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me making coffee: this going to fix everything.

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John Krasinski really wants to be seen as a serious action star when I could not take him seriously even if my life depended on it
NEW LIMITED TIME SALE! My hand-signed āWardenā & āGuardianā Small Art Prints are now discounted while supplies last! You can check āem out in my web shop (in my bio)! ā¤ļø

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersāand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itāher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"āessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesāthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageāa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureācredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionāomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesāreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenāinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Working an office job will truly make you have the wildest enemies, bc why is my nemesis rn a woman Iāve never met and who exclusively haunts me by sending diabolical emails, and also a specific guy who left my company before I even worked here and made the system so fuckass that it ruined procedures for like a year
Yesterday my nemesis (woman Iāve never met and whose face Iāve never seen) sent my office an email so rude, basically saying we had fucked up every project she ever ordered from us, one of the worst emails Iāve ever read in my life.
And it pissed me off so badly that I spent the ENTIRE WORK DAY today compiling evidence from every project my team has ever done for her, pulling past emails sheād sent us, putting together an entire case proving that she had been the problem all along. That she got projects mixed up, that sheād made requests that were nonsensical, literally everything you could possibly imagine. Screenshots of emails, reports weād submitted, EVERYTHING.
This woman in particular has been terrorizing my team for years, her name is almost a slur in my office, I had simply had ENOUGH of her.
I put all of this evidence together and sent it to all of my bosses at 4:30pm. Then I took a long break to eat a sweet treat and drink some tea.
After my break, my bosses all called in an emergency meeting with me and they said they read my report and fucking loved it. And I sat on a teams call with my bossā boss as she wrote my nemesis the scathing email I had always fantasized about sending, using the evidence Iād compiled, and hit send.
It was the most satisfying workday Iāve had since I got hired.

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nobody talks about how exhausting it is to live in that space between "things will get better" and "i can't handle this anymore." it's like your emotions are constantly swinging. leaving you both hopeful and defeated in the same day.
So! This is a perfect case study in situations where you should be wary of misinformation.
Take a moment and ask yourself, a project like this requires a lot of time, money and dedication of resources, why would scientists dedicate that time to something that could just be done by a tree?
The answer is they wouldn't. So that means this claim requires further investigation!
This project is called LIQUID 3, and it's not meant for cities with wide open spaces, it's meant for cities like Belgrade in Serbia. These cities are densely populated and heavily polluted, to the point where pollution actually chokes out current trees and makes creating green spaces difficult.
Liquid 3 was a PhD scientists answer to these problems. The microalgae tank is intended for spaces where you either:
Don't have enough space to plant full trees, or
Don't have enough time to plant trees and wait for them to grow up.
The tank is extremely efficient when you consider the amount of space needed compared to the amount of CO2 turned into oxygen. The tank can operate throughout the winter. And most importantly, it can be quickly set up in areas that desperately need relief from air pollution NOW not in 10 years when trees are done growing. Children currently suffocating on polluted air can't wait for trees to grow, they need to be taken care of now, and Liquid 3 is one of the ways to take care of them. Depending on the species of microalgea used, a number have shown a pretty amazing capacity to pull heavy metals out of the air which is something trees can get choked up by.
The tanks aren't just tanks either! Liquid 3 have solar panels placed on top, they have lighting and mobile phone charging, and they work as public benches. The designers of it want to encourage green spaces where there's room, but where there isn't room or time, Liquid 3 can step in. Realistically, this isn't a replacement for trees. It's replacing boring metal city benches with new, cooler benches that also clean the air (and have at least some heating during the winter).
Not only that, but the microalgea that grows is native to Serbia and all that microalgea has a ton of great uses! It makes for great fertilizer, compost, wastewater treatment, cleaner biofuels and even for helping create new tanks for further air purification. They only require a quick algae divide once a month, and the produced algae can be carted off to where ever it's needed. This makes them effective solutions for areas that can't sustain complex installations.
So yeah, there's actually quite a lot of places that would like these. Lots of people currently breathing in terrible quality air would much rather have their boring city benches replaced with really fucking cool algae tanks that clean the air and can be used to help create + sustain future green spaces in cities. I dunno about you, but I'd take that over a dumb metal bench any day. Put these at every bus stop and I'd be delighted.
can ppl pls reblog this version
Serbian here living in Belgrade! This is all true and I've actually seen some of these around the city a few times. They're amazing at what they do and really cool to watch up close because you can see pretty swirling inside them. It's not only functional but aesthetically pretty nice as well!

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iāll be real, kitten, daddy needs multiple wealthy and powerful folks to die in a painful, drawn-out, and generationally humiliating manner
One of the most common complaints about Star Trek I saw growing up was āwhy donāt they use the holodeck more? If you were living in that time period and you could just make anything you wanted anytime you wanted and live out fantasies forever, why arenāt more people addicted to the holodeck?ā
And then generative ai was created.
And now I get it. I get why nobody on Star Trek spends all their free time in the holodeck. I get why all the crew are putting on stage plays, and holding music recitals, and building models, and playing poker. I get why everyone was so skeptical and mean to the Doctor on Voyager. I get why the ONE TIME we see someone obsessed with the holodeck it infringes on peopleās likeness rights and permissions.
Because fundamentally at the end of the day we are human beings and we ENJOY working with our hands and making REAL human connections. A person who learns to play an instrument is always going to be viewed as an artist over someone who asks the computer to generate music for them.
Even as recent as Lower Decks they were making fun of the fact that the crew were putting on amateurish plays and holding music recitals. But after living with Ai for so long and seeing how detrimental itās been to the world⦠Iād much rather watch my friends put on a stage play than āparticipateā in a holodeck movie.
Whatās most amazing about this is that it was completely unintentional. I do not for one second think that the writers of the time in the 90ās were really thinking about the larger issues that generative ai and chatGTP would cause. How could they? Text to speech back then was still robotic as heck. More likely they wrote that stuff in because it was cheaper to film on sets the owned than try to build, film, or rent out different locations each week.
Thatās the down to earth logistical real reason Data is reciting poems about his cat or Riker is in a play put on in ten forward. Itās just cheaper to do that than to build a whole new set or move production to a new location.
Yet at the end of the day, I think that unintentionally speaks to a very human need that ai is making more and more prevalent to us day in and day out.
And thatās the fact nobody wants to deal with generative SLOP.