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I'm sure this is a thing that exists, but like. Love and appreciation for poorly built robots.
Robots with cheap, shitty plastic casing that they stick together with tape or replace with whatever they can find
Robots with batteries who's ability to hold charge has diminished over time, leaving them always kind of exhausted or burnt out, spending a lot of time at home so they can plug in and recharge whenever they need
Robots that always smell a little of dust and burnt out wires and are constantly replacing their insides to stay functional.
Robots who's speakers are muffled and staticky because they were built to last only a couple years and weren't designed to be easily replaced.
Robots with busted screens that make it difficult or impossible for them to emote as they'd like to.
Robots fighting planned obsolescence even as it was designed into them.
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Every day i check the latest tab on the Arcade Gannon tag like an old man coming outside to water his fruiting shrub that will surely grow more berries next season
i know people make these kinds of posts with fictional characters a lot but like. hank green truly is one of The Most Guys Ever. like. he's one of the earliest youtubers who is still on there. he's a 43-year-old tiktok star. he's a science educator. he got cancer and his response was to make a tier list of the press's coverage of his cancer announcement. the president of the united states sent him a message of support and he told the president that he was pissing out the cancer. years earlier he was diagnosed with ulcerative colitis and his response was to write a polka song about it. he created vidcon. he's the ceo of a company that produces a shitton of educational series (well, not acting ceo at the moment due to the aforementioned cancer). his guitar says "this machine pwns n00bs" on it. he invented 2D glasses. one of his earliest videos to get popular was about animal sex. between him and his brother, he was known as "the science one" (or "the music one") while his brother was "the writer one," and then he wrote two new york times bestselling novels. his most controversial opinion is that butt is legs. he's done so many things that there is a website dedicated to counting the number of days since he started a new thing. he and his brother use their internet following to (among other things) fight maternal/infant mortality in sierra leone. he has a baked bean furby. hes even bisexual
In 1998. his Winter Park High School classmates named him “Best Dancer.” He’s had an album on the Billboard Charts, and he won an Emmy for a web-based adaptation of Pride & Prejudice. He co-founded DFTBA.com, the Awesome Coffee Club, the Awesome Sock Club, and Sun Basin Soap--but doesn’t make money from any of them. Instead he’s led these brands to donate over $5,000,000 to a hospital in Sierra Leone. His companies, when he stepped down as CEO due to the cancer, had over 115 full-time employees, all of whom receive a living wage and good benefits. His production company, Complexly, has made educational videos with 5 billion total views, and helped hundreds of millions learn through SciShow and Crash Course. He is the sweetest dad to the world’s most amazing six-year-old, and the spouse of one of the funniest people you’ll ever meet, and he is loved--ferociously--by his brother. He truly is among the Most Guys Ever.
Hello! I just want to say that I love your RWBY metas! So I’m wondering, have you ever done metas about Emerald and Mercury?
Thank you! And yes, I have written a little bit about Mercury and Emerald here. I would also recommend this wonderful meta by @hamliet because it has an interesting Mercury theory in it.
Now. this answer is gonna mix some analysis with speculation because Emerald and Mercury’s story must still enter its climax. Once it does and we are given a specific interpretative key I will be happy to write more metas on them!
I’ll start with this:
Those two are so out of place in Salem’s faction and the last look they share made me doubt that Mercury is rotten to the core and more of a kid who didnt know what he’s in for. Since Em has switched sides, is it possible that Merc might follow? I really like him, so I’m hoping that he won’t go down like Watts.
Emerald's Aladdin allusion is a difficult one to understand (or at least it was so for me) and I even doubted it for a while. Still, it is actually there and it is a pretty good one, as well. So, let's explore Emerald's fairy tale and see how its story is intertwined with our hidden gem's.
A QUICK SUMMARY AND KEY ELEMENTS
First of all, a quick summary of Aladdin's original fairy tale. Feel free to skip it if you already know the story:
Aladdin is a boy who lives in poverty until a wizard arrives and introduces himself as Aladdin's uncle. He promises the boy a huge fortune if he retrieves something for him. The boy accepts and travels with his fake uncle to a mysterious cave. The fake uncle instructs Aladdin to enter the cave and to take an old oil lamp. He also gives the boy a magic ring that should help him in his mission. Aladdin enters and retrieves the lamp, but the wizard tries to double cross him and as a result Aladdin finds himself trapped with the lamp and the ring.
