The profile picture is from a photograph taken by me many years ago.
The contents of the photo are 100% real.
Is it a photo of me?
Maybe.
(He/him | Other labels pending | Odium delendum est)
xkcd fans are the only fandom I've had direct experience with where people do the stereotypical nerdy fan thing of referring to installments of the thing they like by their release order numbers instead of their titles
like I've never heard anyone just say "the simpsons season 7 episode 21" without also saying the episode title but I have heard people say "xkcd 2501" without also saying the title of the xkcd
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Because SOMEHOW people need to be reminded of things from literally ten years ago:
"Free the nipple" never meant "free to not wear a bra" or "free to breastfeed." Those were adjacent conversations that of course "free the nipple" supporters would boost, but that was NEVER the core of free the nipple.
The core of free the nipple was always that the breasts of people perceived as women ("female-presenting nipples" to use some Tumblr speak) are in no way different than the breasts of people perceived as men. And that since the chests of people perceived as men are not sexualized and are allowed to be exposed, so too should the breasts of people perceived as women. If men can be topless, so can women. If it's inappropriate for women to show their chests, neither should men. It isn't sexual assault for a woman to walk around barechested, because it isn't sexual assault for a man to do so either, and breasts are NOT sexual organs.
Claiming breasts are inherently sexual organs is factually and morally wrong, it is sexist and controlling, it is a tool of oppression, and it defines normal body parts (and bodily functions) as sex which leads to inherent sexualization of people with those parts. It leads to 12 year olds with large breasts being accused of seducing 40 year old men or trying to distract and corrupt their classmates.
"Free the nipple" doesn't mean "free the nipple in a god-fearing way." It means FREE THE NIPPLE, full stop, end of sentence. It means to free the nipple of the faulty social constructs that cast it as a sexualized, malicious force of seduction instead of a normal body part that should be free of expectations of shame or "modesty."
Breasts and nipples aren't shameful, sexual, immoral, porn-adjacent, kinks, a distraction, or things to be feared. They are a part of your body just like your elbows and ankles, and being afraid of them, thinking they will corrupt some innocent person or that being exposed to them is trauma akin to sexual assault, is the entire fucking problem.
Free the nipple, not just for breastfeeding, not just from bras, but from the fucked up social constructs that cast them as malicious instead of innocent. Stop trying to sanitize "free the nipple" for puritanical, conservative audiences who already hate you and the rest of us. You aren't helping anyone.
I've said it before and I'll say it again. We need a "This is absolutely NOT mature content" feedback button on posts. You can report a post as missing a community label. We should also be able to report posts as having a community label when they dont fucking need one.
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This is literally what people are talking about when they say AI will be used to mainstream widely held bigotry. LLMs are trained on frequency and probability -> straight relationships are more well represented in the dataset -> straight pronouns and terms become the "correct" normal.
This is a form of backdoor bigotry from both normative facts (there are more straight than gay relationships) and well represented bigoted beliefs (men are superior to women).
Combine this with the mass of people inclined to believe (and being encouraged to believe) that if AI says and does something it must be correct
Always remember that the EU did a study in 2013 about the effects of piracy on media publishers and found that there is no correlation between piracy and sales! (And then they tried to hide that study bc that's not the result they wanted)
So piracy is at worst not even a problem, and at best it's free advertisement.
Source: (the link to the actual study is in the article)
In 2013, the European Commission ordered a €360,000 ($430,000) study on how piracy affects sales of music, books, movies and games in the EU
Younger people, one thing I want you to understand about Millenials is that, overall, our parents taught their daughters to aim for careers and employment, but they didn't teach their sons to keep house. This causes a whole lot of Situations.
My brothers are my half-brothers; they spent summers and some holidays with us. I love my brothers.
Their mother picked up after them. They were not required to take plates the kitchen or do the dishes or anything like that.
My mother, who would tell you she is for equality, came home one day, sighed at the mess of dirty dishes scattered about, and said, "Gayle, help me pick up."
"Those aren't my dishes," I said. "I picked up my dishes."
My mother sighed again. "Just help me pick up."
"No," I said again. "I didn't make that fucking mess."
She never approached my brothers and said, "Boys, in this house, you take your dishes to the kitchen." She did not tell our dad, "Hey, tell the boys they need to pick up after themselves."
It was, "Gayle, pick up the dishes."
And when I refused because it was not my fucking mess, I got lectured about being difficult.
