kira // 28 //๐จ๐ฆ // disaster lesbian // she/her // writer, sometimes // neurodivergent // #1 joss whedon hater // currently posting about: House M.D. and various other nonsense (whatever i'm currently watching/reading) // writing blog: scytheswrites
#scythes rambles - general rambling from yours truly
#scythes reads - book stuff, what i'm reading/have read (see also: #scythes reads asoiaf for current reading of asoiaf)
#malpractice md posting - house m.d. nonsense I don't feel like maintagging, may include hot takes or occasional bitching
#scythes writes - tag for general writing rambling but also where i will put any fics i post (rare)
#scythes music tag - posts about my music interests
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probably time I post an actual about-me post so here it goes:
Basic Info:
Kira, a late-20s disaster lesbian (she/her), Canadian
ADHD & mood disorders aplenty
Iโm a writer, I have a college diploma in Professional Writing, and I will occasionally ramble about my writing (but rarely post any actual writing) - writing blog is @scytheswrites
My interests/hyperfixations change fairly regularly and I have no interest in creating individual blogs for each of my fandoms, so this blog is very much multi-fandom (but I always tag my fandom posts respectively for filtering purposes)
Current Interests/Fandoms/Hyperfixations:
House M.D. (multiship hell but nuts about camchase. I love all of the house ladies but primarily Thirteen and Cameron, accepting my fate as a Cameron Guy. Also a Chase guy, despite all odds)
Currently reading: Project Hail Mary
Other books: ASOIAF (finished main series June 2026, have yet to read Fire & Blood)
Longtime Interests/Fandoms:
Games: Dragon Age, Soulsbornes & Elden RIng, Fire Emblem, BG3, Zero Escape trilogy
Marvel (MCU and comics, havenโt seen all of the recent MCU content though)
Music: my taste is all over the place but my lifelong favorite artist is Paramore (late 2000s-early 2010s emo kid here), but i listen to all sorts of pop, alt, metal, k-pop, etc etc
Books: Faves are The Locked Tomb series, The Burning Kingdoms Trilogy, The Priory of the Orange Tree, & the Iron Widow series.
Ancient Interests/Fandoms (My Lore):
Twilight (I will still occasionally shitpost about Twilight)
Superwholock (but primarily Doctor Who, which will forever be in my heart and on my mind)
Carmilla (web series)
Orphan Black
Iโll update this info post as needed, DMs and Asks are always open!
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Be honest, are you a bad person in any kind of way? I've been finding out about gross stuff that a bunch of blogs I really liked did and I feel icky :(
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hihi, idk if you remember me but itโs the same anon who sent that anonymous opinion thing talking about how i really appreciate your thoughts even if i donโt always agree (putting the link here just in case: https://www.tumblr.com/cuddytism/822973411868524544/idk-if-im-too-late-for-the-anonymous-honest)
and anyway i just wanted to show some support and respect for you because the people arguing about hilson to you/with you are bringing in way too much negativity. and itโs so disheartening because the hilson dynamic is so rich when looking at it from a toxic friendship perspective but apparently thatโs not allowed becauseโฆidk, whatever their argument is for hilson being โcanonโ. it sucks because i feel like the show is so much better when looking at dynamics over ships or relationships.
also, platonic love is so important??? and i feel like on here everything has to be a ship or a romantic thing when most of the time, itโs just people showing up for each other and caring??? and the hilson dynamic is so toxic and destructive and thatโs the point! it doesnโt make it bad and it doesnโt make it inherently romantic either. โoh but house says amber is the female version of him so-โ so nothing! amber is so much more than just the example to use when talking about two guys. the tragic thing about amber is that she loved wilson enough to care about houseโs well-being MEANWHILE house called her a bitch like every other sentence. and wilsonโs a cheating jerk in canon but whatever! i got off topic lol
my point was supposed to be about the importance of platonic love and how hilson is incredibly toxic and thatโs the point. and not liking the dynamic is okay! i think if robert sean leonard wasnโt such a wonderful actor, i wouldnโt like wilson at all. but it sucks that the reason i like him is because heโs so flawed and terrible and so many people on here try to hide that.