Aladdin discovers the ring contains a geenie that teleports him home. Once there, he finds out the lamp too has a geenie, who is even more powerful. So, he uses the geenies' magic to marry princess Badroulbadour (Full Moon of Full Moons) and to live with her in a fancy palace. However, the evil wizard hears of Aladdin's fortune and steals the lamp teleporting the princess and the castle away from him. Aladdin uses the ring to find Badroulbadour and together they defeat the wizard. In some versions at this point the wizard's more powerful brother appears and Aladdin and the Princess have to defeat him too.
As per usual, RWBY takes some elements from the fairy tale and turns them into recurring motifs in its characters' arcs. For Emerald, these are the key ideas we must look out for:
The 2 evil wizards
The 2 geenies
The Ring and the Lamp
The Princess
In particular, Emerald's allusion takes the 2 malevolent wizards and fuses them with the 2 geenies. The result is 2 evil abusers, who trick Emerald with the promise of granting all her wishes:
Cinder: "Follow me, and you'll never be hungry again."
Salem: "The path to your desires is only found… through me."
GEENIES AND WIZARDS
How can we be sure Cinder and Salem are Emerald's 2 geenies? The answer lies in these 2 parallel scenes:
Cinder: I know my fair share of liars and thieves. Stealing is an art of patience, coordination, and in a pinch, sleight of hand. But you didn't steal the ring in your pocket. You took it right before the jeweller's eyes. And he smiled.
Salem: You really have been honing that Semblance of yours. What did you do with the Lamp?
These 2 moments are meant to be foiled and juxtaposed. They are when Emerald enters and leaves the cycle of abuse, which overlap with the beginning and the end of her villanious career. Moreover, her powerful semblance and her thief motif are on focus both times (we'll see later why).
The fact that in such key scenes the ring and the lamp - so fairy tale's symbols - are mentioned by Cinder and Salem marks these 2 characters as respectively the geenie of the ring and the geenie of the lamp. This makes sense considering the role of the 2 geenies in Aladdin's story:
The geenie of the ring is less powerful, but he never leaves Aladdin. He is the one that frees Aladdin from the cave and the one that reunites him with the princess, even if he can't defeat the geenie of the lamp. In short, he is a less powerful spirit, but clearly symbolic of Aladdin's own inner strength.
The geenie of the lamp is more powerful, but he is stolen later on and used against Aladdin. So, he is really a 2 edged sword and less linked to Aladdin as a character. For example, it is not Aladdin himself that discovers him, but rather his mother.
What does it have to do with Cinder and Salem? Well, if you combine the 2 geenies with the 2 wizards trying to trick Aladdin, then you get Emerald's 2 abusers:
Cinder, who is way less powerful than Salem, but whose relationship with Em is way more personal
Salem, who is a force to be reckoned with, but ultimately not central to Em's arc.
In short, the wizard of the ring (Cinder) is less powerful physically, but has more psychological power over Em, while the wizard of the lamp (Salem) is more dangerous, but ultimately her grip on Em's mind is weaker.
Let's now see if this interpretative key works for Emerald's overall arc and if our gem's story fits Aladdin's fairy tale.
THE CAVE OF WONDERS AS A METAPHOR FOR THE CYCLE OF ABUSE
Emerald is introduced as a street rat living in poverty until Cinder promises her a better life. This is how Aladdin's story begins. To be more specific, Emerald and Cinder's relationship is very similar to the one between Aladdin and the Wizard.
The Wizard enters Aladdin's life and becomes a father figure. In particular, he gives Aladdin gifts and grooms him with the excuse of being his teacher. This is exactly what Cinder does with Emerald:
Emerald: I just… Cinder was the only family I ever had. She cared about me, taught me things…
Moreover, one of the first signs of the Wizard's evil nature is him slapping Aladdin so violently that the boy spits blood. Well, Cinder acts in the same way:
Emerald: We don't need him! Everything was going fine! (a slap is heard, and she cries out in pain)
Cinder: Do not mistake your place.
