Maddie

A long time ago an anon asked my thoughts about drawing backgrounds, so I finally got around to putting this together. It’s more prop-centric, but it still represents my philosophy to backgrounds. 

do not start ur character design by doing a full, refined turnaround/model sheet.

like. everyone in my childrens book il class is fuckin doing this even though most of them are illustration majors and its a huge mistake (our prof literally warned them against this, and YET)

any time you design a character, start by not caring. by just doing what feels right. dont settle on the first thing; play around. and then draw your character a shitload of times before u start a ref sheet

dont finish anything, just. do super fast sketches of them over and over and over. fill up a page or two. as you draw them theyll evolve. that will happen whether your sketch it out at the beginning or jump right into a final draft, and lemme tell u, u do NOT want ur character evolving and changing AFTER ur final draft. u want to get that out of the way early so u can get a decently consistent finished product

then when you go to do your model sheet you will already be able to keep your character on model without it bc youve drawn them a shitload of times. then it wont be “struggling to draw the character the same every time” itll just be “this is what the character looks like and i could draw them with my eyes closed bc of muscle memory”

dont just jump in and be like “shit i gotta have this full complex polished thing right out of the gate!” like. in the beginning, Do Not Work Hard. play. play a lot. and THEN do a refined drawing. your refined drawing will look way better, too, bc by then youll be completely comfortable with your design

Harry Potter and Ron Weasley

Mulan: I fought in a motherfucking war

Mulan: I saved motherfucking China

Some cultures lack names For a color, you see. Hence good old Homer And his “wine-dark sea.”

A usage so quaint, A phrasing so old, For verses of romance Is sheer fucking gold.

Words are in flux And meanings they drift But the word purple You’ve given short shrift.

The concept of purple, My friends, is old And refers to a pigment once precious as gold.

By crushing up molluscs From the wine-dark sea You make a dye: Imperial decree

Meant that in Rome, to wear purpura was a privilege reserved

For only the emperor!

The word ‘purple’, for clothes so fancy, Entered English By the ninth century

.

Why then are voilets Not purple in song? The dye from this mollusc, known for so long

Is almost magenta; More red than blue. The concept of purple is old, and yet new.

The dye is red, So this might be true: Roses are purple And violets are blue