See also: My brothers--in a classic dick-move of all siblings--figured out they could pop the lock on the bathroom door and throw it open, and I would freak out because I was in the shower and trying to get five fucking minutes of peace.
Guess who got yelled at for being "unreasonable"? Not the boys. Because a lot of moms of millennial boys still said shit like "boys will be boys" when they should have said "Boys, if you got body-slammed on the concrete, I'm not taking you to the hospital."
It was similar for Xers. I spent a lot of time in my 20's teaching romantic partners and friends basic household skills and having to be really hard ass about them carrying their weight.
It is stupid and infuriating and I hate that the "Boy Mom" trend is setting yet another generation up for unfairness and domestic strife.
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- Pantyhose, tights, leggings, and stockings are each different.
- Waxing hurts and leaves red skin for a while afterwards while shaving leaves stubble
- Most can’t run in heels unless they have been VERY worn
- Insecurity in appearance doesn’t mean “buy me a drink”
- EVERYONE HAS DIFFERENT TASTES IN EVERYTHING
-Having large breasts sucks. It sucks beyond belief. If a garment happens to fit your large chest, odds are it won’t fit the rest of you. Underboob sweat is real and terrible. Bending over for extended periods of time will tweak your back out. Running can be painful due to boob turbulence. Bras are hella expensive. Big breasts are not fun.
Putting a tampon in isnt a quick bend-poke-done kinda deal. It involves cubicle yoga, messy hands, numerous curse words as you realise it isnt in correctly and have to take it out and start again with a new one.
If her hair is in an updo, one does not simply remove a hairpin to send her hair cascading down her back. No. If her hair is an updo, it will take at least an hour and an extra set of hands to remove the 137 bobby pins that are holding her hair in place. Furthermore, there’s probably a can’s worth of hairspray in there, intended to withstand category 2 hurricane winds. There’s no cascading happening here - the best you can hope for is a misshapen nest of hair to clump and poof unattractively in the back while it still remains flat against her scalp.
This is one of the funniest posts I’ve seen in a while (especially if you read all the comments), but also really depressing because at 42 I still judge myself as having failed for not matching up to all these mythical stereotypes despite knowing they’re impossible
The odds of a woman having smoothly shaved legs and armpits are directly proportional to the amount of skin her clothing bares and/or the amount of fucks she gives at that particular moment.
GLASSES ARE NOT COSMETIC. If we whip them off, we do not become gorgeous fashion models. We become squinty.
-most women wear bras. Yes, even when they are trying to dress sexy. Because bras make boobs look perkier and rounder, which is something men apparently find sexy, so being a seductress or femme fatale is not an automatic reason for a female character to not be wearing a bra.
-a good bra will hide headlights, or at the very least drastically reduce their noticeability. A women with enough pointy nipple issues will opt for a padded or molded bra to hide them.
-women’s nipples do not automatically become hard pyramids visible through any and all layers of clothing the second they become even slightly aroused. They are not the female equivalent of boners. And even if their nipples do get hard, the bras they are almost certainly wearing (because even a goddamn succubus with big, honkin’ knockers for seducing men is gonna have those painful puppies in some kind of boob sling) should keep those pointy nipples from being visible to every other character in the scene, JIM BUTCHER. YES, EVEN LARA RAITH WOULD WEAR A BRA ONCE IN A GODDAMN WHILE.
if you’re being tied up and tortured in a freezing underground dungeon, then you probably have more important things to pay attention to than how hard somebody’s nipples are, jim butcher
- Wearing a bra that doesn’t fit HURTS. It’s not sexy to wear a bra that’s “two sizes too small”, it’d make your clothes hang oddly and you’d have a weird, uncomfortable “quad-boob” effect and your back would hurt, BEN AARONOVITCH.
Also, after removing a too small bra, there’s gonne be angry red lines on the boobs and ribs and the lady is not going to want them to be touched by anyone for a good long while
-Lips aren’t just naturally red “as if she’d been drinking wine but they were just like that without makeup cause she’s so perfect,” my dear little Kvothe from ‘Name of the Wind’. Also, girls do not naturally smell like fruit or flowers, it’s either perfume or something she’d been eating recently.
I’ve been appreciating this post but now it’s back very specifically calling out my problematic faves and I don’t think those male authors realize how much it totally takes me out of the story for a moment when they commit these errors. It does nothing useful for the plot and is annoying for half of the audience
(Most) Women do not look at themselves in the mirror and compare their breasts to fruit. Any sort of fruit. Especially melons. Please save us from the melons.
