going into the city's little italy neighborhood and it's just a bunch of age regressor girls going "I'm a-this 👌 many"
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going into the city's little italy neighborhood and it's just a bunch of age regressor girls going "I'm a-this 👌 many"

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ok. i survived 25 years outside the international space station. who gives a shit
Technically most moss is outside the international space station
Racist character of today:
Angel Dust from "Hazbin Hotel"
Concept art for "Close Encounters of the Third Kind" by RALPH McQUARRIE
please consider writing to Prarieland defendants Autumn Hill and Meagan Morris, they are both trans lesbians incarcerated in men's prisons for protesting an ICE facility
prosecution established affiliation by way of defendants having fucking anarchist zines, the kind of shit you see in a punk house. this is what they want and are willing to pursue for all of us who aren't willing to lay down and die, imprisonment and torture and the absolute stripping of our dignity (the govt gleefully included their deadnames in a press release yesterday; Morris' public defender has consistently deadnamed and misgendered her despite her legal name change)
there is no one who will protect us except us, and if our sisters are lost to us and forgotten as soon as they are grabbed by the prison system (ie if the system is allowed to work as intended) then we are failing, and we are woefully unprepared for a world where they start taking more of us
Autumn is a loving wife and is interested in religious history and mythology. Write to her at FMC Fort Worth.
Meagan Elizabeth Morris is loved by her wife housemates, and dogs. Her name was legally changed in 2007, but the federal complaint used her

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I went to the colorado railroad museum.
Yet another bucketlist item ticked and SO many pictures taken. Iiiiiii don't even know how to start posting them all.
I was supposed to give a speech to over a thousand people today at a labor rally, but the rally was planned mostly around white union organizers who have not been to ICE recently or maybe ever. I say this because they planned this as follows: a Rally, with a march to ICE, followed by a second half of a Rally, the second half of which was to include my speech, which seemingly was the only speech to include a Salvadoran migrant speaker.
I was not originally invited to speak, but heard last minute that someone else had fallen ill and was giving up their slot, and begged white organizers through the grape vine to let me speak as a Salvadoran migrant and union steward who came to the US at age 7.
I have long been soured of going to so many rallies and felt alienated that they were allegedly for or about my people, but that no one had thought people /like/ me exist - we are still here! There are migrants in your work spaces and neighborhoods and organizations, we have stories and labor songs and speeches to share, we are marxists and labor organizers and have reasons to speak out too.
But seldom if ever do you hear our music or faces or voices near the banners. Instead of Tigres Del Norte we heard Bella Ciao, and none of the singers knew the Italian words or bothered to even translate them, so they sang nanananananana, instead of the powerful lyrics that maybe meant something once to someone somewhere. Instead of Somos Más Americanos we heard Don’t Worry, Be Happy.
Instead of a Salvadoran woman who wanted to speak to the American union workers about the Banana workers unions, we heard from a dozen white people about democracy, and justice, and the constitution, and no one was warned about what would happen if they marched down the street from the park to the ICE facility. They fully expected everyone to come back and complete the second half of the rally.
Instead, marchers with their dogs and children were tear-gassed to hell and back the second they dared get close to the facility, maybe at best 1/3rd of the marchers returned while the rest were bottlenecked towards ICE. There was little to no water to treat the untrained protestors. I returned to the rally quickly realizing I could not get caught up at ICE, knowing who I am and what awaits me.
When I got back a chorus of smiling white faces sang a silly song like a Christmas carol with their heads bobbling, reading the lyrics from some handed out papers. White people with upside down flags cheered. Then a black woman in overalls abruptly got on the mic and said “Well thank you everyone but we have to close the program early because people are getting tear-gassed, please get home to safety righty away,” - and I swore I couldn’t believe my ears.
They had brought us all here, marched all these people down to the ICE facility, and expected us all to march back without encountering teargas? And then when some people had made it back they had them sing a little jingle but turned the one migrant away? I begged them to let me speak for the three minutes I had allotted, noting that I had put myself in serious danger to come out here today. That I needed to be heard just this once, and that all the white people had their fair turn to say many unrelated things, and to sing many unrelated songs.
She said, “you don’t understand, there are children down here,” and I had to say “you don’t understand, there are children in the camps.”