So Cinder, just like the Wizard, tricks Emerald into following her and traps the younger girl into an abusive relationship. The lie works out until Cinder and Emerald go to retrieve a certain Lamp:
Just like with Aladdin and the Wizard, the appearence of the Lamp marks Emerald's separation from Cinder:
Emerald: It's not over! Cinder will come back, she'll have the Relic, and she'll stop all of you! She won't let us down.
Emerald keeps believing in Cinder even when everything seems lost, but in the end she is let down. Symbolically, she is left behind, trapped in the cycle of abuse (the cave of wonders) with an even stronger and more dangerous abuser (the geenie of the lamp):
It is telling that while Cinder is away, Salem immediately acts to bring Emerald under her control and to weaken her bond with the previous "geenie":
Salem: Emerald… I want you to tell me whose fault this was. Now.
Emerald: Cinder! We failed because of Cinder…
Salem does so by using desire-rooted rhetoric:
Salem: It's important not to lose sight of what drives us: Love, justice, reverence… (she meets Emerald's eyes briefly) …But, the moment you put your desires before my own… they will be lost to you.
She frames herself as the only one who can grant Emerald's wishes. She and not Cinder is Emerald's true geenie. Hers is an attempt to replace Cinder as Emerald's authority figure. She tries to become Emerald's new "master". However, her attempt has actually the opposite result because it stimulates Emerald to self-reflect and new ideas start coming to her. Like, that she is not in the right place and may not even need a geenie to fulfill her dreams:
Tyrian: Shh, shh, shh, shh, shh. I want to tell you both a little secret. Your question is all wrong. "What do you want from this?" Children, please, if you're not loving what you're doing, then you're in the wrong field.
Especially, if her geenie doesn't really care:
Mercury: Wake up, already… Cinder doesn't care about you! She doesn't care about either of us!
Emerald initially refuses these hard truths, but they start to slowly erode her idealized idea of Cinder. In the end, she is able to see her precious geenie of the ring for who she is:
In Cinder and Salem's relationship Emerald sees a mirror of her own with Cinder. She finally realizes Cinder has been treating her, just like Salem treats Cinder. All Cinder's promises and even her kindness were tools to trap Emerald and enslave her. Cinder isn't a geenie at her service, but Emerald herself has become Cinder's servant. This revelation leads Emerald to leave Salem and Cinder. She leaves the fascinating, but dangerous cave full of fake treasures and illusions. She leaves the cycle of abuse once and for all.
THE LAMP AND THE RING
Emerald's escape from the "cave of wonders" is meant to show she is slowly developing. When she joins Cinder, Emerald steals a ring and is tricked, while when she leaves, she doesn't steal the Lamp and tricks Salem.
Stealing and illusions are 2 key motifs for Emerald's story:
Delusion
I'll steal til your blind and defeat you from inside your mind
Illusions
Will conquer your mind and will make you fulfill my design
Emerald is introduced as having nothing, so she steals and conjures up illusions not to feel empty. However, no matter how much she takes from others or how wonderful her dreams are, she is still hungry. After all, she steals things she doesn't truly want and lies to herself.
Because of this, Emerald escaping Salem without stealing means she is growing. She is starting to better understand what her true wishes are and how to turn them into reality. Similarly, when Cinder finds Emerald, she sees through the girl's illusions and realize that behind the street criminal there is a scared child she can use. However, when Emerald leaves Cinder, she fully recognizes Cinder's abuse towards her, as well as Salem's mistreatment of Cinder. She has outgrown Cinder and can now see better than her. As a result, her illusions grow strong enough to trick even the almighty geenie of the Lamp.
In other words, on Monstra Emerald starts a path to reach what she truly wants and, like her literary counterpart, she finds some tools that help her in this journey. The difference is that Aladdin finds a physical Ring and a physical Lamp, while Emerald's Ring and Lamp are symbols of her inner growth. She doesn't have to look outside to turn her dreams into reality, but must develop as a person and pursue her wishes herself. So, her Ring and her Lamp represent parts of her. The Ring is something she has always had, while the Lamp is something she acquires in Monstra (in the cave of wonders).
