
if i look back, i am lost

PR's Tumblrdome

romaā
we're not kids anymore.
Mike Driver

ā
h
YOU ARE THE REASON
sheepfilms

titsay
Today's Document

ā
Stranger Things
NASA
Monterey Bay Aquarium

izzy's playlists!

Discoholic šŖ©
$LAYYYTER
seen from United States

seen from United States
seen from China
seen from United States

seen from United States
seen from Italy

seen from Georgia

seen from United States
seen from France
seen from United States
seen from Indonesia
seen from United States

seen from Malaysia

seen from United Kingdom
seen from United States

seen from United Kingdom

seen from Hungary

seen from India

seen from United States
seen from Romania
@moonsingh

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
oh jonathan weāre really in it now
maybe next iāll give judas a try
house md 4x16 wilson's heart // 5x20 simple explanation // this tumblr post
Heart eyes Cameron is back and sheās in it bad for House

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Prodigal daughter
We need more women in media who are just a pathetic mess. And no, I donāt mean like a damsel in distress type of pathetic mess. I mean like a Jonathan Sims type of pathetic mess.
I think we are having so many fights in the Magnificent Century fandom because it is an extremely thematically bleak soap opera where all characters are having conflict with each other, where no romance or friendship (bar a couple of exceptions) lasts or is allowed to be meaningful, and which itself purports its ending to be āthe end of the glory days of the Ottoman Empireā (the empire lasted for 360 years more). Not to mention the sexism and the overuse of suicides.
I am not scolding anyone here. I myself was a big part of the problem as well. I am self-criticizing more than anything else. But after experiencing the joy of non-soap opera fandoms in the last few weeks I truly am beginning to think that Magnificent Century itself breeds conflict and rivalry.
I hate how people treat the "found family" trope. Cuddy and Wilson were arguing about House like a mom and dad and if I ever say that I can't then say they shoul have a threesome because people would see it as problematic.
When you liken a dynamic to a family one it's just a nifty detail. Not absolute reality. Cuddy didn't birth House. They can fuck. They can fuck while Cuddy and Wilson play house with House. It's not incest. Stop problematisizing healthy ships with the found family name.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
thirteen's amber
wilson's heart is less about amber, but about how others, especially house and thirteen, saw amber. the episode opens, post credits, on each of the characters watching amber through glass. if this were a normal potw, we would've met their friends and family, like foreman's father in euphoria. if this were any other patient, we would've learned what was motivating their drug use when the team finds diet pills and amphetamines, but here, the revelation serves only to show how the characters (including wilson) didn't know her as well as they thought they did. we see only a fleeting glimpse of the real amber.
house's visions of amber are stylized, flickering between potential sex object and purveyor of wisdom. she is even costumed differently, in sleek pantsuits, where the real amber wore prim sweater and skirt sets. in the wake of several episodes of the show telling us that amber is a female house, house's amber is an embodiment of his subconscious: his imaginings of what could have been, his guide to what just evades his memory, and the voice of what he knows is true.
for thirteen, amber is like a shadow self. they were positioned as rivals in the games arc and their fates are inextricably linked: because of thirteen's mistake in 97 seconds (incidentally the last episode where the patient dies), foreman was brought on and house had to make his gender play to hire three fellows--meaning he had to pick between thirteen and amber. house picks thirteen, and wilson was drawn to amber in her hour of need. if any of these dominos had fallen differently, maybe amber would've been working that night, along with the rest of the team. maybe it would've even been thirteen who was seeing wilson and who got house's call that night--after all, when house learns about wilson and amber, the first thing he asks is, "she's not dying, is she?"
though house dismisses it offhand, i think thirteen is stricken by guilt. like house's role in amber being on that bus, thirteen played a role in amber ending up in this position, however attenuated. now, having won the fellowship over amber on, essentially, a coin flip, thirteen is watching amber seemingly dying in her place. thirteen couldn't even touch amber because she bear to be another link in the causal chain causing her death--because it should've been her.
but there's more than that. if amber resented thirteen for the apparent ease with which she moved through life, i think thirteen saw in amber a kind of fearlessness she lacked. where thirteen was happy to fade into the background until house picked her out, amber took her own fate into her hands. where thirteen--living with damocles' sword over her--has always had one foot out the door, amber extracted every last drop from life, whether that was a fellowship spot or a deal on a mattress.
amber's death shook thirteen so much because to thirteen, amber's mortality felt impossible. wilson's heart is so emotionally effective because it plays on the injustice of the situation. house is supposed to do the impossible, but when it mattered most, he was powerless. where house's superpower is diagnostics, amber's was playing the system. she was supposed to have found a way to save herself even if she had to screw over everyone else. in thirteen's mind, amber was supposed to bury her, not the other way around. but by trying to give herself a minuscule advantage over the flu, amber sealed her fate.
it is as if thirteen and amber traded places. for the hour or so she is awake, amber is in the same position as thirteen post-diagnosis: alive, with full, graphic knowledge of her inevitable death. cuddy thinks that amber would've wanted that last hour anyway. that's probably true but amber doesn't get to choose. amber makes only one choice: she tells wilson that it's time. amber--amber who fought everything tooth and nail--goes to her death without a flicker of rage.
thirteen, paralyzed by indecision, makes two choices: to see amber and to be tested. in one of the final episodes of the series, wilson asks thirteen what it's like to be dying, and maybe thirteen, seeing amber on the precipice of her own diagnosis, wondered the same thing. if house was reluctant to rejoin the land of the living, thirteen has been on the bus her whole life, in the liminal space between life and a truth that was too hard to bear. thirteen thought that not knowing made her braver, but being brave and bold and brilliant didn't save amber. so for once in her life, she does what amber would've done, if she had the choice: she gets off the bus.
House 1x17 Role Model
computer what is lor thefangedmanās favourite ship
6x07 Teamwork / 6x19 The Choice / 6x06 Known Unknowns / 6x21 Help Me / 6x19 The Choice
MuhteÅem Yüzyıl (Magnificent Century, 2011) Music: Saint Avangeline - Lilith Character: Hurrem Sultan

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Hi , thanks for your answer on Beren kosem and all the other add on things. Can you also tell your thoughts on Nurbanu too like you did with early Kosem, thanks!
I know Iām supposed to say something in depth when Iām asked these questions but like others here who donāt like Nurbanu, Iāve just never been invested in her character from the very beginning. I do wish she had better character development instead of it feeling forced. Iām going to be also real I have no idea on which episode I am of season 4 I stopped keeping track after episode 112 oops. Anyway, I zone out whenever Nurbanu is on screen I swear sheās so uninteresting to me like itās the same when the pov switches to Mustafa I couldnāt care less. š¤·āāļøI wouldāve dropped season 4 if I wasnāt watching it with a friend to pull through. So far Hürrem, Suly and Rüstem are carrying s4 on their backs. Last nights episode had me like this icl š„±
Nurbanuās ass does not get better it only gets WORSE. I donāt like her for the same reasons I donāt like Berenās Kƶsem. Too much plot armor, always getting their way and both were acting like mean girls with almost no consequences for the things theyāve done, entitled as fuck and so on. I noticed early on how Nurbanu was written to be similar to s1 Hürrem but it just didnāt work because they are not the same. itās tiring to see ppl comparing them in every little aspect of their characters. Iām still thinking of that AU where Nurbanu and Nazenin switched places which wouldāve been interesting if executed properly but we got yet ANOTHER concubine arc with her why do we need to have that every season only for it to be forgotten a few episodes later. The whole nurbanu nazenin rivalry was so shitty god š