Also we are not aware of our breasts at all times. I do not walk down a flight of stairs and think “oh golly my breasts are bouncing so much right now”. They are as much as natural part of our bodies as arms. Do you constantly think about how your arms are moving? Sure you may be aware of them, but paying full attention? Doubtful.
Also: women working out are almost never sexy. They’re not glowing or glistening or (kill me) *sparkling*. They are red and sweaty and gross just like all the dudebros doing their time with the dumbbells. Stop ogling fictional women at the gym, TOM WOLFE.
I never understood why men feel the need to address all this telltale “feminine” awareness when writing women. Like once in grad school one of my male colleagues wrote from a female character’s POV and was like sure to notice how her feet felt in high heels and all the women’s lifestyle magazines on the coffee table and also that like, her breasts were “heavy” or some shit. I write male characters all the time. Not once have I ever stopped to make sure they notice the weight of their own balls or been hyper aware of their chest hair or some bullshit like that. ????? why????????
Love this. I’ve been cackling to myself for good 20 mins reading all the comments as well but the last reblog had me dying like can you imagine!!
“Chad was late. He had an important meeting to get to and was mad at himself for oversleeping.
He quickly washed and brushed his teeth and then ran downstairs, his balls bouncing playfully in his pants.
Do I have time to make a coffee? he thought. He decided he did so went into the kitchen and switched the kettle on. As he was waiting, he noticed his thick, curly chest hair was poking through the button gaps of his shirt. He giggled to himself and tucked his manly fuzz back in, hoping it wouldn’t happen during the meeting.”
I was lucky enough to be in the studio audience of episode 7 of series 21 and thought I'd post some notes from the recording, like I did for NYT 2026. Again, these are mostly things related to Greg and Alex rather than the contestants, but there's a lot of general stuff as well.
I have to mention that the studio recording for this ep was 8 months ago, so unfortunately I've forgotten a lot of details – this write up is the best I could do based on the notes I wrote down after the recording back in September
So, after several hours of queuing outside, the audience is let into the studio and you get your seat. Then it takes another hour before the show starts (this is my experience, but probably it varies from recording to recording). That hour went by quickly as I had never been in a TV studio before and was fascinated by everything that goes on before the filming starts – I enjoyed watching what various members of the crew were doing and looking at the details of the set.
First, a couple of things that surprised me. The platform/stage where Greg and Alex and the contestants sit is REALLY small. For some reason, when I saw that stage up close, the first thing that popped into my head was this outtake from series 6 where Greg and Alex are spinning around holding hands:
and what I was thinking was that I can't believe they didn't fall off or crash into the chairs when they did that. Also, the first row of the audience seats is so close to the stage that if you sit there it would be possible to touch it if you just leaned forward a bit.
Another minor detail – the thrones aren't actually shiny gold colour like you see on screen, the colour is kind of faded/dull gold, and the thrones look shiny only when the stage lighting is on.
Some of the pre-show time is taken up by the crew moving audience members around – some people are moved to fill the gaps in the rows, some shorter people are moved to places where taller people would block a camera etc.
They also check if things are working properly and fix things if need be – at this recording something wasn't right with a camera high up in the ceiling – I think it was the one that shows the studio from this angle:
so they brought out a VERY tall ladder and a member of the studio crew climbed up and did something up there.
This pre-show time is apparently also when some VIP audience members/production guests get shown around backstage, get their photos taken etc (I don't remember if it was at this recording or the NYT recording but one of the people showing some production guests around in the area behind the big VT screen was Andy D).
There's also a lot of studio security whose job is to constantly watch the audience members to make sure no one takes out their phone (there's a very strict "phones must be switched off" policy).
Another thing worth mentioning is that when Alex has props for his opening banter, then it's the floor manager who brings them to the stage and leaves them on his throne/in the drawer. The floor manager also brings out Greg's cards and leaves them on the table for him. Having now seen more than one recording, it seems that when you see the floor manager bring these things onto the stage, it's a sign that they're nearly ready to start the recording.
While you're sitting there waiting for the show to start, the full studio lights are on. And then, when the team is ready, suddenly without warning the full lights go off (and only the stage remains brightly lit), which makes everyone in the audience go "Oooh!" in unison, and the show starts. I can't describe how exciting that moment was for me the first time I experienced it.