1- The Ring symbolizes Emerald's true worth, which is why she steals this jewel when she meets Cinder. It metaphorically suggests Emerald herself is the real precious ring. Or to better say she is an "emerald in the rough":
"Only one may enter here, one whose worth lies far within... the Diamond in the Rough" (Aladdin, 1992)
She is a gem covered in filth, whose potential needs to be recognized and brought to the surface:
I'm the one
Who rose out of filth and was loved by no-one
This is probably the idea that inspired Emerald's design as well:
She always wears brown outfits with some green in the center because she is meant to look like an emerald that struggles to emerge from mud.
In story, Emerald's potential is metaphorically represented by her semblance, which is commented on by several characters and considered pretty powerful. After all, her ability is why she can be such a game changer in Atlas despite doing pretty little. Just a small illusion on her part is sufficient to trick God and to free a Kingdom.
More importantly, her semblance is why 2 key characters take an interest in Emerald.
The first one is obviously Cinder (the evil Wizard), who sees Em using her illusions to steal the ring, recognizes her talent and decides to corrupt her. She isn't really interested in Emerald as a person and traps her in a delusion, where she can't really grow:
The second one is Oscar (the good Wizard), who is freed thanks to Emerald's semblance and sees her as a precious ally:
Oscar: I've seen what you can do, Emerald. However this fight ends, we could really use someone like you.
He is also trying to help Emerald personally and to inspire her to be better. He is mentoring her toward becoming a happier version of herself:
2-The Lamp represents Knowledge (obviously). Emerald's development in volume 8 is strictly intertwined with this idea, as it is one huge realization on multiple levels.
On the one hand she discovers the truth about Salem and the bigger conflict:
Ozpin: "So long as this world turns, you shall walk its face". That was the curse cast upon her. But if Salem can divide Humanity beyond repair, and bring all four Relics together, she believes that maybe her curse will be broken. The Gods will rule against us and destroy Remnant, once and for all.
On the other hand she discovers the truth about Cinder and herself:
Mercury: Would you stop trying to protect her already? She doesn’t care about you.
It is thanks to this clarity that she manages to leave. After all, her defection follows the scene where Emerald and Hazel see Jinn. It couldn't be clearer symbolically. They both receive knowledge and so are able to overcome their internalized illusions and to oppose Salem.
So, Emerald leaves the cycle of abuse (the cave of wonders) by using her semblance (the ring) and with a new found knowledge (the lamp). Her whole scene with Salem even calls back to her fairy tale, where the evil Wizard insists that Aladdin gives him the Lamp, only for the boy to refuse:
Salem: (The Lamp) is missing. Where is it?
Emerald: I didn't do anything with it.
Still, there is a key difference between Aladdin's story and Em's. Aladdin has the Lamp the Wizard desires, while Emerald is really ignorant about its whereabouts. Why is that so?
It is true that Emerald not stealing can be seen as her starting to leave her flawed coping mechanism behind. However, Emerald refusing to take the Lamp when leaving with Oscar leads to bad consequences. So, why does this happen? The answer is that even if Emerald is now wiser, she still has to learn things.
As I have explained in this post, Emerald goes from one extreme to the other. She goes from being obsessed with Cinder to ignore her altogether, even when she clearly shouldn't. To be more clear:
After Emerald's quiet moment of realization on the bridge, she just stops considering Cinder in a way that is almost odd. It is a very huge shift of her focus, which is really not explored nor verbalized. Emerald simply starts to act on other things and relationships. She tries to convince Mercury to leave with her, joins Hazel, bonds with Oscar and so on. In all of this, she never tries to communicate with Cinder. Actually, it is implied she is ignoring her:
Watts: Did… Did anyone respond?
Cinder: No.
Sure, initially RWBY and co might have taken her scroll away, but in Vacuo she is shown to have it. This means she saw the call and ignored it. Let’s highlight that Emerald believing Oz and Oscar does not explain her behaviour towards Cinder. She tries to convince Mercury of the truth and could have made an attempt with Cinder as well. However, she does not and simply leaves her.
