Lost Girl Rewatch

Maybe.

I’ve been on a nostalgia trip lately and rewatched 1x01 plus (made the mistake of rewatching) Tamsin Season 3 scenes because I was curious…was Valkubus even really that good?

It turns out. Yeah. It could have been, anyway. :(

I feel like these days, Lost Girl gets a pretty bad rap on the internet because it was such an early example of queer women representation on tv and standards are a lot higher now. At the time, a lot of queer women ate this up. But now I feel like younger queer women get a whiff of Lauren, Doccubus, and the disaster that was S4-5 from a mile away and have secondhand embarrassment that we ever put up with that shit. There’s a general vibe of, man, back in the day when there was only The L Word and Lost Girl, queer ladies sure had it rough. It’s the only explanation for why they swallowed that Doccubus crap.

But I always want to say to those folks: yes, a lot of things about the show do suck, particularly Lauren and Doccubus and S4 and S5 in their entirety, but that’s not all Lost Girl is!

It was also a show with one of the best platonic friendships (and, in Kenzi, one of the best characters) on tv, ever, period! It was also genuinely funny and charming.

I feel the compulsion to defend Lost Girl’s honor sometimes. Like, it might look bad from where you’re standing, but it wasn’t all a garbage wlw couple, racism, and TERFyness, I swear…

Though. To be fair. That stuff is in there. And to be clear I wouldn’t begrudge anyone for never watching this regardless of the reason.

Thoughts about Lost Girl from memory (now I could be wrong about ANY of this—it’s been 5 and in most cases 10 years!):

Kenzi is quite possibly my favorite tv character of all time and considering I haven’t fully rewatched S1-3 in over a decade, that’s crazy

Lauren is STILL, to this day, my least favorite tv character of all time, and considering I haven’t fully rewatched S1-3 in over a decade, that’s crazy

It’s not that I haven’t watched a ton of other stuff since then, it’s just that those characters were THAT impactful, I swear

Bo and Kenzi is such a rare example of a platonic female friendship done right. I can’t think of another example like them. Most of the time the friendship either sits on the backburner or ends up feeling kind of romantic. Neither is the case here. Not only that, but it’s not just some cute side thing. In a show that is romance-focused enough that we could probably even call it part of the paranormal romance genre, this platonic friendship is the core of the show. Lost Girl still stands out among its peers for this.

Back then, shows had the balls to try to be Buffy. And that’s part of Lost Girl’s charm. It’s shameless Buffy-ness. Now, we don’t see that as much. Like, look at something like Netflix Wednesday. A show that SHOULD be trying to be Buffy, but isn’t. You are never going to be better than Buffy. You might as well copy it. Lost Girl understood the assignment.

Tamsin and Bo’s chemistry in Season 3 is legitimately THAT good. After two seasons of Bo ping ponging around between two mediocre romances with people who fell to her charms instantly, patronize to her, and lie to her, Tamsin bulldozes her way into an interrogation room and gets Bo’s hackles up in a way they never have been before on the show. They both immediately challenge each other in new ways and have to learn to trust and respect and like each other before anything else can even happen. Unlike Lauren and Dyson, Tamsin never bullshits to Bo. They make each other better people. And they have this incredible banter and chemistry between their personalities. It feels so OBVIOUS when Tamsin and Bo’s relationship starts to develop over the course of S3 that the showrunners must be building up to something, that THIS is the dark horse endgame romance Bo deserved all along, only for them to immediately throw all of that in the trash at the start of S4. The Bo and Tamsin we see in S4 and S5 are basically unrecognizable characters. “Lost Girl.” More like “Lost Potential.” Fuck me. God damn, it could have been so good.

Instead we got that crap (pointing at Doccubus). Are you people happy with your room temperature soup type shit fuckass canon wlw ship?

Lauren really, really sucks, and so does her romance with Bo. She’s poorly written and she’s a miserable human being that the show never stops pretending is a good person. She’s abusive, she’s elitist, she’s probably a covert narc, and she treats everyone around her like shit. I fail to understand what makes her romance with Bo appealing other than her being “hot.” People say queer women can do better now, but the truth is we could do better then, too, and people just didn’t.