Greg on stage
Greg is always the first one to be called onto the stage after the warm-up comedian (Mark) has finished. Greg chats a bit with the audience and lets people ask questions. One of the things I remember from this bit is that Greg took off his suit jacket and showed us his backless waistcoat – it was specially made for him because of his sweating (apparently he shows this to the audience at most recordings).
An audience member asked him what advice he would give to someone who has just quit teaching. Greg said, "Celebrate and have sex with everyone. That's what I did." Then he started giggling and said something like, "You don't have to do everything I did." One more question I remember was who would Greg choose if he had to replace Alex as his assistant. Greg said he would have to think about whose spirit he could break. Then he said that with Alex he sometimes feels guilty (about breaking his spirit).
Also, an audience member got to sit on Greg's throne (at Greg's invitation).
Greg and Alex's hug
Then Greg calls Alex onto the stage and it's time for their awkward hug. This time it was one of their Titanic hugs. Greg opened his arms, Alex went behind him and put his arms around Greg. It looked a bit like this promo image from s18:
except Alex wasn't peeking out from behind Greg, he just stood behind him and held him.
Alex's improvisation
After the hug it's time for Alex's improvisation – Greg asks the audience if they want the show to start or if they want to see Alex improvise a song and dance. Of course the audience always want to see Alex sing and dance. The audience shouts out some suggestions for what style should the dance be and also a topic for the song. Greg decides which one Alex will do. My notes say: country style, about fragility of life?? But I don't unfortunately remember anything about it.
The show starts
Then they call the contestants onto the stage and start the show. It's also worth mentioning that the audience (which is different for each recording) doesn't know beforehand who the contestants are and only find out in the studio when the show starts.
Once the recording starts it plays out exactly like a broadcast episode, starting with the opening credits and ending with the winner's celebration on stage, with breaks at the same points as in the broadcast. But all the studio discussions go on for way longer than what you see in the broadcast ep and obviously there are breaks for setting up the live task and the prizes for the winner at the end etc. Overall, in my experience, it's about 3.5 hours from the moment the show starts until they've finished filming pick-ups and the audience is let out of the studio. As the length of a broadcast episode is around 47 minutes, it's clear that a lot of comedy gold is left on the cutting room floor...
Greg's intro
When Greg started to read out his intro, it turned out the autocue was upside down and they had to fix that first.
After Greg's intro for Alex and his comment about Alex wanting women to be "more hirsute downstairs" several contestants (not just Amy) said that they didn't know what "hirsute" means, and then everyone started discussing what Alex had said to Greg and what he could've possibly meant by those things he said. So finally Alex felt the need to defend himself and said quite vehemently, "I did not say ANY of these things!" It was very funny.
Banter section
The banter section was actually longer compared to what was shown in the broadcast ep. Greg said something like, "Is that it, normally there's something for us to go on, but this time nothing," so Alex said he has some things for Greg. First, he had a picture of a dog (the one you can briefly see in the ep):
Then he gave Greg some chocolate, and also 40 pounds. Greg said he'll give the money to the contestant who pleases him that day. But later on in the episode, Greg was pleased with himself about something (I don't remember what), and said, "20 pounds for Greg", took the money he'd promised to a contestant earlier, and put it in his jacket pocket. Also, during one of the breaks, Kumail ate the chocolate and shared some with members of the audience.
Some notes about tasks
During the prize task, the Braille menu chat went on for a while, and started one of the running jokes in the episode, which was about asking permission for various things. I think it started with asking permission for something from the visually impaired community. Having to ask permission was brought up again and again at various points throughout the episode (there was also a moment when a member of the audience was asked for permission for something), and because of this running joke Greg's end-of-episode "What have we learned today" was also about asking permission (more about that later on).
During the "switch on the telly" task when they revealed that Joel touched the TV with his bum, there was much longer discussion in the studio whether touching someone with your bum counts as touching or not. In the broadcast ep the camera cuts away at this point:
but in my notes I've written that Greg actually stood up and started to move towards Alex, bum first, as if to sit on him, but then sat back down on his own throne. Eventually Amy said that men saying that touching someone with your bum isn't touching is not OK, and they moved on.
When they showed the VT for the sock task there was a long conversation in the studio about what is considered as "standing up"
The "half lob" chat went on for a while and was very funny. Greg said the editors will cut all of it out because it's too blue. Alex (in character) said that he thought that "half lob" is an innocent term, something that you use when talking about sports, like tennis, for example. And Greg had to explain that they were talking about erections. When Armando and Greg bonded over Armando saying "if a soft lob counts as standing up then there's hope for many of us", then Alex said to Greg "good luck with that."