The easiest explanation is that the clock striking midnight has finally dispelled the idealized illusion she had of Cinder. Still, the end result is not really Em being able to unpack her relationship with Cinder or to face it. Rather it is her repressing it altogether. Cinder who?
Basically she has turned Cinder from everything into nothing. She has made her disappear. However, she can’t really ignore Cinder and the consequence of this negation is on a meta level Cinder attacking her new group and making victims.
Emerald has gained self-awareness, but has still to fully unpack Cinder's abuse and their relationship. She still lacks Knowledge, so she fails to take the Lamp with her. This ends up with the Lamp being stolen and used against Emerald's new found family.
A DIVIDED FAMILY AND A LOST PRINCESS
At one point in Aladdin's story, the Wizard steals the Lamp and uses it to teleport Aladdin's castle and the Princess away. This endangers Aladdin's life and breaks his heart. This is the point we currently are in Emerald's rewriting of Aladdin. This moment is declined in 2 different ways.
1- Cinder uses the Lamp in Atlas
Cinder, as the Evil Wizard, manages to take the Relic of Knowledge, to learn the password and to use it to her advantage. The Lamp gives her all the information she needs to win in Atlas, kill Penny and send team RWBY + Jaune into the void. All of this happens just after Emerald defects and finds a new place for herself. Her home is immediately threatened by Cinder, that Emerald understimates and tries not to think about.
Right now, a part of Emerald's possible family is separated from her and she is through a self-defining journey to find where she truly belongs.
2- Salem sends Mercury to Vacuo
Salem, as the Geenie of the Lamp, sends Emerald's partner away from her. Mercury, just like Princess Badroulbadour (Full Moon of Full Moons), is linked to the moon (silver = moon). Not only that, but he too finds himself trapped and isolated, similarly to the Princess when her castle is teleported away from Aladdin. However, in the end Aladdin finds the Princess again and together they trick and kill the Wizard.
This is probably what is going to happen with Emerald and Mercury, as well. Emerald is currently headed to where Mercury is, so that they can find each other again, fight Salem (the Wizard of the Lamp) and face Cinder (the Wizard of the Ring) together.
SO MANY GEENIES!
Emerald's story is not over, so it is possible her fairy tale will resonate more when her arc climaxes. As for now, let's just have some fun with her geenie motif and see how it can fit her plotline in many different ways!
This is just a meta-headcanon, but I like it. If Mercury indeed references The Spirit in the Glass Bottle he may be Emerald's third and final geenie. He is the spirit Emerald needs to free from his prison (like in the Disney movie), so that they both can have their wish granted. This would also work as a call back to the vastly popular idea of 3 wishes. Cinder is Emerald's first geenie/wish, Salem is her second one and Mercury the third and true one.
Emerald has actually 4 geenies. 2 are malicious, while 2 are more well-natured. To be more specific, Salem (Lamp) and Cinder (Ring) are the negative geenies to Hazel (Lamp) and Mercury (Ring)'s positive ones. After all, Hazel is freed thanks to the Lamp and he fights Salem to save Emerald. In a sense, he is the geenie that frees both himself and Aladdin from the cave of wonders. A similar thing may happen with Mercury, as well. He is currently stuck in abuse, but it is no mystery his feelings for Emerald may free him, so that he can support Em during her eventual face-off with Cinder.
Cinder is initially a combination between Emerald's Wizard and her Geenie/Wish. This is in line with how RWBY depicts abusive relationships. The abuser ends up becoming her victim's world. For example, Adam is both Beast and Rose to Blake and Salem is both Stepmother and Fairy to Cinder. Here, Cinder is both Wizard and Geenie. However, as Emerald breaks free from her she is bound to find new wizards and geenies. For her arc, we can already see 2 key characters replacing Cinder. Oscar is Emerald's new Wizard. He becomes Emerald's new mentor and inspiration and they are bound to develop a sibling dynamic with no strings attached. Mercury is set up to become Emerald's new geenie, in the sense of a new wish and objective Emerald might have to fulfill. After all, Emerald is already a part of Oscar and Mercury's respective allusions (she is the Emerald Forest and the Emerald Tablet), so it makes sense they are gonna be a part of hers, as well.
