Stuff I found

their (live!) young gestate for. wait for it. eight to eighteen (??) YEARS. can have up to 10 at a time. good grief.

longest lifespan of any vertebrate, up to five hundred years

toxic flesh

has giant eyes but is usually blind because of a weird little crustacean that's evolved to live on and eat their eyes. this doesn't seem to bother them much.

lives in deep cold water and has the lowest swim speed and tail-beat frequency for its size across all fish species. just generally lives life in extreme slow motion

largest genome of any shark

eats everything including moose and polar bears

How to spring-load your bow!

unauthorized fucking thing!!!!!!

(warning: loud chirping throughout)

I saw this on Facebook and had to look it up. It really happened, albeit the details are different. From Homesteading Space: The Skylab Story:

"On the evening of MD-46, I finally played the trick that had been in work for over two month," said Garriott. "It even had the flight controllers puzzled for twenty-five years! My objective was to pretend that my wife, Helen, had come up to Skylab to bring us a hot meal, even though this was an obvious impossibility. Here is how the scheme worked. I recorded her voice on my small hand-held tape recorder before flight, pretending to have a brief conversation with a Capcom, with time gaps for his replies. The Capcom would be my only accomplice, but his role would be carefully disguised.

It was also necessary to have some recent event mentioned to validate the currency of the dialogue, so it would seem it could not have been recorded before fight. The short dialogue is printed below in its entirety. I knew that both Bob Crippen and Karl Henize were going to be Capcoms for Skylab, so they were brought into the planning, given the script and rehearsed on their timing. They kept the short script on a piece of paper in their billfolds, awaiting the right moment.

"For our flight in August-September, there would be many occasions of natural disasters involving forest fires or hurricanes, which would be widely known throughout the United States. So a few comments about one or the other were made on the tape. This led to four different scripts being recorded, one for each of the two Capcoms and one each for the two natural events. I would play the tape on the normal air-to-ground voice link with my wife's recorded voice and the Capcom would respond as if totally surprised by the female interloper."

Near the end of one period of voice contact Garriott said to the ground, "I'll have something for you on the next pass, Bob." Crippen replied, "Roger that, Owen." Then quietly and surreptitiously, he reviewed the brief script that had been in his pocket for all these weeks. Soon after coming into voice range, the ground heard this voice on the standard air-to-ground link:

Skylab (a female voice): "Gad, I don't see how the boys manage to get rid of the feedback berween these speakers.... Hello Houston, how are you reading me down there? (s sec. pause) Hello Houston, are you reading Skylab?"

Capcom: "Skylab, this is Houston. We heard you alright, but had difficulty recognizing your voice. Who do we have on the line up there?"

Skylab: "Hello Houston. Roger. Well I haven't talked with you for a while. Isn't that you down there, Bob? This is Helen, here in Skylab. The boys hadn't had a good home cooked meal in so long, I thought I'd bring one up. Over"

Capcom: "Roger, Skylab. Someone's gotta be pulling my leg, Helen. Where are you?"

Skylab: "Right here in Skylab, Bob. Just a few orbits ago we were looking down on those forest fires in California. The smoke sure covers a lot of territory, and, oh boy, the sunrises are just beautiful! Oh oh..... See you later, Bob. I hear the boys coming up here and I'm not supposed to be on the radio."

"Then quiet returned to the voice link, but we were told later, Bob Crippen had lots of questions coming his way in the Control Center," Garriott said. "What was going on? Where was this voice coming from? Bob must have been a very good actor, because he claimed complete ignorance and innocence of how it happened. Everyone heard it coming down on the air-to-ground loop. The whole two-way conversation sounded like a perfectly normal dialogue. No breaks or gaps, and they all heard Bob respond in real time. Could I have recorded Helen's voice on a 'family conversation' from our home? Yes, but there was no recent one. How would she have known about the fires, or who was to be on Capcom duty and how could she respond to Bob's comments in real time, as everyone could hear?

"No one ever worked out how this was accomplished. Finally, at our twenty-fifth reunion celebration in Houston in 1998, and with many of the flight directors and controllers present and still with no clue as to how it was done, I described it all as above. My prejudiced opinion is that this was the best 'gotcha' ever perpetrated on our friendly flight controllers!"

Crippen recalled: "That was kind of a fun trick. There was head rubbing.

Love-bombing: A manipulation tactic of increasing affection and grand gestures before or after doing something abusive, specifically to weasel one's way out of consequences.

What it is not: A streak of affection and generosity towards friends/loved ones.

Trauma-bonding: Knowingly traumatizing someone to take advantage of their vulnerable state, to then act like the "hero" or the one who cheers them up.

What it is not: Bonding over similar traumas.

Gaslighting: *Knowingly* convincing someone they cannot trust their own perception of a situation in pursuit of one's own narrative.

What it is not: Misaligned perception of events.

Narcissist: Someone afflicted with Narcissistic Personality Disorder, a traumagenic cluster B disorder, that struggles with self-obsession, paranoia, craving validity from the public, delusions of grandeur, and social disconnection.

It is not: Your rubbish ex that cheated on you.

Thank you for coming to my TED Talk.

“Ghosts aren’t real” it’s very fair and rational that you believe that

“Ghosts aren’t real anymore” I’m about to hear a poem or very sad story

Meet RAT. Drummer for the new band BIONIC WOMB. If you're into riot grrrl music, you should definitely check them out on Instagram and TikTok

Being older now and having an art job it’s…kind of essential. 

So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’ 

1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust! 

2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:

a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it! 

In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support. 

I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose

b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me! 

c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface

d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)

e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them

f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics. 

g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper. 

h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more. 

And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc. 

This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah. 

Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks. 

https://youtu.be/NBE-RTFkXDk