Like honestly, I’m not sure if any of the old Lost Girl forums even exist anymore, but I know the Showcase comments sections are gone, and the WILD discourse that I used to see in these spaces between Doccubus fans and everybody else… I make no comment on the Doccubus fandom in 2025, yall are probably perfectly normal and nice people, but in 2013 it was truly the Wild West. Peeking into a comment section with Lost Girl ship discourse was like being Snake Plisken in Escape From New York. It was vindictive and nasty on all sides, don’t get me wrong, but Doccubus fans in particular exhibited a level of delusion and fanaticism that to this day is the standard by which I measure toxic shippers.

People won’t want to hear this, or would prefer a euphemistic phrasing, but the show was racist. Even if you pretend S4 and S5 don’t exist, which I do. I’m thinking of not just the fact that Hale is virtually the only person of color in the main cast, but the way the show likes to cherry pick myths and monsters from different cultures and slap them onto white people with minimal care or research. I also don’t remember much but I’m willing to bet Hale isn’t portrayed well either.

TERF vibes. Except for the season premiere of S3, which goes beyond the realm of “vibes” and is just straight up disgustingly transphobic propaganda. To the point where even when I was 16 or 17 watching it, with no real knowledge of trans issues, was immediately uncomfortable. And that episode is just what I remember! I’m scared to find out if there’s more. We shall pretend that episode doesn’t exist because transphobia feels out of character for the main group on this show. I can’t really see it on them.

I’m still going, so….in S4, Michael Grassi was added as writer and consulting producer, which I had a bad feeling about right from the jump. Mainly because I had never seen that name before in the credits of this show. Dude with no history of working on Lost Girl, suddenly becomes consulting producer. What could go wrong? Well, apparently a lot. There’s no way to tell how much blame for how bad the season was should be assigned to whom, and I have no doubt there were multiple factors at play, but Grassi’s addition is the smoking gun.

I didn’t even finish S5, but Andras was no longer showrunner this season, replaced by Grassi, and I vaguely remember it somehow being even worse than S4, so there’s that.

I feel this is important context though: I don’t consider S4 and S5 to be part of the same show. I know it is. Factually. But I don’t consider them when I think about and talk about Lost Girl. To me, Lost Girl is three (flawed but fun) seasons long.

Written by: Jeremy Boxen

Directed by: Steve DiMarco

Original Air Date: December 5, 2010

Almost exactly 10 years ago today, Lost Girl episode 1x08 - Vexed aired for the first time on Showtime.

It’s been a while, but I’m finally back on my Lost Girl bullshit.

The second to last episode of Season 1 has Bo and Dyson being all domestic and nauseatingly square and heterosexual, where they go undercover with Kenzi to a rich country club where illegal immigrant employees have been disappearing.

YIKES! What a loaded episode. 

And you know what, in honor of an evil megalomaniacal racist guilty of countless crimes against humanity being elected out of the office of US president, I’m gonna post my first Lost Girl Rewatch blg post in months. Yee haw!

I’m pretty sure Kenzi and Hale represent the entire Lost Girl fandom at this moment. This screenshot is so memetic, honestly. So accurate.

Kenzi and Hale, like the rest of us, are fed up with all this boring heterosexual nonsense, and make a bet on when Bo and Dyson will break up again.

For the record, I do support heterosexuality on this show. But only when it’s Kenzi and Hale. I adore them.

So some tree monster is nabbing illegal immigrant employees at a rich white people country club.

To be honest, this episode doesn’t ever delve too deeply into the political and social issues it’s nodding to. It never refers to the illegal immigrants as anything other than “illegals” or “foreigners” when referencing discrimination, and so it doesn’t directly address the issue of racism even though it’s clearly at play--most if not all of the illegal immigrants we see are from Latin America, Kenzi goes undercover as a Venezuelan, and all the country club members are rich white people. The show doesn’t directly acknowledge this even though it wants us to make the connection. It also doesn’t make clear what country we are in. Lost Girl tries to keep it’s location ambiguous throughout its run, so we don’t quite know if we’re in the US or Canada. But...I mean, come on. My money is on Canada.

Let me just explain the Fae of the Week up front: it’s called a “landwyght,” and it is bound to a piece of land on which it periodically feeds on the inhabitants to then fertilize said land with their remains. The remaining inhabitants on the land then reap enormous rewards in the form of riches, promotions, abundant plant growth, and so on. In this case, the landwyght periodically feeds off illegal immigrant employees so that the country club members reap riches.

