Cinematography by Roger Deakins, ASC, BSC: O Brother, Where Art Thou? (2000) directed by Joel Coen

tannertan36
art blog(derogatory)
Sade Olutola

Andulka
Xuebing Du

gracie abrams
The Stonewall Inn

blake kathryn

bliss lane
almost home

★
ojovivo
One Nice Bug Per Day
Monterey Bay Aquarium
Noah Kahan

pixel skylines

Love Begins
seen from Malaysia

seen from Malaysia
seen from United States

seen from Türkiye

seen from South Korea

seen from United States

seen from Malaysia
seen from Venezuela

seen from Malaysia
seen from Argentina
seen from United States
seen from United States

seen from Malaysia
seen from Bangladesh
seen from Netherlands

seen from Malaysia

seen from Malaysia

seen from United Kingdom
seen from United Kingdom
seen from United States
@megkips
Cinematography by Roger Deakins, ASC, BSC: O Brother, Where Art Thou? (2000) directed by Joel Coen

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
this is the face of a creature who doesn't know i'm about to leave her for a full week to go to rare book school
Something I think ppl who aren't used to it struggle with when it comes to ancient history is that frequently 'we do not and cannot know this' is the only truthful response a historian can give. People severely overestimate how much we actually know about Ancient Rome.
I remember talking to someone at a party once about the debate over Septimius Severus's ethnicity (whole other can of worms) and they asked if genetic testing of his remains was not a way to settle it and I was like oh. Oh okay you are under the impression we have the physical remains of Roman emperors from the second century AD alright then. (We. Do not.)
Can't stress how much of high level study of Ancient History is devoted to trying to make sense of what actually factually happened. When I was at university (10+ years ago now) the discipline was embroiled in the lengthy and ongoing process of trying to unpack not just the biases in ancient sources but the centuries & centuries of biases within the field itself. I don't imagine this process is ever going to Stop. It's not uncommon for historical accounts to be so garbled & contradictory that it's not possible to reconstruct the real events behind them.
Once in an introductory lecture one of my professors was talking about this problem and articulated it very simply as 'we know real things happened between real people, but we aren't sure what they were'. Sums it up really!!
Yes but none of it is processed yet because of budget cuts that haven’t been addressed for over a decade. So there’s no finding aid, but you’re still supposed to have it all digitized and on a very user friendly website. Good luck!! 👍
This is a spot from an italian estate agency (we are governed by the right-wing party)
The woman says "Ridiculous..."
If you want to spread it elsewhere, here's the official link
[Video Description: An ad with piano music over it all, showing an elderly woman in her home, knitting, when two younger men walk by her window, which catches her attention. She stares out her window at them as they kiss each other while walking, the old lady staring in disbelief. Cut to the old woman approaching a residence with a broom in hand, staring up at the second floor window where a small rainbow Pride flag is hanging. The old woman stares up at it and mutters "Ridiculo", before getting up on a ladder with her broom to remove the flag. Focus on the flag fluttering to the ground as church bells chime. The scene then cuts to the couple from before, approaching their home with grocery bags in hand before one stops and stares at the second floor, stopping his partner who then drops the groceries as he too stares up. It's then revealed that the small pride flag had been replaced with a gigantic, hand-knit pride flag. It then cuts back to the old woman's home, where a tin of rainbow-colored yarn sits on her table. The hands of the old woman are holding and fondly touching an old black and white photo of two young smiling women, leaning against each other. Cut to the old woman's face as she stares out with a look of happy pride on her face. At the end of the video, the name "Idealista" appears on screen, followed by "buon pride" along with a rainbow. End VD.]
One correction:
The old lady is not in her home. She is at work. She's meant to be what in Italian is called "la portinaia", aka a cross between a doorwoman and cleaner of a residential building. She's in her small "office" space, at the entrance of the building, from where she can survey the coming and goings of the inhabitants. It's a job that has mostly disappeared, but is culturally very clear to us as having the connotation of "potentially gossipy, one-million-percent judgmental woman who sees everything that goes on in the apartment complex, knows everyone and their secrets, and has Strong Opinions™️".
In this case, thankfully, the Strong Opinion™️ is that those two men are ridiculous with their teeny tiny flag for ants.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
this has been plaguing my mind for days
one of the few draw backs of having a house is playing "where is that particular leak coming from" by my god the power to just call someone about it and get it fixed without relying on a middleman who may or may not put it off for a considerable amount of time makes everything far less awful
anyway, turns out that the entire main sewer line was clogged and the mystery water was coming out of the toilet drain, so for a few days I had a cursed toilet and didn't even know it. problem got fixed today and now my basement has the most wild smell I've ever experienced but the problem got fixed today what a concept
one of the few draw backs of having a house is playing "where is that particular leak coming from" by my god the power to just call someone about it and get it fixed without relying on a middleman who may or may not put it off for a considerable amount of time makes everything far less awful
It’s Whursday, my friends.
It’s Whursday, my friends.
Whursday the 3rd of Smarch
so we're all just going to ignore the "[en]closed is the poem you wanted; I think it is pretty darn rotton"
Pretty darn rotten to ignore the poem, yes