And she tried again, “yes but the gas is spreading,” and I said “yes we have been down here being gassed for six months, don’t you understand?”
She blinked twice and told me they just had to break down. I watched from the sidelines as they continued to blare Caribbean Blue and smooth jazz while people filtered out, stood around talking, chatting - finally I said, “please let me speak, you still have speakers going, it’s been 20 minutes,” and the DJ, a white elderly man in a sweater vest who had a strict “only the classics” policy that seems to actually mean “no hip hop and no curse words,” - barked at me that he had to break down and to help him take down his canopy. I am no maid, so I did not listen. He then turned to my comrades and told them to take his canopy down, which they did not. Then turned to his two other labor organizers who were not paying attention, and they took a leg of the canopy and moved it somewhere without breaking it down.
And one looked at me and said quietly, “it’s okay, take that bullhorn no one will notice,” and we took it and ran.
And we ran to a firetruck which I climbed, and I gave the speech, which was in fact more than 3 minutes, sorry not sorry, to a crowd of workers who were slowly pouring out from the ice facility, some stopping, some going, some who heard me, some who didn’t. And I gave it there and it was the only speech most of these people will ever hear from a migrant in all of this, and I think that is tragic. But I firmly believe that had I not given it, had I not climbed the truck, had I not taken the mic, some people would have never heard this story at all. And I think very much you should hear it. And I hope you will share it, if you have the chance. And I hope I get to tell it again, someday, to people who actually listen, to the masses who came to actually support immigrants, and not just to the dredges after they’ve been gassed and are running for shelter while I’m coughing myself.
This is what I had to say.
Transcribed for accessibility + added links for context, but please still watch/listen to the speech if possible. A live speech really resonates. Begin transcription.
Olivia: I came to the United States when I was 7 years old. And I became a citizen when I was 20. But I am on this stage to ask: if you will give me 3 minutes of your time, *cough* I will give you 300 years of American History that has been taken from you.
There are five crops that changed the world as we know it. Bananas. Coffee. Tobacco. Sugar. And Cotton.
First grown by slaves in the New World, these crops all happened to also grow in a little bean-shaped country that my parents lived in near the Caribbean called Cuzcatlan, ‘The Land of Precious Things.’ It would be renamed El Salvador in the 1800’s.
But the precious things remained after the name changed. And the people were captured, and they were forced to work for pennies on the dollar to dredge the precious things from the soil, and the sea, and the mountains, and the sand. Cuzcatlan was not precious just to us, you see. It was coveted by the Americans. And once they saw our jewels, they would never be satisfied again.
The people suffered. And how we suffered! Dying in the fields, raped by their masters, buried in the shining black volcanic sands, their blood fertilizing the crops.
Of Bananas. Coffee. Sugar. Cotton. And Tobacco.
Until one day, the people of Cuzcatlan said, ‘We can bear it no more.’ And they broke their shovels in half, and they plunged the stems into their masters, and they rode through the streets on their masters’ Spanish horses, and they cried out that Cuzcatlan would no longer belong to the American companies that demanded their precious things without paying precious prices. Perhaps, soon, those business leaders would learn to negotiate for the labor and crops they so needed.
And the Americans? The Americans could not stand it! They would not abide such a story be told. And so you never heard it! The American companies, and all of their corporate masters came down on Cuzcatlan, with a fury seldom seen before. They killed everyone.
Instead, you heard a story about “Communists” and “Terrorists” in Central America, spreading a disease that would destroy your country and families. You heard a story that we have no good will towards you. That we wanted you to starve, that we were lazy, and formed gangs, and were lawless, and wore weapons to sell you drugs and fund terrorism.
But you never heard the story of Cuzcatlan, because it was a sad story, and sad stories do not sell fruit, and coffee, and cigarettes!
No, they came to my country, and they wiped out entire villages. The Archbishop, Don Remar - er, Don Romero, himself, was shot by the military during his Sunday Mass, for having dared to wonder whether the workers deserved some mercy. Assassinated for having dared to wonder, and he was left bleeding on the pulpit, even as worshippers bowed their heads.
EVERYBODY was KILLED.
EVERYBODY! The women, with their children still in their arms. Anyone looking for cover; people who found cover, people who didn’t. People who worked, and people who had no jobs. Communists. Catholics. Those who didn’t know how to read, those who didn’t know what labor rights were. Simple folks. Smart folks.