I feel like it’s pretty obvious they were trying to create some kind of bloated metaphor here a la old school Buffy, where the rich white members of the country club are literally feeding off the sacrifices of the immigrant employees and becoming richer and richer while the sacrifices get swept under the table and forgotten.

But to be honest, I feel like it could have been executed better. The whole thing feels pretty half-assed, and the immigrant employees themselves--the actual victims--are never front and center where they should be. The main focus of our concern is Kenzi, who isn’t a real immigrant, only one in disguise. They only get a parting gift at the end of the episode when Bo lets them rise up and kill the monster. It’s lame at best. Feels very much like a white person wrote this in 2010. I do appreciate the effort, though.

Anyway, an old friend of Kenzi’s from her street days asks for help since his cousin Thumper is one of the employees who went missing. Bo cheekily asks if his cousin is a rabbit, to which the guy replies that it’s just a street name.

“This one’s name was Meow Meow,” he says of Kenzi.

So Bo and Dyson go undercover as a ritzy husband and wife while Kenzi goes undercover as an employee.

Bonus screenshot of Dyson teasing Kenzi and Kenzi flipping Dyson off. Later on in the episode, you will see the characters having a serious conversation about the case while Kenzi and Hale tease and swat at each other in the background, and it just feels very organic. One of the things I always liked about this show was how much the characters felt like real friends.

Creepy groundskeeper staring at Kenzi from the trees. Come on, it’s obviously him. They should already be on this guy’s ass. It’s him! Hello! The creepy groundskeeper!

What’s-her-face is the Chair of the Board of something or other, and her rival basically tells her that she’s going to unseat her. She makes this face when she says that she was afraid of that. Oh, dear.

Oh.

This is her whacking the woman in the back of the head with a golf club and knowingly letting the monster eat her, by the way.

So anyway, Saskia randomly shows up at Bo’s door with a charming sassy insult, as she does. God love her. Only Inga Cadranel could make the character this charming and yet this terrifying at the same time. She’s brilliant.

While Kenzi and Hale are searching the director’s office undercover, Hale tries to turn it into a sexy moment, which Kenzi quickly rebuffs with, “This is not a sexy undercover moment!” It’s another early cute moment.  🥺

Dyson is territorial and tells Bo that he doesn’t want to share her. Blah-dy-blah-dy-blah.

He then tells her that since she is a succubus, it is not in her nature to be monogamous. His exact words.

Bo replies, smartly, that she is more than just her species.

Way to go and mansplain to Bo what is and isn’t “in her nature,” Dyson. And good for Bo for basically telling him that that whole line of thinking is dangerous, untrue, and stupid. Like, WAY dangerous, untrue, and stupid.

Dyson admits that he is territorial and dumb. I do appreciate that, at least. He can see his own flaws. Whether or not he will make efforts to change is another story, but at least he recognizes is shortcomings, unlike Lauren.

Bo tells Dyson that the only way their relationship can work is if there are no secrets between them. Dyson guiltily agrees, but he and Trick are still keeping something big from her.

Dyson tells Trick that he is going to tell Bo everything if Trick doesn’t. Obviously, Trick is a prick about it.

So it turns out that it’s actually NOT the groundskeeper. Okay, fair enough. But still, it was driving me nuts all episode that he was the obvious culprit and it took them until the very end to question him. They could have narrowed their options and found out it was this lady a lot sooner.

Aaaand in the end, Saskia walks up to the precinct and assaults Dyson while he’s waiting for Bo. She declares that she is the one Dyson is looking for.

After Bo arrives and Saskia leaves, with Dyson dying on the floor, Bo manages to give Dyson some life energy back, mastering a new succubus skill that she once saw Saskia perform. We learn that Saskia’s real name is Aife, and she’s someone that Dyson knows.

“Fuel to Fire” by Agnes Obel gives me such massive Valkubus vibes for some reason.

Was just listening to it and it reminded me that it’s way past time to bring back the Lost Girl Rewatch...

Omg!! Thank you so much!! I’m so happy you’re enjoying them.

