🩵 avery cochrane 🩵
PUT YOUR BEARD IN MY MOUTH
Noah Kahan

JVL

tannertan36
The Stonewall Inn
Cosmic Funnies
almost home
YOU ARE THE REASON

bliss lane

titsay
will byers stan first human second
cherry valley forever
Monterey Bay Aquarium

PR's Tumblrdome
occasionally subtle

Product Placement

roma★
The Bowery Presents
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@littleleavedlime

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Meine Gläser stehen auf dem Tisch, es ist etwas voll, doch alle finden noch Platz. Nicht weit von der Tischkante, aber weit genug. Die Gläser sind voll, aber nicht zu voll. Die Oberflächenspannung hält, das Wasser bleibt drin.
Ich kreise um den Tisch. Jeder Schritt eine kleine Erschütterung. Manchmal nehme ich ein Glas zur Hand, verschütte etwas Wasser. Meine Hände drehen es hin und her, versuchen scharfe Kanten und spitze Ecken zu ertasten. Doch das Glas bleibt voll, die Formen gebeugt und abgerundet.
Ich sehne mich nach Scherben.

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TW: drawn blood
You were the parent I trusted. The friend I needed. The one I was safe with.
I told you everything. Because you could understand me. And would never leave me alone.
You could make everything okay. Safe me from all the pain. You promised.
Although, that's no true. You never said anything. I was the only one, who talked.
I praised, I asked, I begged. She screamed.
Still I praised, I asked, I begged, while she screamed and I praised and I asked and I begged and she screamed and I praised and asked and begged and she screamed and I cried and you did nothing.
It has been over 5 years since it hit me that the sky is empty. And still I miss you, because it wasn't the sky that I cared about, but the void all around me. I still miss you like the child that I was when I patched every hole in my life with an insistent "god loves me". I still miss you, because even though you weren't, the emptyness I tried to fill, was real.
Ich fühle mich wie ein Pfad. Geformt von jeder Person, die ihn beschritt und wieder verliess. Unendlich viele Abdrücke im Schlamm erinnern an ihre Gegenstücke, wenn diese schon unerreichbar weit weg sind. Bar gelegte Erde erinnert noch an die Schritte, wenn die Füsse längst zur Ruhe gekommen sind, unter dem Tisch, im Wohnzimmers, in ihrem Zuhause.
Man sagt, der Weg ist das Ziel und doch scheint niemand erpicht darauf, zu verweilen. Keine der Abdrücke im Schlamm bleiben ausgefüllt. Niemand stoppt lange auf einem unebenen Streifen Erde. Alles was zurückbleibt, sind Spuren auf einem leeren Pfad.
I can feel them. Crammed, under my skin. There's no room for air. There's no room for movement. And still I can feel their rumbling. Demanding to escape their confinements. Even if I don't listen, they will get their way. Even if they have to rip open my flesh, like magma breaking through Earth's crust, they will get their freedom. I can try to realease them controlled. Try to pave their path. Straighten their stream. But if I'm too slow, they wont care.
This is Jolle the singer of "50 Stufen Grau"

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I can't see inherent beauty in deciding to live. Because those decisions include some of the ones I made when I walked the line. And while I always stepped in the direction that upheald the possibility of beauty, the step itself was still always filled with terror. Those moments themselves still felt like nothing else but torture.
In this moment right now there might be some beauty though. Because in this refusal to call something painful anything other than painful, a child is gaining back some agency over their reality. A child that couldn't call screaming a fight, the loss of happiness depression or god forbid trauma trauma. So this moment could be called beautiful. But the child just likes "being seen".
Just a sketch I like. I don't know who this is, I just think she's beautiful and so I wanted to draw her.
I can't make peace with being at war. So as victory is out of reach, I strive for defeat. Diplomats try to reason me out that strategy. But I can feel every bullet my opponent has fired at me, stuck in my chest, my lungs collapsing. The diplomats talk of ending the war by extending a hand, but it's already a fight to lift a hand of which the bones are being shattered more and more with every strike. The only cease-fire is that of the delays of landmines, just to explode erratically when I dare to lift my foot on my misguided attempts at running away. But my opponent doesn't just react to my mistakes, my opponent demands a blood toll for the simple fact of my imperfection. By now I can promise, that I've tried every tactic, every manouver, but my opponent never leaves my side. So if victory is still out of reach, why is it so wrong to strive for defeat?
Damit kein Mensch je wieder Hunger kennt
Und nie mehr ein Zaun Familien trennt
Damit Aufmerksamkeit, die jedes Kind so sehr braucht, es bekommt, weil keiner mehr die Kraft der Eltern aufkauft
Damit nie mehr ein Teenager alleine ist
Sondern mit anderen über Probleme der Familie spricht
Damit kein Mann je wieder seine Frau umbringt
Und der Arbeiterstaat gern zum Schutz Geld aufbringt
Damit niemandem erhältliche Medizin fehlt
Da Profitdruck endlich nicht mehr besteht
Damit keiner mehr nur bei Gott Erlösung sieht
Weil es bereits ein Paradies auf Erden gibt
Damit niemand mehr solchen Schmerz erlebt
Damit die Menschheit sich aus dem Elend erhebt

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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You said that I brought the snapdragons to life. That just by paying close enough attention, I turned the yellow dots surrounded by concrete into something worthwhile. And you paused for a second. For a beautiful second, what used to be boring, became important to you too. And then that second passed. And you oriented yourself back to a greener garden. To roses with thorns and brighter petals. I can't really blame you, when they’re just more memorable than common snapdragons. I've already learned a long time ago, how easy it is to ignore yellow dots. I already learned a long time ago, that I'm just a yellow dot.
When I'm dead, I'm not.
When I sit, I wander.
When I run, I stay.