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@milkweedman
Yeah, yeah, all the textile and fibre arts lead to each other, we all became trapped here long ago.
The danger zone is when they lead out of textile and fibre arts, into agriculture and woodworking and smithing and beyond.

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TDF Day 6
(I think)
Im at about 1 and 1/3 of a bobbin right now. I havent done quite as much per day as I wanted (aiming for half an hour a morning, currently more like 15-20 minutes). Gonna try and catch up a little this weekend and maybe move it to my bed so I could sit up in bed and do it ? We'll see !
A few weeks ago I admired tiny spindles and @ofchaosgoddess offered to send me one... but she sneakily sent me TWO and also a gorgeous squishy batt!!!!! The batt is romeldale + rambouillet + silk; unbeknownst to her (I assume), romeldale is possibly my favourite wool and also difficult or impossible to find here in England. The spindles are 8 grams each and I've never used a cross-arm spindle before so I really need to look up how to wind the cop. They are gorgeous and perfect and fun to use and I feel they will fly away if I breathe on them.
How tiny are they? THIS TINY:
Does anyone have any wrist stretching or strengthening routines that they would recommend for a hypermobile body?
Attempting to try to avoid a RSI this summer while also still working on my art. Braces are helpful but I'd like to get a better prevention system.
So the bats I'm spinning for TDF this year require a little bit of prep
They come with some BFL on either side (probably as a barrier because trying to pull straight southdown off of carding cloth without it ripping to shreds is very difficult), which for all the other colorways I've bought from this shephard is great, but with this one it has kind of a candy cane effect once spun, which isn't what I'm going for.
Luckily it peels right off. There's some stray BFL but not enough to bother me.
I decided to just process all of the batts at once so that I don't have an extra step to cause executive function problems later.
Anyway here was the result. I was kind of worried when I saw how big the BFL pile was (basically the same size as the southdown !), but I weighed both and theres approximately 350 grams/12.5oz of southdown and 80 grams/2.75oz of BFL, so the BFL's volume is almost entirely air.
I'm thinking if I finish the southdown with time to spare (which I ought to), I'll blend something with the BFL and spin that next so that it doesn't take up tons of room in my storage. It has lots of flecks of red in it which should be an interesting effect, just have to figure out what to blend it with.
(And yes, this huge pillow of southdown batts was extremely satisfying to squish)

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TDF Day 2
I've spun 2 batts so far. I can't remember how many I have, I think 10 ? Need to check for sure. (EDIT: fifteen !)This was 45 minutes but I had some left over from yesterday, so I think I could do one in about 30.
Been doing long draw because this particular breed is so grabby that it requires very firm drafting and that was really hurting my hands, but then after about 20 minutes of long draw it was hurting my shoulder... so I switched hands so that Im pulling back with my left arm and 'drafting' (mostly just attenuating/pulling out big chunks of vm) with my right hand ... I usually draft left handed so it got a lot messier. It would be helpful to be able to draft with both hands though so I'm gonna try and stick with it !
Coyote glaze spotted!
I didn't know you did pottery!!!
lol good eye ! And yes ! I'm very new to it but it has rapidly taken over 99% of my free time.
(Also a full pint jar is very good at stopping the espinner from walking off the side of my table, which is a problem ive been trying to solve since i got the espinner last year. Yet another win for pottery basically)
TDF Day 1
Had to abandon my inital plan (to spin as much red southdown as possinble into a 3 ply sock yarn) pretty much immediately, because it turns out the espinner cannot actually handle running as fast as it needs to run to spin southdown that fine. Here's the bit I managed to do (chain plied) before sadly giving up on that plan.
So I pivoted to a much thicker yarn, which will probably be more like a 2 ply light worsted weight. Not sure what I'll do with the resulting yarn because I certainly don't have enough fiber to make what I planned initally. Idk, I'll figure it out later.
My goal this year is to spin for half an hour every morning. I probably won't post every day but I will be spinning every day, I hope ! Today I spun more like an hour but I wanted to get half an hour of this thicker yarn done.
Tour de Fleece reminder!