I know I totally have been dropping the ball on getting the next one out since allegedly I post a new episode blog post every Sunday (sweats) and uh...haven’t been doing that, but I do plan to get back into a groove at some point soon. It just wouldn’t feel right to leave off with two episodes left in the first season, and there’s still so much good stuff left to watch. Plus we are actually STARTLINGLY close to the ten year anniversary of the premiere! Holy shit! I can’t let good old Lost Girl let me off the hook that easy.

Written by: Peter Mohan

Directed by: Robert Lieberman

Original Air Date: November 28, 2010

Oops. I missed a week. Sorry :( I’m back with episode 1x11.

Dyson gets framed for murdering some Dark Fae, and the gang has to prove him innocent.

Hey, remember the club, guys? Remember what that was like? Also Vex is back. Yay.

I wish my kitchen looked that fancy. I can’t keep vegetables that fresh. Their setup only looks like it will produce tasty food, though, because apparently they can’t cook for shit.

I am excited enough to see Hale that I took this screenshot for no reason.

But anyway, Bo and Kenzi are of course investigating the crime, as they do, while Dyson invokes sanctuary back at the Dal. Which basically means that Trick clears the whole bar out and lets Dyson hang out there for some amount of time where the Dark Fae can’t immediately come after him for killing one of their own.

They end up back at the club that Dyson woke up next to, which is Vex’s club. They start to suspect Vex may have something to do with framing Dyson for the murder. I can’t imagine why.

Vex makes a comment about how “another killer in the room (Bo) adds to the excitement,” to which Kenzi fiercely replies that Bo isn’t a killer. Vex is skeptical, considering how many people she has killed over the years, and suggests that he and Bo compare “scores.”

That hit below the belt.

Evony arrives at the Dal to pick up Dyson, in spite of sanctuary, because she has decided that the rules don’t apply to her. “Just think of me as a VIP,” she says. “I do.”

What a queen. Listen, is she wrong? Do the rules apply to Evony? Need they?

She has such queen energy that I love every time she shows up, even if she does absolutely nothing except make snarky comments. You have to appreciate the dominating energy of the woman in charge of the entire darker half of the supernatural underworld. She eventually backs off though.

Meanwhile, to Bo’s surprise, Lauren shows up at the precinct to discuss the case with her and Hale. (Hale invited her, and didn’t think to tell either of them that the other would be there, because he has no idea what’s going on between them.)

Bo is still pissed as fuck. I didn’t bother getting a screenshot, but the glare she gives Lauren is just as withering as it was last time.

So Lauren does...science-y stuff, I guess. I don’t really listen to what she’s saying when she talks about her science shit. I think Lauren is suggesting that Dyson turn himself in to the Dark Fae, though? So they can compare bite marks or something? Okay, I just rewatched the scene. Lauren suggests that Dyson turn himself in and wait while they go through a whole forensics analysis of the scene to determine his innocence (not acknowledging the possibility that evidence against Dyson may have been planted). Bo is like, “fuck no.” Lauren claims that in spite of the fact that she and Dyson “haven’t always been on the best of terms,” she is “actually trying to help here.”

It doesn’t end well. It’s awkward.

Hmm...*narrows eyes* Wait.

Stick around, Lauren fans. You’ll love this. I’m analyzing Lauren.

Lauren’s solutions to problems are always very...clinical. They’re clinical without fail, often to the point of being...not good solutions.

Lauren’s solution to Dyson’s problem--being accused of murder--is to have him turn himself in so that they can run tests and have the evidence prove him innocent. This is such a clearly half-assed idea, I don’t even really know why she suggested it. This idea is like if you could not care less about Dyson or this entire situation at all but you were dragged into being a part of the brainstorming session and you were forced to contribute something. It scans as laziness. Like either Lauren’s brain is too exhausted to put any energy whatsoever into trying to help Dyson, or she actually doesn’t care about him at all and is only there out of obligation and because of Bo. Hm.

Lauren’s solutions to problems don’t just rely on science, I get she’s a scientist and those are the skills she brings to the table. She goes a step farther. Her solutions are always devoid of emotion. Think about why that is.

I mean, turning Dyson in to the Dark Fae is objectively a terrible idea, first of all because they would one hundred percent immediately string him up and torture him for information. (Which is exactly what they do later in the episode!) Lauren is not stupid. She’s a smart gal. She should know this. If she knows that Dyson would be tortured, why would she suggest he turn himself in unless she has absolutely no emotional investment in his physical or mental wellbeing whatsoever? Again, it’s a clinical solution that treats the people involved as though they are pieces in a puzzle.

