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2025 on Tumblr: Trends That Defined the Year

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let's talk about Bridgerton tea, my ask is open
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@lepertamar
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Carter Brown - The Flagellator - Horwitz - 1969
Do you only top?
I try to eat and sleep sometimes too

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There's a thing where often there will be something that, if implemented, would make the world significantly better on the whole, but really suck for a handful of people, and on the one hand, I do think these things should be implemented; there are no perfect solutions, an imperfect solution is better than none. But on the other hand many people can't seem to defend this without going "actually the people this would suck for are the problem" and start lashing out at them because it would be too hard to accept that there are no perfect solutions. Or in other words, I do think you should be pulling the level in metaphorical trolley problems, but I don't think you get to be angry that the people on the track you switched to aren't thanking you!
when internet people are like “i love gothic literature but i hate anything that discusses incest, sexual violence, oppression, misogyny, abuse, torture, gore, murder, or death”
#this would be an interesting challenge to try to fulfill though…..theseus’s ship of gothicism#🤔#how would one transfer the meaning of each element of the gothic to another non-gothic element and then remove the original gothic element#leaving a story made of second-order signifiers in the shape of a gothic story. like that quote about if all the world was blinked#out of existence except for the nematodes…
realized serial-numbers-filed-off published AU fanfic may be making an interesting potential inroad into a type of narrative here
And God is face-to-face with aer proof, Their thousand wheels spinning eyeblink-fast until every thread is tangled, every life They’ve ever stored in the back of Their memory, every argument They’ve ever been meaning to review, every year of history being recontextualized from the beginning to now—
!!!!!!! ok i LOVE this image and it’s sort of implications about how the covenant and g-d’s mind works!!! also LMAO
#argh!!!!!!! juicyyyyyyy. u r v sexy gd who is the angel of history and odradek.
#this is basically what i believe except for the bit#about how kafka is a bad artist bc his work is too hopeless and inconclusive#that's why he's good. humanists suck the cock off my torso
unironically wish there was more of this thing in contemporary lit about the contemporary anxieties. there's definitely a nonzero amount but i don't mean exclusively any kind of dark/bad endings as much as endings without answer in a specific picky way i have in mind which i’m struggling to describe
i'm struggling really hard to explain what i mean. it's like.
ppl come up with the Answer to what should be done about the anxiety first? and figure out how the anxiety connects to the 'what should be done' later? like.......gestures......
texting about this extensively with 2 different friends in different chats helped me elaborate more (paraphrased from me and them):
there's a thing where authors often Decide that [fictional problem that either Is a contemporary social problem, or is a metaphor for that problem] Will be fixed by a certain value or virtue: eg decolonialism, or abolition of the patriarchal family, or pluralism, or anti-ableism, or solidarity, or truth-exposure/whistleblowing, or intellectual curiosity (i've specifically listed values i myself consider to be my own most important values, to emphasize that it's not the nature of the value in question that's the problem).
and this is like Totally Fine on a case by case basis, in fact it's one of the features that makes fiction so uniquely equipped to do certain things. but i kinda get sick of it when it becomes so ubiquitous no alternative is considered, and crowds out the more kafkaesque story structure of 'here's a bunch of really fucked up shit and the author is entirely uninterested in incorporating any explicit or implicit idea of how to fix it into its structure'.
authors coming up with an Idea of what will Save us from [anxiety being addressed] means their whole exploration of the things we need to be saved from suffers from like. fictionally ordering these things in such a way to ensure that it is possible for the thing already determined to be the Savior, to save us from the things that make the saving necessary. like a video game boss needing to be designed to be possible to defeat. (and it's not very different in Bad Ending things -- these still often have a firm idea of what Could have saved us and what Doomed Us, and therefore distorts what came before it in the same way.) even from an entirely optimistic and happiness-loving pov it narrows down the reader's exercise of imagination in trying to figure out possible fixes on their own.
and i think a lot of people will read this and go 'bro you just described all fiction ever, what else is there?' and THAT'S the problem, not the existence of stories where we can be saved by [value]. the idea that there's no such thing as a story that just has no answer no matter how implicit.
relevant comparison.
i'm frantically obsessed with a paper from 1993 whose author's other work and nearly all other mentions of him, with the exception of one small book from 1991 with a similar topic to the 1993 paper, cannot be found anywhere in my many many online deep dives to try to find more of this guy's work and understand. the paper is one of the most incredibly moving works of writing i've ever encountered, a near-perfect interpretation that only quails and crumbles once, but at the most crucial crossroads of its argumentation, and due to this singular triangulation of mindblowing writing + single climactic failure of bravery + complete nonexistence of further contextualizing work outside of these two pieces of writing, i have not stopped being haunted by him once in 2 years. fictional character of a guy.
(the article is "To An Impotent God: Images of Divine Impotence in Hebrew Scripture" by G. Tom Milazzo.)
because of this article primarily, although there's many other articles and books that i can think of that deserve the same, i'm rotating the idea of setting up a google drive folder with a collection of particularly insightful or interesting jewish papers i've saved over the years. so anyway, keep an eye out for this.

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extracted from one of my previous posts' multiple additions to a spoilery post but: have read this story [stalking] multiple times previously but i enjoyed this re-read SO much especially once again the whole thing where…… like, tamar at this point in time is NOT yet mega-hot and harsh and metal and radioactively blazing the way she is later, in stars. like at all. here she is like, some of her traits are there but mostly she's comparatively normal and stupid. and by this i mean contrasted to her in the prologue of stars, before she actually gets burned -- it's not (just) the burning itself that made her become as Herself as she became in the main series its like, the reverse? being able to see another person (the nameless tongue-price, but mostly safirah!) who IS so f u c k i n g hot and incredible and intense at this point, created the contingencies that made tamar become Herself enough to know what she wanted to see, (and then seeing and being burned allowed her to become even more herself, in a constant feeding-itself process lol), and then, as ive written before, curdled similar reactions in eliya….
ᴅ ᴏ ɴ ᴛ _ ʙ ᴇ _ ᴀ ꜰ ʀ ᴀ ɪ ᴅ .
Sarawak swellshark egg case
the_space_between.jpeg
Collage art by Unfound

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there is nothing in this world I would love more right now than to be assigned a snail by tumblr user snailspotter. your blog is really cool 💕
You get a...
Diagnosis: Littorina obtusata Common name: Flat Periwinkle
(source)
Anxiety I
by Tove Ditlevsen tr. Cynthia Graae and Michael Goldman
Anxiety is old it reeks of childhood it has no object is awakened by glances, words and sudden noise lives in recurring dreams where the one you love shows the deadly hatred he hides by day.
People’s eyes are yellow they are too close together and they have no lashes over them their menacing eyebrows run endlessly together the corners of their mouths dislocate and twist, watercolor-wet do not look at them slip away from any dangerous and keen attention.
Wrap yourself in rhythms and rhymes from the old bygone songs hide with the troll and the dragon the pure evil shy away from all affection even from the child who plays with and caresses the cat shy away from his expectation his memories his blocked future.
Seek the company of those who peacefully turned away want nothing from you libraries waiting rooms railway stations people with suitcases in hand have firm contours unknown goals in a world that is not yours.
All the others are transformed under your stare as if under windswept waves they know that you see their secrets and innermost thoughts hate your lurking and waiting you do not know the day of the catastrophe approaching by the hour.
Anxiety is old your father and your mother are safety and danger staring through your lover’s eyes and are not dead. Do not watch them. Lay flowers on the grave light candles at night fold your hands and hum in devotional horror the old forgotten songs.