this got long, you donโt have to answer at all, just wanted to send another perspective your way to drown out all the negativity. personally, I donโt care lol. factually speaking, hilson isnโt canon, huddy is and i donโt care for either relationship in a romantic way (unless youโre making a wonderful deep dive about huddy in which case, i mourn what could have been with better writing lol)
also also, i think if people arenโt going to listen, we should start arguing back by saying a wlw ship is canon. like cuddy/stacy or thirteen/amber. just be like โoh yeah, itโs totally canon, did you miss the one joke they made, that was absolutely subtext and it means they made out offscreen. yeah, how could you miss it, it was so obvious?โ
how could i forget :) thank you for your lovely message. i appreciate it a lot !!!
so so big on the importance of platonic love thing. i think there's a desire to "prove" that hilson is a canon romantic relationship in an effort to actualize the importance of it, which i think is entirely counter-productive and more than a little bit of a misnomer. i agree with you that the (dys)functionality and intensity of their relationship is much more interesting when looking at it on a platonic level than in trying to fit it into a romantic box.
i continuously have to say that i don't hate the house/wilson friendship โ indeed i find it incredibly interesting โ because to not be a shipper is perceived as a hatred of the dynamic altogether, which isn't how i feel! why, to take their relationship seriously, does it have to specifically be in romantic context? why does the fandom writ large consider not shipping them as completely disregarding the relationship (or missing the point of the show)? in other words, why is the platonic (canon) reading of this relationship regarded as viewing their relationship as "lesser"? i think that's something for people to sit on and cause to reevaluate where their beliefs are rooted. but that's just my thought!
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
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hi this was going to be a short little headcanon post but here i am a full hour later. format shamelessly stolen from himym have some very sappy camchase:
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the moment you first think it:
a) about two weeks after cameron was hired, chase thinks: i like her. house hasn't taken a case that whole time, and she was getting antsy and even he was getting bored of sitting around the office, so they got to chatting. really nothing important or memorable, getting-to-know-yous, but until that point he'd thought of her as a sort of prissy temporary hire who'd last a month tops, and. actually, she's kind of funny. she's funny, and they're flirting a bit, just joking around, and she's really smart and. he's into this. he might like her. and obviously he sees it and nods at it and that's where it stops: a work flirtation is fun (a work crush is fun), but he's not interested and even less interested in the mess. no thanks. but โ
b) she considers chase a work friend, of course, and that's good: good to have an ally in the office, and for six months it's just the two of them really, even more important they get along. it doesn't change after foreman gets hired โ if anything, for a while it feels even more like it's just her and him, house is so focused in on foreman โ but it isn't until the next summer that she thinks it. stacy's just started and house is being so aggressively awful they're all avoiding him like the plague, but one day โ well, she's not proud of it, but it gets to her: house is all worked up about his ex and she's pretty sure she's over him (probably), but it stings, knowing he's not over stacy and was never like that โ and foreman rolls his eyes and chase is so clearly bored but lets her vent over drinks after work, and it definitely is the vodka sodas but she thinks: wow, he's such a good friend. he's so nice. (which is definitely the alcohol talking.) and she's always known he was cute, you know, you'd have to be blind, but for a second โ but it's just the drinks, she's not interested.
the moment you first know it:
a) there is, in fact, a part of chase's brain that knows: this is fucked up. this isn't right, when she kisses him and she's on meth. it's half drowned out by the roaring in his ears, the rush of all his blood: actually when she first kisses him, he thinks nothing at all, just some impulse of finally, which is something he will later think about a lot. she's high, but not incoherent, and it's wrong, but he wants it desperately โ not just to get laid, not just easy sex; he's easy but not that easy, but something about cameron and this is my only shot, and okay, maybe he is that easy. he's never been accused of high standards. but it is a mistake, and he tells her so โ he's not interested, he's not getting bogged down in emotions or mess โ but he also does research on meth and party drugs and inhibition, impulse control, mental changes, trying to prove not that he did nothing wrong (he does not believe he did) but that she would have acted the same sober and โ a mistake. definitely. he has always carefully avoided this kind of thing (he cannot even think the word love); it isn't worth it now to change.