Second of all, Lauren suggests they run a bunch of tests and rely on forensic evidence to determine whether or not Dyson is innocent. She says, “Hopefully [the animal hairs on the body] won’t match Dyson’s DNA, and hopefully we’ll get [the results] on time.” 

“That’s way too many ‘hopefully’s,” Bo snaps back.

Lauren doesn’t seem that concerned with whether the hairs do or don’t match Dyson’s DNA. I mean, “hopefully” they won’t, but she is content to take the risk, let the situation play out, and let the evidence speak.

But she is also completely ignoring the possibility that even if the evidence incriminates Dyson, it might have been planted there by whoever is trying to frame him. What then? There would be no way to prove that it was planted in time--the Dark Fae would instantly execute him, and no one could stop them because he’d be in their custody. Even a cursory review of Lauren’s half-assed, not-thought-out plan reveals that it’s past risky and more in the realm of stupid.

So you tell me. I’m more interested in hearing what anyone else has to say about her than writing what I think. What is the deal with Lauren? Why is she like this? Is she so cold and unfeeling that she doesn’t have any concern for the physical and emotional wellbeing of others? Does she just not give a fuck about Dyson specifically? Or is she so burnt out and exhausted by the mental strain of her job and her enslavement that she can’t summon any emotional energy whatsoever, and has to completely rely on cold logic to offer anything at all?

I said Lauren fans would like this because I was analyzing her, but I neglected to mention that I would also be dunking on her. Sorry if you were duped. I feel like I offered her a way out at the end there, though. Give me all your pro-Lauren arguments if you feel so inclined.

Anyway, Bo and Hale have a nice little mini-conversation afterwards. Hale confesses that he once thought Bo might be bad for Dyson, that she’d break his heart or he’d destroy himself for her.

He tells her he was wrong, and that she’s “the real deal.” How sweet.

The only witness to the crime is apparently this human girl named Porscha, who reminds Kenzi a lot of herself. Porscha is also young, on the streets, and a runaway from a bad home situation. 

I don’t really care about her or like her as a character, but I do appreciate that her presence prompts Kenzi to drop a few more tidbits of information about her past here and there. For instance, she mentions that she’s been on her own since she was 15, which seems like a long time but is actually only like four years because Kenzi is 19 and therefore a literal baby. 

More interesting is this exchange. Porscha comments that it must be nice that Kenzi and Bo have each other. Kenzi responds a little awkwardly. She agrees that it is nice, but then she says that she’s still getting used to it. She’s still getting used to “being noticed.” Because when she was at home, she says, it was always better to not be noticed. “That’s when things got ugly.”

Yeah. So as if we didn’t already know, Kenzi comes from an abusive home. A home that was so awful that it was better to run away and be on the streets at 15. Then she was completely alone for four years, and homeless for that entire time. 

Think about it. Living with Bo like this must feel so odd. Kenzi has never lived in a house with another person before where it actually felt like a home and she actually felt safe. The way she sort of averts her eyes, tenses a little bit when she says she’s still getting used to it (Ksenia is fantastic as always by the way) is such a realistic portrayal of a response to recovery from trauma.

The way I like to think of it is this. Going from being in a long-term traumatic situation to being in a safe and loving situation is kind of like putting a frostbitten hand in warm water. Warming it up is good, it’s healing, but when your hand is so used to being cold, warming it up is going to hurt like hell. Recovering from trauma is kind of like that. Good things can hurt, especially when you’re not used to them.

But it doesn’t hurt quite so bad for Kenzi that she’s ready to flee and go back to being alone the streets, which is what is familiar to her. It just seems like it’s mildly uncomfortable. And that’s good. Because it means she can get used to being loved and having a family.

Jesus, why am I writing these things every week, they’re so long. LMAO help

So the episode ends with the reveal that it was the bartender all along! GASP! Side note: the whole reason this episode happened is because this bartender, who is clearly an adult man (physically in his 20s or 30s but actually much older since I assume he’s Fae?) was apparently “in love” with the human girl Porscha, who, based on her conversations with Kenzi, is definitely supposed to be a teenager. And also based on her conversations with Kenzi, Porscha has even “stayed over a few times” at his place. Can you say creepy? Adult man taking advantage of a young girl on the street who has no family and nowhere else to go? Grooming her? Just saying.