The live task went on for far longer than Alex and Greg expected it to, because all the contestants were really good at it. So they decided to go up to four and then very quickly to five-digit sequences so someone would make a mistake.
I have to say I didn't focus at all on remembering the tasks because I knew I would see the VTs again once the episode airs. So while I did keep an eye on the VTs, I was mostly watching what Greg and Alex were doing when the VTs play. Alex is mostly watching the screen but he's also often tapping away on his iPad, sometimes he glances at a contestant or Greg. Greg is always watching the screen and often writes down notes on his cards. Sometimes he leans over to Alex and whispers something to him (behind his cards), occasionally pointing at a thing he's written down. It's possible that their mics are turned off when the VTs are playing because you can't hear anything when they are whispering to each other (at least I didn't). But I think Greg just asks clarification about some details or asks Alex to let the gallery know that he wants a clip of something to be replayed to the audience (like Amy's "remix" clip during the sock task in this particular episode, for example).
One of my favourite task/contestant-related memories was this one:
this got a really good reaction in the studio as well, Greg was especially delighted.
Ad break links (these are cut from the Youtube version)
I was sure that the dog leash bit would be included in the broadcast episode and not cut, mainly because the bit that followed it got the biggest laugh of the episode. So what happened after this moment:
as soon as they stepped off the stage, Greg dropped the leash and Alex took it off. Then the warm-up guy stepped up and said that this was for certain people on the internet, and asked the audience if we've heard of Taskmaster fanfiction. Then Greg and Alex returned to the stage and did the poo bag bit
After Greg lifted the poo bag it was a long while before Alex could say his doughnut line because both the audience and the contestants absolutely lost it laughing.
I remember thinking that Alex's "Why did you pick it up?" and Greg's "Because I'm your owner" may be cut from the episode because of too much audience noise as people were still laughing loudly but luckily all of it was left in. (Side note: I think that these lines weren't scripted)
When they started the VT after that, Greg gave the poo bag to the floor manager who took it away. Later on in the episode Greg wanted to do another joke with the poo bag, but couldn't - he opened his drawer to take the bag out, and only then remembered that he'd given it away.
At one point, Greg and Alex also recorded a bunch of generic ad break links – the kind of links where Greg just says something like, "Time for a break, see you in a few minutes". So I guess they use these when one of the links they've recorded for the episode needs to be cut for some reason.
"What have we learned today?"
As I mentioned before, one of the running jokes in the episode was asking permission for various things. Because of this, Greg's "What have we learned today" bit at the end of the ep was also about asking permission. He gave examples of things people may want to do and followed it with "you have to ask permission". One of those things was a callback to the dog leash and poo bag ad break link – Greg said, "If you want to go and do a poo on the lawn outside the studio, you ask permission." I don't really remember what the final thing he said was, but my notes say: Kumail gives Greg permission to speak with a Pakistani accent (voice-over). So I think it may have been something like – Kumail's voice-over for the final line and Greg was just moving his lips and not actually speaking, kind of a callback to the "revoice this footage" task.
Pick-ups
At the end of the show, once the winner of the ep has done the celebration on stage, the contestants can leave and Greg and Alex stay behind to re-record some lines (because they've messed up or because the audience was making too much noise or for some other reason). Greg asked Andy C how many they have to do this time – apparently it's always around 10-12. At this recording it was 12.
When they've finished filming the pick-ups, Greg and Alex thank the audience, wave everyone goodbye, and leave the stage.
After that the audience can leave in stages. The first ones who can leave are the VIP/production guests (seems like they are always seated in the balcony seats located towards the back of the studio). And after that it's the audience members who had seats in the stalls, and then the rest of the balcony. It's all very well organised.
Audience Q&A
During breaks in the recording there's chat with the audience and the warm-up comedian – or sometimes Greg when he's on stage – says that people can ask questions. These are some questions I remember from various points in the recording:
The warm-up comedian was asked what's the difference between the old studio and the new one (starting from s21 they are filming in a new studio), the answer was that the dressing rooms are bigger and the studio is closer to Greg's place.
Greg was asked if he sees the VTs for the first time in the studio. He said that for the most part yes, but in case of some more complex tasks he gets shown the VTs before the recordings, to make sure he doesn't miss anything important. But he also said that he never makes judgements before the recording, he always makes decisions about points in the studio, in the moment.