b) she knows that house catching them would cause problems, although chase accusing her of doing it on purpose bothers her for different reasons. mostly, because she thinks he might be right, but isn't sure why she set them up either. to get house jealous? all that does is house starts trying to get them in trouble, tattling to cuddy like a kid, and she's furious, not pleased or flattered or whatever chase thinks: if house forbids them from being involved (he's not their father) or breaks them up (they're not dating), chase won't be pleased either, and it's none of house's business, none of cuddy's for that matter. everyone has opinions, everyone seems to think her and chase are a bad idea, that he's going to hurt her when chase has never stolen an article or mocked her on a date or โ chase won't go home with her after the closet, is weird and avoids her the next day at work, and she feels itchy and annoyed. everything is off-kilter. it isn't until she's cleaning up emma sloane's things and sees the photo of him โ smiling, glowing, and she's never seen him look like that and burns with a sudden intense jealousy that he could, that she hasn't seen it, that there are parts of chase she doesn't yet know, that โ oh.
the moment you know it, but can't say it yet.
a) you're glowing, she says, like an accusation. and for a second he feels cold panic, caught and naked and exposed, but it's clear cameron doesn't know what the picture is really of and maybe he should be โ he isn't sure, offended? embarrassed? but it melts into a warmth, a fondness at her outrage. i always glow, he jokes. he wants to tell her. he wants to tell her why. right here in the hospital room, in front of everybody. he's never had that impulse before, this feeling before. someone once said: love is only love if it is returned; otherwise it is infatuation. he is infatuated. he โ he's pretty sure, nearly sure, she must feel it too. i have a nice smile, he teases her. he's sure she knows already: she has to.
b) chase says he's been fired, and then he's gone, just like that: not even a goodbye, not even a โ it's a punch to the gut, and more importantly it's fixable, cameron is furthermore going to fix it, and when her first attempt (a strike) fails, and her second attempt (house) fails, she goes to plan c, stalking chase's neighborhood until she spots him walking to the diner on the corner and goes in with a plan. she'll tell him things will be okay; they'll come up with a plan for house. he'll invite her back to his and it'll be comfort sex, you-just-got-fired sex, no need for a conversation or โ because the thing is, she doesn't have feelings for chase: she can't. not because he isn't funny and sweet and brilliant and annoying, but because he's chase, and that isn't an argument but she needs it to be, because when you fall in love with people they die or reject you or get fired on a random friday afternoon, and when your colleague is fired, you shouldn't want him to comfort you about it, shouldn't be imagining him โ so she marches into the diner with a plan, and he says: i'm sorry for saying i still want to be with you, and it's so off-script that cameron stammers some sort of goodbye and stumbles off in a daze and sits in her car for a long while with the knowledge that it's suddenly too late to tell him what she only has just figured out.
the moment you just can't keep it in any longer.
b) it's two months before cameron realizes that chase is waiting for her to say it first. there are moments where he'll pause, start to say something and stop. she'll notice him watching her when he thinks she isn't looking: once or twice he's murmured something in bed โ too soft to make out, pressed against her skin or into her hair, only when she's boneless and half asleep. but he doesn't, that's the thing. at first it's a relief, because cameron isn't sure โ what if what she feels isn't real, a passing impulse, hormones, infatuation โ what if she isn't ready? what if she's wrong? but the days pass, and those worries are replaced with a more pressing anxiety: if she's supposed to say it first, how does she say it?
it takes on the pressure of a proposal, planning a wedding: cameron obsesses over her calendar, looking for occasions (his birthday isn't for months) or anniversaries (labor day?). if he's waiting for her, and she's waiting for him, the only solution (their tenth date?) is to arrange for it to happen perfectly, romantically, in the right moment, but somehow also organic and natural. to make the build up worth it. to make it intentional, not because of her cold feet. she hasn't yet made up her mind when โ
"i love you," cameron blurts.