And they didn’t stop there. They went through the countryside, and they killed everyone they thought was hiding labor organizers or communists sympathizers. Banana union men and women, who they labeled terrorists. And in one village, we still only speak about in whispers, called “El Mozote.” The Americans tied women and children to trees, and they threw their babies in the air, and they shot them. Everyone was killed, to send one message, and that is: “A union is a threat to the American Empire. Not one union man or woman will hide in your village, or any other. And if you hid one here, now or ever, you will never breathe to hide one again."
And I tell you this because I am you from the future. You and I, all of you, are very much alike. You worked very hard to buy the precious things you have from the ground, the sky, the water, and the aether. You all wrote stories, you filed insurance policies, you taught children, you rung people up, you made sure whatever sorry system they had worked, not because you believed in it, not because you wanted it, but because it was all you could do.
And in exchange, they offered you cheap bananas. Coffee. Sugar. Tobacco. Bananas.
But I will tell you a secret. They were never cheap. They were precious. And so are you.
And they stole you, and they stole us, and they stole it all, and they told you: if you look the other way, you get to be satisfied and at least well-fed. But who can afford the luxuries of cigarettes or vapes or groceries anymore? Even that is being taken from you. And even if you have them, your food or your small pleasures won’t satisfy you. Not more than knowing the truth about Cuzcatlan, not more than knowing the truth about El Salvador. Today, where our precious land once stood, they built a concentration camp called CECOT. And not just for our precious things, our people, but yours. Your citizens, your dissenters, your unwanted disappeared into the hole that America built.
And what will we do when they start building incinerators at the camps? What will you do when they open up mass graves?
For our people, the most precious gift of all: do not take my warning lightly. The story of Cuzcatlan is not just from the past. It is from the future. The workers face the same enemy, and the enemy never had your interest in mind. From the moment they had you, the plan was to have a worker. From the moment you existed, it was to create another soldier against the people of Cuzcatlan and the rest of the world. You were a commodity to them.
But we have written you a new future. One in which we no longer point guns at each other. One in which our billionaires fear the land of precious people from learning they are no longer precious things.
Turn to me now! And tell me you will not forget the last three minutes. You will never again be ignorant of this story. And you will not let it happen here. You will close the camps. You will destroy ICE.
Spectator: Yeah! Olivia: You would rather have seasonal bananas or never see one again than have it covered in blood.
Spectators: That’s right! Yeah!
Olivia: You would rather trade fairly with other union workers than kill your fellow man, wouldn’t you?
Spectators: Yes! Olivia: Tell me you love me, and that our fates are tied! Tell me you’ll stop them from dragging me down from this place, and I’ll never let them do to you what they did to us. I promise. El pueblo unido…
Spectator: JAMÀS SERÀ VENCIDO!
Olivia: Nunca será vencido. Amen.
End Transcription.
It means a lot to me, that someone wrote down this speech for me, that I in the middle of the night wrote for as a love letter to the American labor movement.
I know I stuttered a bit, as I had just been gassed, as it took place not but 400 feet maybe from the Portland ICE facility.
One correction among many tiny ones:
“You worked very hard to /ply/ the precious things you have from the ground, the sky, the water, and the aether.” - And that work, it is very precious.
May the message make it to you all regardless.
listen i'm not advocating for exotic animals as pets, but i really just feel like cheetahs are probably different
i feel like we need to give them another shot as housebeasts
this is a critter who wants greenies and then to take a nap on the couch next to me, and i KNOW it
cheetah in House perfec t size for put inside! inside very Soft and Comfort cheetah sleep soundly put cheetah in House. Put Cheetah In House. no problems ever in cheetah in ho use because good Happy and Satisfy for human where sleep. House yes a place for a cheetah put cheetah in house can trust cheetah for giveing good love to humans in house. friend cheetah
I mean, as someone who as worked in a zoo, this is fairly true.
Obvious disclaimer that you shouldn't have wild animals as pets.
But like, cheetahs are the only large cats that keepers will do free contact with. Hell, even most small cats don't get free contact. (Because small cats can be VICIOUS. They'll have a baby pallas cat wearing thicker gloves than when handling an owl. Because small cats can just be vicious.)