In 2026 TdF starts on Saturday, July 4th!
For many of us that is tomorrow; got your fibre ready?
TdF runs from July 4 - 26 2026, with rest days (if you observe them) on Mondays the 13th and 20th.
If you want to do something extra silly, I'm going to try to get a survey together to track how much (weight or length) we spin this year. I'll post when I get it organised.
To exactly no one's surprise, I have gotten another spindle. This one is a tibetan support spindle.
Admittedly this purchase was well thought out. I even borrowed a friend's spindle to see if the tibetan style is better for me than the russian support spindle I struggle so much with.
Considering this is what I made on first try, I would say yes. It is absolutely more comfortable for me.
How would you describe the difference between them? I've been dying to get a support spindle and didn't even realize there were different options....
Ok so first of all I should probably mention that they run on different types of tips. My russian support spindle has a metal ball set into the end, which makes it run smoothly on basically any type of surface, but also means it can squeak. Interestingly enough, it does not scratch wooden surfaces. (Note in case anyone is interested, this one was made by the spindle maker Peter Locke.)
Now my new tibetan spindle has a carbon fiber shaft. This also makes it run very smoothly, but it does mean it can leave some scratches, if you're not careful. (Note: Both my black one and the red one I borrowed from my friend are made by the spindle maker Spindeleien)
Now what you really want to know is the how they actually spin. The russian support spindle spins in short bursts. You flick, it spins a little, you catch it, roll roll roll, and flick again. It doesn´t have much weight at all and none of it rests on the fiber, so it's not gonna break at all. Makes it easier not to rip your single accidentally, but also means you have no indicator if you have given your single enough twist or not.
The tibetan support spindle works a little different. You flick it, it spins a long time. I then let go of it and rest it onto the working yarn while using the time to draft the fiber. When I get ready to roll it on, it's usually still spinning and I have to catch it again. Benefit: You can do one step after the other. No real multitasking needed. Drawbacks: The weight of the spindle is slightly resting on the working yarn. Also, if you do not keep an eye on how fast it is spinning, the spindle can overspin and you get the squiggles into your working yarn that you then have to roll upwards by hand to get back out.
Then, there is one other very important difference between my two spindles. One has a tip towards the top, the other has a knob. Now that choice is entirely dependant on spinning style. I like to keep complete control over my yarn. So, since the tip top likes to throw off the rolled up working yarn a lot, I prefer there to be a knob. However, the tip does have one big benefit: You can use it to easily start without needing any kind of leader yarn by just spiking it through your fiber and twisting a bit. Something the knob top cannot do at all. Instead I have to manually roll the start of the fiber between my fingers until it is long enough to start the spindle with.
Long story short, support spindles are a lot more dependant on personal spinning style. If you have a friend who has some, I can only recommend borrowing a few and analyzing every detail of how you like to spin before deciding on which type and what details you like.
By the way, these are only two types of many...
Edit: Oops, got too excited and forgot like a bazillion spelling mistakes. My bad.
Excellent comparison in support spindle mechanics.

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First plain weave dishcloth is done, now onto a 2/2 twill plaid one. It's v satisfying to see the cloth wind on the beam
Found this very nice towel, really pretty and sturdy and soft, but whoever had it last decided to mend a hole in it by ... sewing and ironing a piece of nylon strapping onto the hole. Sick and twisted.
Anyway, obviously had to fix that. And the other little hole next to it.
I'm sure this wasn't the most effective mending job, either, but it should hold, and the fabric kind of matches, too
help Iâm having ideas beyond my available free time
Regenbogenwolle 2025 âWing Whisperâ Moth-themed TdF set: Merino, Eri Silk, Sari Silk, Baby Alpaca and Firestar.
I loooooove mixes with sari silk so so much and couldnât resist this colour palette. Plan is to spin it as a thin single, and then I am thinking about plying it with a thin black, to max out the running length..? But tbh I just donât see myself spinning 100g of plain black, my eyes and brain will hate me so much!
This is turning out so niceeeeee
My brake band??????