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"man, museum work pays peanuts, has an incredibly low supply of full-time jobs for current demand, sometimes involves getting yelled at by the public, causes Imposter Syndrome, and is often undervalued by people who assume it's easy"
"but is it unsp-"
"unspeakably cool? YES"
Some of the moments when I have felt the coolest in my life are when I was doing internships in a museum. Because they kept the dang room where I was working below 70F and my fingernail beds turned blue.
having a 4,000 year old mummy in my office for half a year because we couldn't find storage space for a coffin sized box anywhere else is still the coolest thing that has ever happened to me
An archive, Earth
Have you been here?
I have been here
I have not been here
i believe i have finally acquired the peak Meg Garment
Louis I. Kahn
Temple of Apollo, Corinth, Toward Noon, 1951, and
Temple of Apollo, Corinth, at Sunrise, 1951
Pastel on paper
Kimbell Art Museum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
#mood today
The convergence
"We're gonna achieve immortality by turning ourselves into machines" buddy I want you to find yourself a 15 year old laptop and try to run a 10 year old piece of software on it please. Connect to the internet, if you can, and attempt to log into any of your online accounts
Good luck cyborg buddy, I wish you the best.
Also, previous tag:
fun fact this is a big issue that museums/archives/preservation professionals run into
This is something I bring up a lot. Digital preservation is not a thing to rely on. Anything digital is inherently ephemeral, fleeting.
All current and former digital storage will eventually fail. Paper tapes and punch cards cards wear and rot. Magnetic tape and disks grow mold and shed their magnetic coating. Hard drives seize and crash, their controllers fail. Optical media scratches, rots, or simply fades. Solid state media loses its charge over time. Cloud services shut down with no warning.
Long-term digital storage is a never-ending process of copying to new media.
And then there's the problem of format.
It took less than 30 years for digital works by Andy Worhol — one of the most popular artists of the 20th century — to be lost to obsolete technology.
A dozen previously unknown works created by Andy Warhol have been recovered from 30-year-old Amiga disks.
We had the disks, we had the computers, we had modern emulators for the computers. But reading the images (PDF Archive) required very specific combinations of operating system and software versions, and in some cases required reverse-engineering image formats for which the correct combination of software could not be found.
This wasn't some obscure machine. Millions of Amiga computers were sold, and Amiga users are among the most dedicated to keeping the platform going long after its discontinuation.
And still the image format had to be reverse-engineered to recover Worhol's images.
How much of our culture from the past 30 years has been entirely digital?
To be fair, this isn't exactly a new problem, or even one unique to the digital era. But I do wonder what will remain for future generations looking back. How much of human history has been pieced together from shards of pottery and clay tablets? With our communications, our documents, our art all moving to digital media, what will be left of us to dig up? What will it tell of our story, of who we are, what we believed, what challenges we overcame?
I forget where I read it, but somewhere in the archival literature I ran across a quote that noted that as our ability to create and store information has grown over time (from stone and clay tablets to paper to audio/video to born digital), our ability to preserve and steward that information over time has decreased greatly because we simply cannot predict how the format will behave over time. * Whenever I explain this to non-archivists, the dawning realization and fear in their eyes is tangible. *this is a broad generalization focused primarily on western european culture, the archival tradition i am trained in