Someone asked whether it's really Alex who writes the tasks. The warm-up comedian said that Alex has a team. Greg was actually on stage at the time, heard that, and took over answering the question. He said that it's still Alex who writes most of the tasks – it seemed to me that it was really important to him that Alex gets proper credit for what he does. (This is something that Greg often mentions in interviews as well – that he admires the fact that Alex is still able to come up with new tasks after all these years.)
When Greg was on stage waiting for the live task to start, someone asked how long it took to set up the sock task. Greg said he can find out and contacted Andy D via his earpiece. Apparently it took 30 minutes and 5 people – there were people who were unfolding, people who laid them on the floor, and someone who was ironing.
And now my favourite question. This was during one of the breaks when it was only Greg on stage, sitting on his throne. An audience member asked him whether he would want to spend Christmas at Alex's place (with Alex's family) or whether he'd want Alex to come over and spend Christmas at his place. Greg actually took a LONG moment to think about it, and then said that he likes Alex's family but he would want Alex to come to his place for Christmas because he'd like to have Alex's undivided attention. Alex was standing somewhere at the side of the studio at this time, and when he heard how Greg answered this question, he opened his arms and ran towards Greg, all excited and happy, as if to give him a hug, but when he got onto the stage he sat down on his own throne, and then they giggled together. (I might actually make a separate post about this at some point in the future, because it wasn't just what Greg said, it was also how he said it, and it's... something to ponder.)
More notes:
One thing I wanted to include in this write up is that Greg really makes Alex laugh A LOT during a recording – and I mean this kind of leaning-forward whole-body laugh that you can see in this screencap (an outtake from ep 2)
Greg had an earworm that day, he kept humming and singing some lyrics at random times throughout the recording, and was very annoyed about that. He actually mentioned what the song was, but unfortunately I didn't catch it.
At one point Alex said it would be a big problem if Kumail won, because they can't afford to fly him back from the US to film CoC. I have to stress that this was very clearly a joke.
They do explain relevant series-long running jokes to the audience – so they did explain to us that Joel is the only one doing the egg task
During those breaks in the recording when all the cast and Greg and Alex remain on stage, hair & makeup and costume people come onto the stage and touch up the makeup and go over their costumes with a lint roller if need be. (I was unreasonably excited that one of those people was Patrick – the person who amongst other things is responsible for choosing the socks Greg and Alex wear during recordings – I love their socks!) Greg was also brought a little hand-held fan, because he's always too hot, and he proudly showed it off to the audience.
It was surprising to me that the breaks in the recording are relatively short. Some are only a minute or two, some are maybe 5 minutes or perhaps a bit longer. But I guess it varies greatly from recording to recording. At this recording, even the break before the live task was short because they didn't need to set up any props for it.
One question that the warm-up comedian seems to ask every time is whether there's anyone in the audience who doesn't live in the UK. At my first recording I was a bit worried that I would be the only one there who is not from the UK, but there were actually quite a lot of audience members who had travelled from another country.
Final note:
I'd been trying to get tickets for a TM studio recording since s14, but was always unsuccessful, so finally getting one felt like winning the lottery. The cast was a joy, the energy in the studio was brilliant and it's clear that Greg and Alex still have so much fun doing this show together. And they're just SO FOND of each other. It's incredible to witness in person – a dream come true
“Media can be factually made with a child/family audience in mind” and “media for children/family audiences can be well made and engaging pieces of art” and “if you are an adult you should have a more diverse media diet than what exists to target an audience of primary middle and grade schoolers” and “it’s okay to watch a cartoon as an adult and enjoy it” can coexist.
If you want to illustrate, animate, stage, or otherwise adapt one of my microstories, you have permission to do so as long as I am credited as the author, and it is non-commercial, and all done by a human. (I love seeing fan art, if you're comfortable with showing me.)
If one of my microstories inspires you to create your own story, in your own words, you don't need my permission - the story you create is yours to do what you want with. (Credit for inspiration is a courtesy, not a requirement.) **
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If, when my toddler is, you know, toddling around saying “mama? Big ball?”
If I were lean down and say “unfortunately the big beach ball for some reason fills you with such an unadulterated rage that is beyond human comprehension that you scream until you pass out, so mama had to remove the beach ball from the premises until you can better regulate your emotions” she would simply stare at me like I had 3 heads full of equal betrayal.