In a moment that I find somewhat disturbing and rather cold, the main gang all walk out and leave the bartender to be (most likely) brutally tortured and murdered by Vex and the Morrigan. That’s him up there. I mean, I know the Dark Fae are a practically untouchable political powerhouse, and there’s not really anything Bo and the others could do, but still. They totally just left this guy to his death.

But significantly, the episode ends with Bo and Dyson sharing a kiss, as they reaffirm their feelings for one another, and seemingly enter an official romantic relationship.

Oh boy! How cute. :) I wonder what’s next for these two.

Surely not heartbreak and suffering?

Written by: Michelle Lovretta

Directed by: Paul Fox

Original Air Date: November 21, 2010

What the fuck happens in 1x10 again? I can’t even see straight. *wine sloshes in glass*

Oh.

Okay, so the premise of this one is that some Fae is making a bunch of women write horrible slut-shaming things about themselves on walls and then commit suicide. Pretty touchy subject, and not pleasant or comfortable. The villain is also, shocker, a really creepy misogynistic slut-shaming asshole. It’s all pretty yikesy.

But this one’s good. A classic. Lotta classic lines. Lotta good character moments. Lotta big plot stuff making a dramatic entrance.

Bo is forced to go talk to Lauren for information on the case, and oh my god you can cut the awkward tension in this scene with a knife.

“She had sex about an hour prior to her death. It appears consensual,” says Lauren.

Oh. OOF. The look that Bo gives her at that last comment is fucking scathing. Then Bo says, “Not so sure I trust your judgment on sexual matters.” 

Ha. HAHA! Oh my god. Fuck yeah, Bo. Throw that shade exactly where it belongs.

The fact that Lauren making an innocuous comment about sexual consent, specifically, is what triggers Bo’s anger, is really telling. Because Bo doesn’t really see her sexual encounter with Lauren as consensual anymore. It was consensual at the time, at least in her mind, sure. But Lauren’s lying, emotional manipulation, and ulterior motives have clearly complicated her memory of the experience. She feels betrayed on a much deeper level than just, “Oh, she lied,” if we’re bringing up the topic of consent.

Lauren was the one who made the first move; she nudged Bo into it. And Bo said “yes,” but she was consenting to sex with Lauren that night on the assumption that she and Lauren had a genuine emotional connection, and that Lauren was super eager to pursue it. Finding out that that’s not what was going on on Lauren’s side renders that consent null and void. This was not a simple misunderstanding on Bo’s part--this is misinformation that Lauren was deliberately feeding her. Regardless of whether Lauren actually has feelings for Bo, those feelings are not why she lured her into bed that night.

This is not the last time the topics of Lauren and dubious sexual consent will be brought up together. Shocker. 

She’s a piece of shit. But anyway--

Bo and Kenzi head to the bar to find clues about who the victim had sex with right before she died.

And--oh. 

I love her entrance. As Bo and Kenzi slip out of frame, we see “Saskia” just casually walk towards us. Bold, dramatic, clearly important. The framing of this shot is so cool.

Subtle, Bo. Also, I notice that Bo is just “Bo,” but Kenzi is “Astra” at one table and “Svellana” at another.

“Oh, my favorite literary quote about regret! Wow. Fun. Um, well, I think it was the great poet, uh, Ludacris! Who said, ‘Regret is for suckas, for suckas, for suckas. Regret is for suckas...bitch."

Saskia: *sits down*

Bo: “Oh, wow. I didn’t know this was girl on girl too.”

Gross. No. Please don’t say that. (About her.)

OH. OH NO. THAT’S CURSED.

ME TOO, KENZI.

Later, Saskia is like, “You should have marked your territory.”

Kenzi: “Like what, pee on it?”

Bo wants to stay and talk with Saskia, the first succubus she has ever met, so she can ask her all sorts of stuff about their kind, and so on. Kenzi, meanwhile, feels a little neglected. She goes to the Dal to hang out with Trick, but Trick is just rude to her. I’m starting to notice Kenzi feels neglected really easily.

It’s a mood, though. I know exactly how she feels.