Now, these are just theories and it is also possible new elements will come into Emerald's allusion that may change things. However, the meaning behind Emerald's geenie symbolism is clear. She herself has to become her own geenie. She can't depend on others to realize her dreams, but must work hard to fulfill them with no short-cuts. In this way she may find happiness and maybe even transform into someone else's Geenie:
Emerald: Can I ask you something? Why did you come with us, the night Cinder and I found you?
Mercury: Why are you asking--
Emerald: Just answer the question.
Mercury: Just made sense.
Emerald: That's it?
Mercury: Hey, what's your problem?
Emerald: I mean, there has to be something you want from this, right?
Emerald is the one that challenges Mercury to think about what he truly wants. This is not by chance and ties with Emerald's thematic role in the story, especially when it comes to CEM, my favourite trio of misfits.
BECOME YOUR OWN GEENIE - WANTS VS NEEDS
This is Aladdin's teaching, according to One Thousand and One Nights:
"Sire," said Scheherazade, ending the story of the adventures of the marvelous lamp, "your majesty will no doubt have noticed in the person of the African magician a man with the passion of possessing treasures. He discovered many of them, but he couldn't enjoy them because he became unworthy. On the contrary, your majesty can see in Aladdin a man of low birth, who rose to King, by using those same treasures only to the extent he needs them to reach his goal.
This is just another way to say Aladdin as a story explores the idea of wants vs needs. This is a very common trope in writing that can be used in multiple ways.
The basic idea is that there is a difference between a superficial wish and a deep need. Sometimes people would ignore what they need in favour of what they want. However, only by realizing and fulfilling the need they can be happy and sometimes even get the want.
Well, CEM's arcs are all different takes on this theme:
Emerald's want and need overlap. She wants/needs love and a family. However, she gets at it wrong. She wants her family to be Cinder, but she needs Mercury + the protagonists.
Cinder's want is power, but her need is freedom. Notice that as a child she correctly identifies her need/want. However, her traumatic past forces her to give up on it.
Mercury is an inversion. He is currently trying to fulfill his basic need aka survival. However, he must realize what he really wants (Emerald's safety) and act on it. Only in this way he can get to his existential need > to become himself, instead than Marcus's copy.
All 3 members of CEM must struggle with this psychological conundrum and Emerald is the one who will figure it out first, so that she can lead the way. Our Emerald in the Rough is bound to become her team's Geenie:
She starts as an abused child, who is turned into a slave through trickery. However, she manages to free herself and will soon reveal her true power and potential. In this way, she will succeed at helping her loved ones by showing them what they truly want/need. She will force them to see the truth about themselves, so that they can overcome their illusions and pursue their real wishes.
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Why is there much Ulysses hate? Like I don’t understand if you don’t like him…that’s fine but he’s got a damn fine voice and a cool look, and a lot of people like terrible characters Vuples whose done way worse shit and looks twelve doing it.
hmm i can think of a few reasons...
he's the face of a dlc that introduces a backstory to your blank slate of a player character - a lot of people don't like that apparently, even though to me it's a very very juicy addition to my courier's history hehe
he speaks so densely! so much symbol and metaphor and a lot of things that he says contradict each other. i love it but i'm a creative writing major who loves unreliable narrators :)
let's face it, a lot of gamers just don't engage with the material. they just want to go through with the game with as little friction as possible
he's black and some of the fandom is.... well. racist. and they can't take the idea of an intelligent, well-spoken black man challenging them and their player character, unfortunately
idk what else rn but there are probably more reasons. god knows i get enough weirdos telling me why in my askbox. i just ignore and delete them tho lol so they don't bother me :))
@media-illiterate i hope you don't mind but yes 1000000% agree with your tags!! that's why being able to talk ulysses down and have him actually back off is so so so important to me. he wants to teach the courier a lesson but the courier teaches him one right back and he actually listens and learns which is not the usual for an antagonist!!!!!!! he's just so good i love him so much
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