love that the Nein had for this thing he saw as insignificant (yearning enough to consume, to try and pull them into himself and devour them to maybe feel their warmth), he never bothered trying to understand why. He didnāt have to crawl out of the grave probably, he had Cree to help him out, but he was still the man buried once before, not too far from this grave.
But Kingsley? Kingsley Tealeaf was born in the open, surrounded by people he barely recognised, but immediately showed him care and love. He was covered, warmed, held. Even when he found words again (with help and meddling from these people, who had been there for his entire life), even when he tells them āI am not the person you wantedā, they love him anyway. They donāt leave him. They tell him about the past, and he listens. This isnāt him, this person theyāre describing with so much love, but⦠itās not a stranger. Not an adversary. A brother. Someone he shares some things with, someone he can pay homage to, who came before him and paved some of the way. Who, in death, gave him the gift of a stable foundation, of people he can come back home to, who can tell him about what the world used to be for this body heās in, and who the person who came before him was, when heās ready.
And maybe sometimes they get sad. Maybe sometimes they look at him weird, like they are grieving. They are! They are grieving a friend they lost, but theyāre not trying to force him to be that person. They help him find out who he is instead. And with that security, the knowledge that he can forge a future without expectation to repeat the past, he can look back and find out who these people who came before him were. Because when heās confident heās his own full person, these other people arenāt a risk to his identity, just a facet of the past he gets to explore.
He called his ship the Mollymauk. The vessel that carries him into the future named after the brother who in death left him the foundation of one.

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Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!
Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.
Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)
Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch youāve ever met in your life.
Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!
Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks
Modern writing advice: Itās all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! Itās a character arc! Itās called growth! Readers love it!
Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row
You all have no idea how consoling I find the fact that Moby Dick exists
Tbh I need to take more advice from classic lit and just say fuck it
Let. The protagonist. FAIL. As a treat.
Husker and Maggie Wallpapers!
These are, again, from the Hazbins & Wanna-Bes universe on AO3. I drew them and wrote them, but they are inspired by the Hazbin Hotel characters, Husk and Vaggie.
my fave writing reminder
honestly, this phrase has been on my mind more times than i can count. i've kidnapped it, taken it as a hostage with no ransom money because i need it to live permanently in my head.
@desired-misery
every writer has That One Scene that lives in their head rent-free but they canāt write it yet because āthe vibes arenāt ripeā
this post is utterly incomprehensible to me
hey this same post cost an arm and a leg to make

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Do not talk to me if you like to sleep in and read books I am on that grind set right now and it's not working and I've made mistakes
Well, shit, I just got cucked by Pukicho... Janet! 1000 bottles of your finest booze!
look at these two charactersā¦wouldnāt it be a shame if theyā¦tenderly rested their foreheads togetherā¦
Sketch for my next wip!
Realized I havenāt drawn Caleb enough
I love them
Also firelight is so fun to draw canāt believe I didnāt do this sooner
They couldn't add Angel Dust to the announcement because they knew putting him in the same frame as Stolas and Fizzarolli this early would be serving such cataclysmic levels of cunt that all devices would have imploded before Alastor got the chance to cut the transmission.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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these two freaks are gonna meet each other I'm not ready
Okay, first of all, they 100% fucked.
Second, I'm just excited to find out who Travis wanted to put a hit on because I bet it was whoever "directed" Girls Gone Wild.