Just look at how excited she is when Trick asks for her help, and specifies that he wants her help, not Bo’s or anyone else’s. When Trick asks for help initially, Kenzi’s kneejerk response is, “Should I go get Bo?” When Trick tells her that it’s her help he needs, she is genuinely surprised. Kenzi craves being valued as an individual and seen.

Saskia: “Your mom is probably a succubus.”

Ha. Yeah.

Seeing Bo and Saskia tag team this creep is kind of badass. Too bad it’s short-lived.

HALE. HAAAAAAAAAAALE.

I miss Hale. Why isn’t he utilized more? For fuck’s sake.

They beat the bad guy, and Saskia almost kills him. Bo, of course, is mortified by this, because she’s not a murderer. Saskia, on the other hand, is like, “Um? This guy is a serial killer who has violently murdered a ton of women and almost killed you? He can die?”

Look, I’m no advocate for murder. But I can’t lie and say I don’t relate to that energy.

Bo dramatically hugs Dyson in front of Lauren just to piss her off. Gotta love the passive aggression.

In the end, Bo and Saskia massively disagree over the morality of killing someone, and Saskia skedaddles out of town. Bo is crushed over this; Saskia is the first person she has ever met from her own kind, and worse, Saskia left before Bo got to learn better chi control from her.

She hugs Kenzi when she comes back and tells her that she missed her. Then she does something really nice and asks Kenzi about her day and problems instead of immediately diving into venting about her own. It’s a nice moment. One step forward, before we go through the next couple seasons and proceed to take two steps back.

*rubs hands together* *whispers* But I love the drama.

So we met Saskia this episode! Who is surely not a really important character and is surely just a one-off character who will never appear again!

I have to say, I enjoyed this one. Saskia and her actress bring a really intense, chaotic energy to the show. She’s dangerous. But also weirdly likable? Right off the bat, we know that we can’t trust her, because she’s sketchy and has massive chaotic energy, but she brings an edge that the show was seriously missing, and carries with her some incredibly valuable knowledge that makes it hard for Bo to resist letting her in.

She’s interesting. She’s a wild card, thrown in at just the right time in the season.

Written by: Jeremy Boxen

Directed by: Steve DiMarco

Original Air Date: November 14, 2010

I’m back, bitches.

There’s like 130 people who follow this blog now, which is crazy. I don’t know why you followed, whether it’s to reblog gifsets, to read/skim the episode blog posts, or because of gay girls. But thank you. I took a long break because real life is a bitch. And also because Lost Girl episode 1x09 sucks.

My plan is to be back permanently and post on a more consistent basis. My goal is to post one episode commentary every Sunday around 5PM EST, give or take a few hours.

As I write this, I am sitting here drinking very strong coffee and eating an underwhelming Walmart blueberry muffin, having just watched 1x09.

Wow, that episode was boring. In fact, I had completely forgotten about it.

The premise is that Bo is upset by the events at the end of last episode—Vex getting away without providing any information on her mom, Lu Ann supposedly being executed—and wants to “take a break” from the Fae, which she does by going to the Dal with Kenzi for a drink, where a ton of Fae are partying. (Okay.)

It’s a holiday called La Showshang--

--(no, I am not looking up how it is actually spelled) where Light and Dark Fae call a truce and are allowed to fuck each other. And also they can’t fight. Then a banshee screams and predicts that someone at the party will die, and Bo decides to help out.

Does it sound stupid yet?

No? Okay, then how about this? While Bo and Dyson are off investigating, Kenzi stays behind and randomly develops a crush on this milquetoast motherfucker with no personality.

So it turns out this guy, Sean, is the one who is predicted to die. Some drama ensues between him and his estranged brother, that is really, truly, very interesting, I assure you, it is super interesting. (It’s not.) Spoilers: the dad did it. Sean dies at the end anyway.

Now that we’ve got the plot out of the way, let’s at least talk about how this episode contributes to the overall arc. Or does it?

Last episode, Trick secretly saved Lu Ann from execution so that he could find out more information about Bo’s birth mom. He hasn’t told anyone that he did this, except Dyson (when asked). Dyson, understandably, is a bit peeved that they are still keeping Bo in the dark about “all this.” 