Like I think the only other cat at our zoo where I've seen free contact with was servals? Because I know they've used servals in shows to demonstrate their natural jumping ability. But I know servals can sometimes have a mean temper as well. Meanwhile they'll do the cheetah run and afterwards put the mic by the cheetahs and it's just like an engine with them purring. It's fascinating to watch when the message in every other large animal is "no free contact because it's dangerous even when they're born in captivity".
Legit if any wild animal could be adapted to a pet it would be cheetahs lmao. Only problem is they can be skittish and very anxious and that's why they're often raised around dogs in zoos to gain confidence.
congrats, i award you funniest take on this post
if you saw that no you didn't
I went to Durango and watched 20 run!
I know most of you aren't train ppl (and even if you are you might not know where or what this all is) so I'm going to intersperse a smidge of background into this. Starting! with where we are:
as you can see, these are some steep mountains we're in the folds of here, and there's a steam train running through them. (among other fun things as you can see.) I found myself on the very last day of january 2026, in an ol railroad town called Durango, deep in the San Juan mountains of colorado. Here there exists a portion of the Denver and Rio Grande Western railroad's 3 foot gauge track and equipment, preserved, operated and maintained by the Durango and Silverton Narrow Gauge Railroad. They run year round excursions usually at least one departure a day, and are host to some of the most preserved classes of locomotives in the world. It's a hell of a collection they've got here, and you really can't say they let it sit and rot in a museum.
But I am not here for the Durango and Silverton's usual fare. Delightful though it is, it is not the most salient reason I've made the 8-ish hour drive north from where I live in new mexico to this tiny mountain town.
The most salient reason is Rio Grande Southern #20. Who for the past month had been running excursions from the depot in Durango, to the wye in cascade canyon and back, one extra departure every day. (and even more technically unscheduled fun stuff I didn't get to attend)
This is special for two reasons: The first being that this is not where #20 is usually stabled, or even unusually. She rode the back of a truck over some of the RGS's original alignment from Golden, colorado, (where she usually runs at the Colorado Railroad Museum) to get here. The second reason being that this is not the first time that RGS 20 has run upon these rails. You see, this angry little elf of a locomotive is a movie star. Back in 1950, when the RGS and the D&RGW were still actually neighboring railroads in the area, a film crew came and dressed 20 up like it was 1850 and not 1950. A Ticket to Tomahawk was filmed then on this very branch of the D&RGW, and RGS 20 played the quite central to the film locomotive "Emma Sweeny"
And so here in the closing days of 25' and the opening ones of 26', she returns. Not to home, but to familiar rails; and certainly compared to her contemporary home in golden, the air up there must feel quite fresh.
During our second day of shooting, the first of february, we went down to the station early enough see 480 roll out from the backshops and onto her train. Number 480 is here restored to her 1930's appearance for the events of the last while at the D&S. Once they departed, I was free to shoot 20 at the station, waiting for the passengers to board. (crowds permitting, witch fortunately for me, they more or less did.)
And that, imo, is every single photo I took during this trip fit to print. But I was not the only one holding a camera on those two days... in fact, for quite a lot of those two days, I was holding the steering wheel of our car, and my roommate filmed quite a lot of pacing. Pacing that I have cut together into a video!
that I'm like. kinda proud of actually! I really put work into this and I think it turned out pretty alright for my. literal first ever railfanning video.

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they could release everything tomorrow and nothing would change nobody gives a fuuuuuuck about jeffrey epstein
he did not get away with it for 40 years by being a master of espionage he got away with it because nobody does anything when rich americans abuse people even if theyre children. it's embarassing for the people in there to be put out in the open but theyre not losing money and theyre not losing political influence. bread and circuses youre all clowns.
Giant Beetle - Doubutsu no Mori e+ (2003, Gamecube)
Study; colored pencil, watercolor, acrylic, india ink
sun-God
helloooooooooo
I'm back to post more trains.
silly thing
just wanted to joke abt it
Relevant once more LOL

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S Williams Street, Atkinson, Nebraska.
they could release everything tomorrow and nothing would change nobody gives a fuuuuuuck about jeffrey epstein
he did not get away with it for 40 years by being a master of espionage he got away with it because nobody does anything when rich americans abuse people even if theyre children. it's embarassing for the people in there to be put out in the open but theyre not losing money and theyre not losing political influence. bread and circuses youre all clowns.