chase is holding a paper bag of chinese takeout in his arms: her hand is suddenly sweaty on the doorknob: she is letting him into her apartment with dinner, it is just past seven on a thursday night, and she had planned โ tentatively โ for december first, which will be their six month anniversary, more or less, but it's been a long day and they've barely spoken all week, both caught up in a late summer flu outbreak, but when she'd paged him โ paged him โ asking if he wanted to meet up for dinner he'd replied right away and โ
chase gapes at her, the chinese food bag slipping in his grasp: she reaches for it quickly before it can fall and is glad for the excuse to turn away, to set it down safely โ "how was traffic?" she asks a bit desperately, turning back towards the door and her confused boyfriend โ "you're that happy about dinner?" he interrupts, smiling a little to let her off the hook โ
yes, she thinks, relieved he would: "no," she says quietly, and then he's kissing her, and distantly she thinks her neighbors are going to complain again โ "i love you," he says, and then again, and let the neighbors complain, let the food get cold, let it all โ
a) "i was waiting for our anniversary," cameron frets later, in bed, after, and chase stops nuzzling sleepily, contentedly, at her spine and shoulder blades to do the math. "you were going to wait until next year?" he asks, aghast and yet somehow charmed.
"just until decemberโฆ" she admits, hiding her face in her pillow as he laughs a little:
"that's four months from now."
"you're the one who wanted me to say it first!" she turns onto her back and shoves him a bit, which means he has to shove her back, which means they make out a little, again, drunk with infatuation, with feeling.
"i love you," he tells her, to make up for his own hesitation, his fear that if he'd said it, she'd look at him so sorry, so pityingly, instead of the way she's looking now, blushing and pretending to be cross โ and she pulls him down to kiss her, and he does, their dinner cold and congealing and forgotten in the hall by her front door.
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Do you think reason the fandom has recently cut Cuddy out of narrative, and embraced Wilson/House more, is due to some of the misogynistic undertones of the show? I say this as a House fan, but the show sorely lacks female friendships, and attractive women (whether patient or medical professional) tend to have their looks commented on by House. I know his schtick is โI have no filter,โ and itโs certainly not exclusive to female characters, but I wonder if thatโs a contributing factor.
i think... my answer is yes and no.
ultimately both the show and its fans are influenced by the misogynistic society we live in ๐ซ and i think that's the biggest contributing factor. of course the show being misogynistic in the way that it is is bad, and certainly has its ramifications (the amount of fans treating cuddy as a sexual object, or cameron as hysterical, have their starts in the text of the show), but i think the way that the fans are misogynistic is pretty different from the way the show is.
i think the main fandom invention is that the focus is never on the women, that they're inconsistent and meant to be discarded. the fandom at large excuses shoving the women into the background "because the show does it too" when it really... doesn't? the show makes a pretty clear effort to depict the women as just as important as the men, having storylines of their own and influences on the narrative. i've been told many times by fans that the show doesn't care about women, but when i watch the show myself, that simply isn't true. cameron gets so much focus in the first three seasons, season 5 is practically The Thirteen Season, seasons 3, 5, and 7 have so much focus on cuddy, masters is pretty much the main character in s7, amber is all but the same in s4. the only place where i can kinda see a problem with devaluing the female characters is s6, because it feels like cuddy and thirteen should get more to do in that season than they do, considering.
for a more specific example, i have a huge problem with how people interact with the character of amber. cherrypicking one single moment where house says she's like him and boiling her entire character down to that. to where she is defined not by herself, but by how she can represent house. the fandom uses her as "proof" that hilson is canon because amber is "female house". the fandom disengages with her character, only using her to prop up the men. the show itself is misogynistic towards amber, in its consistent degendering and degrading of her, and most importantly in fridging her. both what the show and fandom does are misogynistic, the difference is that the show itself still takes time to develop and focus on amber as a character, and never actually just uses her as "female house", it understands her as her own person. it develops her relationships. it gives us plenty of episodes where she is a huge focus. the fandom, however, completely writes her off. this is the difference to me.
