How writer’s block feels
Claire Keane
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@mash4077fruitmachine
How writer’s block feels

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S5E6 - "The Abduction of Margaret Houlihan"
Sometimes I think about how different B.J. and Hawkeye's lives were before they met and probably after they parted.
Hawkeye comes from this small town, his father is a poor country doctor who would take kittens for payment. He worked in tourist hotels and other jobs to afford school. When he lived in Boston not only was he enthusiastic about his residency, but he also worried about money and cited it as a reason why he didn't propose to Carlye.
(Hawkeye's background can be inconsistent at times. A practice gets mentioned once or twice, but the most consistent background seems to be worked in a hospital in a city before being drafted.)
Then you have BJ who came from three generations of doctors (and probably not small town doctors), went to Standford and came first in his class. Belonged to a country club, lived in the suburbs, bought beach front property. He even had a connection that offered to get him out of the draft, but he believed in the system and refused. He gets upset when Peg has to work at a cafe where their friends often go.
Rambles under the cut...
@gifevents: From Script to Screen Day 3 - Dialogue
Cut dialogue from 4x10: Quo Vadis, Captain Chandler? by Burt Prelutsky

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this zoom out went absolutely crazy for no reason like sure let's reveal bj hunnicutt lounging sexily on the operating table while intently observing hawkeye yeah thanks for that
GOODBYE
I love the implication that Mulcahy is God's special little guy when he wins every single bet he makes.
I also love that meanwhile Mulcahy looks at Hawkeye Pierce a lusty, intemperent agnostic and is like: priest material.

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the "You Are Glass" song but it's Beejhawk
M*A*S*H - 1x11: Germ Warfare
the greatest love story of our time already exists, and we can never duplicate it, no two actors can quite replicate the chemistry needed to play up its conclusion, it wouldn’t be made today and yet it’s what every show runner in hollywood thinks they’re doing. i’m talking about goodbye, farewell and amen.

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Oh, don't mind me, I'm just over here making myself sad thinking about how Margaret greets two very important men in her life. With Donald, she's like a teenager, so excited for her superawesome (Margaret's "words", not mine) boyfriend (husband) to show up so she can show him off. Her whole body language is so bouncy, and those little squeals of delight when she greets him just makes me so sad. We know things haven't been great between them, and she has decided to forgive his indiscretions, and it's just so clear how she more than anything just projects images of a perfect husband onto him. In her mind he's everything she wants him to be, and her whole being is just an embodiment of that fantasy.
And then, her beaming but contained smile when her father pulls up to camp, the hug he immediately reprimands her for. How she goes from calling him dad, to sir, to colonel in five seconds, getting farther away from familiarity with every word. It also breaks my heart how important it is for her to show off her nurses - the sharpest ones in Korea - just like a little girl wanting to show off something she made in school, hearing her father say she did good. But, of course, he doesn't. And the way she feels so controlled and held back with her father, like she is constantly aware of her movements, except for the hug, that unfortunate slip. Ugh, such great acting!
All of this makes me think of "Our Finest Hour", when Margaret talks about the people at the 4077 as family. The people there are everything Donald and her father are not, and also the ones with the biggest pieces of her heart.