What exactly is “all this,” you ask? I can’t remember if it’s been revealed in the show prior to now, but Dyson name drops an “Aife” who is on her way to town, so I think it’s safe to say that both Trick and Dyson are aware of who Bo’s birth mother is, and are deliberately keeping it from her. Ah, yes. The most important thing in her life, the thing that haunts her day in and day out, the thing that Dyson literally saw her go apeshit on Vex about and then break down crying about afterwards. They just casually know it, and aren’t telling her. Bo also thinks that Lu Ann is dead, so that’s doubly cruel. Dyson is just as guilty for keeping Bo in the dark as Trick is, but at least he has the decency to be upset about it and insist that they stop doing it.

Trust. What a wonderful, elusive thing. Hm.

Dyson and Trick are cowards and failures.

Trick is like Dollar Tree Giles. Just as much of an asshole, but with less of a personality, and less interesting and likable. Rupert Giles being an asshole works because by the time we realize what a fucking dick he is, we have grown to know him well and care about him, and his assholery is the casual, patronizing, well-meaning kind that makes him extra realistic. It hits hard. I mean, sure, I hate Giles, but I also love Giles for the character he is. Trick is just…I feel like they tried to make him the Giles of Lost Girl, and it falls flat because we have no reason to give a shit about him. He just comes across as a grumpy, neurotic old fuck who is extremely cruel to Bo (someone who is *spoilers* rather close to him) for seemingly no reason.

Dyson: How long are we gonna not tell Bo about this?

Trick: For as long as we can.

Great. Nice talking to you, Trick.

Dyson also calls Trick the “Blood King” in this scene, so now we know he is apparently really important.

Kenzi has another run-in with death in this episode. If you vaguely followed the trajectory of this season so far, have you noticed that Kenzi seems to have an interaction with “death,” as a concept, in every other episode? It sure feels that way.

I like that Kenzi’s reaction to finding out Sean is going to die is, “You know what? Fuck no. If you are going to die, you are going to die without regrets.” In her own wise words (or those of Ludacris), regret is fo suckas. Bitch. 

Kenzi’s reaction to death is always rebellion, or at the very least, she is super into the idea of living life to the fullest while you still can. She gives me trauma vibes of, “Death is always around the corner, so I’m always seeking thrills and always trying to live without regrets.”

Sean dies at the end, right in her arms.

Girl, you knew him for one day.

But it’s still awful. Kenzi has seen too much death already, and she deserves better. Unfortunately, this show is not kind to her. If you’ve seen the next few seasons, you know that this one-off situation is only the first in an ongoing trend—Kenzi’s absurdly horrendous luck with regards to her love life.

Original Air Date: November 7, 2010

Written by: Michelle Lovretta

Directed by: John Fawcett

Okay, so. Vexed.

This is the original pilot. I don’t think they necessarily presented it as the first episode chronologically—more like, this is what you can expect from our show. Showcase picked it up and it went to series. Vexed became episode 1x08. You can find more info about it in this interview with Michelle Lovretta and Jay Firestone.

Anyway, this episode was shot earlier than the rest, and you can tell. Makeup and styling is different, and they hadn’t quite settled on the tone they eventually went with. As such, this episode is a bit grittier than normal. I find it interesting both for its different tone and for the fact that many of the decisions they made for the episode were made in the interest of selling the concept to Showcase.

This fucking article is great and is a much better review of this episode and why it’s so god damn good than my shit below. It also provides an extremely detailed look into...exactly what I just described above. All of the behind-the-scenes production stuff. Check it out.

The premise: Bo finds a lead on someone who might know about her mother--a falsely accused death row inmate named Lou Ann. Bo vows to prove her innocence in exchange for answers, but her quest leads her into contact with a vicious Dark Fae named Vex.

Written by: Emily Andras

Directed by: John Fawcett

Original Air Date: October 31, 2010

In which I claim to have nothing to say about this episode but spend a long time ranting about Lauren and Dyson’s pettiness and other things anyway.

Bo and Kenzi begin to have their first little squabbles as roommates. Then a supernatural giant spider gets unleashed in their house, bites them, and turns them into paranoid homicidal maniacs. The house is quarantined so they can’t get out, and their only choices are kill the spider and free themselves from its spell or die in a fire, if they don’t kill each other first.

“It sounds like whispering kids or giggling elves. Did you bring elves home last night? I’m not judging, I just want to know.”