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Tried to match the pattern, but i dont mind it not being a perfect match. Im really liking darning :]
Nalbinding for confused lefties
I find that there are simply not enough resources for how to begin nalbinding online, and next to none for left-handed fiber-crafters. To be totally forthright, I learned from Happy Needlebinding, on Youtube, from their lefthanded video, but I wanted there to be more resources for other lefties to choose from without getting frustrated, feeling like they have to mirror a site or videos (a place I was getting to before I discovered the Happy Needlebinding video; btw he seems like SUCH a sweet, patient guy).
Step One: Make a simple knot.
Yes, most resources recommend using a wool-based yarn. I'm using what I have on hand. Once/whenever I find my darning needles, or give in and buy a needlepoint or other plastic needle, I may/will try to add a Russian join. Right now, I've been joining my ends by tying each ply together and I can't find my joins in my work. You'll be okay.
Step two: Put your knot over your thumb with the crossover on the pad of your thumb.
For demonstration purposes, I have made the tail way too short. Your working end should always come to rest in the cradle of your thumb.
Step three: Hold your tail in your fingers (I'm only holding the end with my ring finger and pinky), and drape the working end through the cradle of your thumb.
Step four: The way I learned to start, from Happy Needlebinding, was to pass your needle between the crossover of your first knot, and the pad of your thumb.
If you don't like this starting method, I'm aware that other methods; this is the way that I learned and it works for me.
Step five: Pull your working end until you form your second loop, which goes under/"behind" your first and return your working end to the cradle of your thumb.
If I was actually working a project, I would want both of these loops snug around my thumb. Personally, I work closer to the top edge of my nail; you might prefer working a little further back to begin.
Now, this next part is where I repeatedly got lost, so if this seems a little drawn out, I apologize (I think? =P):
Step six-A: You're going to push the first loop off your thumb, and I tend to hold it in place, gently but firmly.
Step six-B: Put your needle in this loop
Step six-C: Turn your needle around and direct it under your second loop and your working yarn. For demonstration purposes only, my working yarn is not in the cradle of my thumb. Normally, my needle stays at more of a 90degree angle from where it entered the first loop
I appear to have maxed out the images in this first part.
Part Three: Adding a row
I'm going to be totally forthright: I had an incredibly difficult time finding a good resource for this, and even so, I still really struggled to figure this part out. You're welcome lol
Step one: Count three stitches back. Remember, nalbinding has two working loops so
This is kind of what my three stitches ends up looking like.
Step two: Holding your first row like so, front toward yourself, this end in your hand, the other end generally pointing to the left, and insert your needle.
Yes, I do have a different needle for this. I carved my first wooden needle myself; it was my first time carving/whittling something like that and I wasn't positive what I might want/need in a nalbinding needle. Luckily, it was just wood.
Step three: You don't necessarily have to do this, but I ended up flipping my working loops up closer to the working end of my thread.
Step three-A: What I've done, if you look very closely, is I'm holding down the second of my two working loops. From here, you'll nalbind pretty much as normal. Go in your first loop as normal, and turn to go back, through your second working loop, and under your working yarn.
Step three-B: I honestly found this difficult to photograph with this pale color of yarn, but as with your starting chain, you'll go in the first loop, turn, go through the second loop and under the working end of the yarn.
At this point, I just repeated: Put your needle through those humpy stitches on the top edge of your chain row, hold down your second loop if you need to/find that helps, put your needle through your first loop from the front, like normal, turn, go through your second loop and under your working thread, like normal!
Again, I hope this helps. I tried to really slow down, draw out exactly what I was doing. The great news is, the second row goes lightening fast, compared to the first row (for example, my chain row took like five days, and personally, once I picked up nalbinding, it felt pretty second nature), especially if you were having to stop to adjust all your stitches down to your desired size (by contrast, I got a third of my second row done just in a short, couple hours session).
I think it's a pretty commonly held understanding that nalbinding is gaged by your thumb, but that's not entirely true. If you were really driven to nalbind a scale piece for a Barbie or Obitsu, you absolutely could. And that's super apparent when you get to the second row, when it's easier to work what's called off (your) thumb. Once you're comfortable with nalbinding, try it out!