the show certainly isn't about women (it's about house), but to say that the show itself entirely devalues its female characters in the way the fandom does, i think is incorrect. the show certainly has a problem with misogyny in its framework, and a problem with misogynistic jokes โ i'll never deny that โ but i don't think the way the fandom Does Misogyny (for lack of a better term) writ large is really in the same realm of how the show does.
yes, this exactly!! the show is misogynistic (and also racist, and ableist, and a million other things), because it was made in a time and place and culture. but at the same time: to say it's the show's fault fandom discards women is a sort of wild take tbh.
because the show doesn't do that. in season one of house, cameron has more subplots and focus than anyone whose name isn't house (or foreman, which is a whole other problem with fandom): wilson and chase, fan favorites, very much included. her feelings are always centered and focused on: her growth and relationships are a major facet of the show. i've spoken about (and complained at length about) how the show focuses so much on cameron that it forgets to develop chase โ not because i don't love to see her perspective but i wish we got his too โ but it's fandom who hones in on chase and ignores her.
thirteen and amber likewise get the lion's share of focus and development and POV in s4/5 โ to the point that kutner and taub are more or less relegated to "comic relief" or side characters. cuddy tends to stay a bit more in the background in the first couple of seasons, as she's doing her own thing and her role is somewhat different, but by season three she's also getting perspective and subplots and dedicated focus episodes: the same can be said for wilson, who barely exists in season one, but fandom treats his every move as deeply significant and cuddy's asโฆ not. masters is, as mentioned, the main emotional focus of season seven โ although thirteen has her moments, and again, foreman, chase, and taub do not. season eight, which wasn't mentioned at all, spends much of its time on park especially โ another woman!
that's also not to mention stacy, whose emotional arc and character takes up all the weight of season two, even once she is gone. or, hell, dominika, who is mostly a jokey trope โ mail order sex worker with a heart of gold โ but is still given some focus and development of her own. almost all of house's closest relationships are in fact with women โ cuddy, cameron, thirteen, stacy, dominka, amber, his dynamics with masters and park and adams โ and sure, some of this is romantic, but his and cameron's relationship was close enough it was a major part of the series finale, long after any romance was long over, and his and cuddy's relationship is far more than just "love interest." (and anyway, even if it were: how is it wrong for house to have this dynamic with cuddy but not, according to fandom, with wilson?)
and sure: some of these relationships have weird or sexist undertones or messaging or moments. absolutely. house can also be homophobic or racist with wilson and foreman; it is Not a perfect show. but to suggest "fandom is responding to bad writing, writing that only exists when it's a Girl, by the way, and all the Non Girl writing isn't bad," isโฆ laughable, even if that wasn't anon's intention. it would be a contributing factor, as they say, if fandom judged house's male relationships in the same balance, but that is simply not the case (unless it's a Black man, of course).
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if the show didn't care about women, it would not center women and their feelings and their stories and relationships with house โ romantic and platonic โ as much as it does. it could have reduced them to flat non-entities for house to fuck, as many other shows do. instead, when house tries to flatten cuddy or cameron, they push back. their feelings and desires and growth is highlighted and given weight.
but that's the real misogyny, isn't it? not that the show can make sexist comments or be objectifying, but that the fandom demands higher standards and thresholds to justify including women, ignores them entirely and waves it off as "it's sexist writing, so it's fine," even though, just as an example, house objectifies men as well, and male friendships (unless your name is house and wilson) aren't at all a part of the show's DNA either. women (and foreman) have to prove themselves and be perfect and unproblematic in order to be Interesting and Matter. white men just need to Exist. sexism is only an argument when it comes to explaining "why" fandom is uninterested in women โ they would be, if the women weren't problematically written! โ and not the reason fandom does it in the first place.