they dont know im almost done stacking all the concepts in the world on top of each other
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@meatwithopinions
they dont know im almost done stacking all the concepts in the world on top of each other

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let me get what I want please please please
wait. turns out that sometimes even when I get what I want it’s not enough
Do you use the tumblr “For You” page?
Yes, more often than I use the “Following” (regular) page
Yes, as often as I use the “Following” page
Yes, less often than I use the “Following” page, but still with some frequency
Yes, very rarely
No
There is a “For You” page?
one thing that's great about the song of ice and fire books is the way nobody ever knows what the fuck is going on. like somebody in a bar will be like "long live good king renly!" and somebody else will be like "oh he died. like a month ago. yeah lady catelyn stark stabbed him" and somebody else will be like "actually I heard he was stabbed by a shadow his brother fathered on a priestess" and a fourth person will be like "wait didn't renly literally just win the battle of king's landing last week" and then they're all like "well, whatever. long live good king whoever it is now. next round's on me"
"Who are You? "
The Black Gate at Nightfort

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First day on the job and I’m getting my long awaited vengeance against my father’s evil vizier but it turns out no one else knows how to do his job so I need to at least hire an accountant because I’m too rich to understand the concept of a budget, but we scared off the city’s comptroller who hid all our liquid assets and told only the master of laws, who we beheaded without checking on that and a rat crawls up my pant leg. So I try to at least call over some pest control but my stupid chud brother already killed all of them because they killed his son because our other brother killed MY son. So now we’re overrun by rats and I pivot to taking some petitions and this lady that looks strangely like my siblings’ mom (why?) tells me we’re out of food because of the blockade I put in place. So I ask my husband’s ex, who is on my cabinet because I’m kind of fucking her because of my complex about not being my father’s son, and she asks what my dad would do. So I do what my dad would do and ask a sad woman I’ve locked in my house, but she’s mad at me because I killed her dad. So I try to handle both the rat and the budget problem by making my entire merchant class eat the rats and sending my corrupt police force to rob their houses and now all my merchants are both pissed off and absolutely going to tell everyone the blockade was my fault. So I ask MY evil vizier what I should do but he’s mad at me because I won’t legitimize his peasant sons, one of which has one of my nukes and I just publicly humiliated twice. So I leave to consider if I should kill my littlest brother to relieve some stress, except another one of my fathers’ evil viziers’ evil fruit relatives tricked me and this isn’t any of my brothers. So I walk away with no one for protection except the chief of the aforementioned police force who I just encouraged to seize the property of nobles and we get stopped by one of my other nuke holding peasants who asks why he hasn’t gotten a paycheck in 4 months, and I tell him I’m broke as shit in front of the aforementioned corrupt police chief, who is also on the payroll that I don’t have. So I give up and circle back to my vice president and he thinks for a few minutes and then asks if I’ve tried bombing Iran
while everyone else is bitching about an ugly chair house stark has spent its entire history watching this 700ft chekhov’s gun on their border like uhhhh guys is anybody else concerned that this thing might go off
"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.
instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?
you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.
ned being held up as the metric for moral goodness in asoiaf is absurd like did you not read bran i, agot in which he beheads a man on the run from the others because he must fulfill his fedual oaths and he carries out the execution through his family's ancestral sword which was definitely forged for the exact opposite purpose, i.e. in defense of the north against the others. and then he uses ice again to behead the direwolf which was meant to protect his daughter. is it any wonder that he also meets his end the same way, through it, after spending the rest of the book in king's landing in service to a failed king, desperately trying to reassure himself that they are not repeating history. bran i is saying ice was already metaphorically broken long before tywin melted it down because the starks have forgotten their magical history yes, but also because ned represents an older, failed generation in service to hollow chivalric ideals. and it is now up to his children, the ones coming of age in a world destroyed by the previous generations—it is up to bran, sansa, arya, and jon to reforge their family legacy, away from contradictory oaths and in service to hollow paradigms. (and in a way ice is already currently being remade through brienne, who is not a knight of the songs but still the closest thing to the idea of a true knight)
okay discourse over we’ve settled it now

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birth year of ASOIAF characters if AGOT took place in 2025:
a lot of the characters in ASOIAF were aged up for the show (with good reason in a lot of cases) but one thing that always strikes me about the books is how YOUNG most of them are.
so here are what their birth years would be if the books started in 2025 (pretend their birthday this year already happened).
this based on ages in AGOT- if we meet the character later I added a year or so depending on the book (also I split groups by decades for ease of reading).
Aemon: 1926
Tywin: 1970
Jorah: 1985
Oberyn (if ASOS is 2026): 1986
Robert Baratheon and Davos (if ACOK is 2026): 1989
Ned: 1990
Stannis: 1991
Catelyn: 1992
Jaime, Cersei, and Lysa: 1994
Drogo: 1995
Littlefinger: 1996
Sandor: 1998
Tyrion: 2001
Viserys and Renly: 2004
Theon: 2006
Shae and Brienne (if ACOK is 2026): 2007
Loras: 2009
Jon, Robb, Samwell, and Margaery: 2011
Daenerys, Joffrey, and Meera (if ACOK is 2026): 2012
Sansa: 2014
Jojun (if ACOK is 2026): 2015
Arya: 2016
Bran and Myrcella: 2018
Tommon: 2019
Robert Arryn: 2020
Rickon: 2023
please comment if I got anything wrong/forgot anyone! (characters whose ages are too ambiguous I didn't include)
The Beach Boys's Brian Wilson sits alone in a church. (c. 70s/80s, photographer unknown)
if i took this pic i would name it Me And Bri In The Church Together Just The Two Of Us We Can Make It If We Try
Every "Romeo" and "Juliet" in the entirety of Shakespeare’s play brought together with 55,440 red lines
Romeo + Juliet (1996)
if you’re kip grady being Gay Divorced is the chicest thing you can do and if you’re scott hunter being Gay Divorced means you have to go into witness protection

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Some of my favourite Rocky noises
it’s weird that professional letters are supposed to start with “dear.” i don’t even call my mom that
my darling hiring manager. my springtime rose. if hired i will bring a strong work ethic to this position