Carlos’ face when the reporter calls Kimi the new Senna

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Carlos’ face when the reporter calls Kimi the new Senna

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I just want to make a quick note about this before people get too silly about the situation. It's very important to remember that Robbie is Native American, and is putting a lot of work into making sure that Kattigan has indigenous cultural touchstones as part of his characterization. And that is the appropriate lens through which we should view his missing and murdered wife and daughter, I think.
I would be reluctant to use fridging in this exact context, because this isn't some imaginary scenario to generate manpain for a white hero, this is a much more common experience of Native American and First Nation people, having their wives and daughters and sisters (in particular, but not exclusively) go missing. And never getting answers, never learning what happened, and not being believed that there's a problem in the first place.
This is like how being rescued from a tower by a prince is not particularly empowering or affirming to cis physically able straight thin perisex white women and girls, but can be for basically anybody else. Particularly black girls and women, who do not get a lot of cultural messages that treat them as people who are so valuable and precious, who may not have the strength to save themselves, or may wish that they didn't fucking have to save themselves (and everyone else) all the time.
White men have this story so often happen that we have a trope name specific to one specific and particularly egregious version of this, but you don't often see men who look like Robbie dealing with this type of story in fictional settings, even though it happens for men like Robbie in real life with horrifying frequency.
Sometimes stories that are old can be new again in different hands, from different point of views, so just... mind how you step here.
thinking about the “i am vokjan murzat!/no, i am vokjan murzat!” line.
it reminds me so much of “i am spartacus”, which is just as often played for comedy in pop culture but in it’s original form, it is deeply sincere and an expression of ultimate solidarity. spartacus, like murzat, was (probably apocryphally irl) the leader of a failed revolt of slaves. the scene that the line comes from was invented for the film, but when the revolt fails, spartacus stands to take the blame for it and every slave still standing that rose with him also claims to be spartacus. they are willing to die in solidarity, they stand united in the quest for freedom against unjust, authoritarian rule. to say it as an idiom in the real world is to shoulder a burden collectively, to share suffering. it is a call to collectivism and a threat of the many against the few.
when lash says i am vokjan murzat, he is, not just because he is on stage acting the part, but because he is acting knowingly and at great personal expense against the candescent creed and the sundered houses and the oppressive authoritarianism they represent in the hopes that others will follow. everyone in the theatre troupe is vokjan murzat. every magpie is vokjan murzat. the revolution in aramán is being spearheaded by the players at the table, but it is much much bigger than that and there are already so many npcs who are regular, normal people involved. who resist in ways big and small. who do so at great risk and with great fear and trepidation. who may just as easily die for it (and likely will). they are all vokjan murzat.
oh man, everyone thought that they were going to be able to turn the sundered houses on one another by making them suspicious of the other houses. nope. they are an alliance against the normal folk first and foremost. terrible news, rotten.
but what dame seremai’s big moment shows is that the cracks are not between the houses, they are within them. they are all willing to throw the weakest members of their houses under the bus; to use, or abandon, or even kill them as they deem necessary. sure, big style with occtis and gaya and tertia, but yanessa was ready to kill wick and the einfasens are moving to marry ingrid to ethrand even though she absolutely doesn’t want that and they know it will be terrible for her. the house they eliminated was the house that was diminishing in power, yes, but also the house that refused to abandon thjazi fang and that did not force julien into a political marriage. lord einfasen seemed incredibly upset that primus would kill his own son until he learned it was in service of tachonis supremacy.
the moment where ethrand looked very guilty stands out to me. the elders of the sundered houses seem to feel no guilt, be totally unflinching. but their children, perhaps only because they are not yet hardened to the game, oh boy do they flinch. ingrid flinched against her father when she saw what he did to her maid. ethrand flinches about the act he helped primus commit against occtis. and perhaps some of it is love, we do not know, but what we do know is that they are aware how easily they could be sacrificed themselves. and they have wick and occtis leading by example in their struggle against both the evils and the power of their own families.
the implications of the ritualistic repurposing of shapers war and earlier artifacts and relics on bolaire most be both liberating and terrifying.
if a river of blood can become paint and the pariah blades can become ploughshares and the hallowed round can become a theatre, then bolaire can so too be changed. in fact, he already has been, just like when thaisha attempted to reshape the pariah blades and found shadia had already done it unknowingly.
bolaire is no longer a weapon. he has reshaped himself. he just hasn’t quite realised it yet. he is not a thing anymore, he is a person.

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its ovid at fifteen by cristopher bursk hours. not optional
the new librarian looks somewhat stressed
matt really said for this campaign i will be playing inigo montoya
how do we force everyone in the world to watch the frankie boyle "it was the fucking banks" clip every morning of every day
1000%
fascinated by the way characters (especially murray) treat demodus blix in universe because you have several compounding factors all of which on their own would probably mean that people infantilised him due to their own prejudices.
so not only is he a trans man (personal experience here, people infantilise you a lot) but he’s also a gnome and he talks about being picked up and moved around a lot. so even to a dwarf like murray, he’s functionally child-sized. in universe this is racism, so this doesn’t have a 1:1 real world comparison, but it strikes a chord with the infantilisation of disabled people, especially people with visible disabilities who report incidents like having wheel chairs grabbed by strangers.
on top of all that he’s also an adult student. this means a lot of people will infantilise you for not yet having entered “the real world” (conventional work), whether that’s actually true or not. this is especially complicated for murray who has both institutional power over him as bursar but also a duty of care to his general well being. irl, teachers of adults, particularly in universities, are often encouraged institutionally to see their students as children to prevent things like inappropriate teacher/student romantic/sexual relationships. of course that isn’t a flawless system and generates it’s own problems re:infantilisation.
so it’s really important that brennan has demodus stand up for his own agency in conversation with murray, even if he does, at other times, ham up his own persona of jester/clown/silly person. i’d hazard that persona is itself a construction aimed at mitigating whatever anti-gnome (and possibly anti-trans/queer) violence comes his way. yes, he ordinarily chooses to mitigate risks to his safety but if anything that proves that he is Very Aware Of The Risks in a way that murray simply wasn’t giving him credit for.
anyway i’m really enjoying the choice brennan/critical role has made to include a lot of systemic and interpersonal prejudice and oppression in the narrative as not just tools of the villains but also flaws that the heroes have and must overcome. the theme of the campaign is that everyone struggles together, collectively, even though they are all impacted differently.

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increasing number of jokes about men getting pregnant on tumblr
increasing hostility towards trans men on tumblr
i wonder if those two are related. hmmm. HMMMM.
people are very celebrities should discourage fans forming parasocial relationships and then can’t handle richard siken being mildly rude on twitter
EDIT:
and another thing! i am disconcerted about the tone policing of a man that is in the process of recovering from a significant brain injury (he had a major stroke that was not treated quickly - he was turned away on his first visit to the ER about it) that has meant he has had to relearn a lot of his language and is considerably more irritable.
why are people suddenly putting max in every single brocedes post? it’s not about him, he had nothing to do with it.
Masculinity ode by Ally Ang
if you were an f1 driver would you fuck your car
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nuance (you MUST elaborate in tags or i will send the FIA after your fav.)
results/im bald like fred vasseur
RB (reblog NOT racing bulls) for sample size

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— Fyodor Dostoevsky, Crime and Punishment via starlightacademia