itâs cheaper to buy vegetables here
life feels exactly like this now

#extradirty
Fai_Ryy
Show & Tell
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
đ

Game Changer & Make Some Noise

Jimmy Eat World

oozey mess

izzy's playlists!
d e v o n

bliss lane
Sade Olutola
hello vonnie

blake kathryn
Monterey Bay Aquarium
Keni
Cookie Run:Kingdom Official!

"I'm Dorothy Gale from Kansas"
seen from Saudi Arabia

seen from Malaysia
seen from Egypt

seen from United States

seen from Malaysia

seen from Brazil

seen from TĂźrkiye

seen from Germany

seen from Vietnam
seen from Brazil
seen from United States
seen from United States

seen from TĂźrkiye
seen from Malaysia

seen from Russia
seen from Iraq
seen from United States

seen from Netherlands
seen from Brazil

seen from Iraq
@biscuit-tornado
itâs cheaper to buy vegetables here
life feels exactly like this now

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quickest way to get me to lose interest is to bring up aliens and ufos. if a wild piece of media goes in that direction and I was having fun until then, it's incredibly disappointing and I'll try to skip ahead to find interesting things again.
however, if the alien thing is pervasive, i push eject as soon as I catch on. I cannot engage further; brain will not allow it. this has had the side effect of making not a lot of popular media from my youth stick with me short of "independence day" (humanity decisively tells aliens to fuck off in the final act) and "V" (1980s miniseries; humanity gets invaded by nazi aliens and fights back).
I don't know if that's because I just wanted for my entire life for people around me to shut the fuck up about aliens, or because I think the whole idea of a benevolent alien race interacting with humanity is kind of unlikely given how goddamn noisy we are about not getting along with each other
The business hasn't changed. You know, the economics haven't changed. The thing that's changed for me is that I was on the White Lotus and now I can be in a Broadway play. That wasn't true for me five years ago. The economics of theater have changed because we live in a country that is fundamentally unsupportive of the arts. You know, governmentally, there's no federal support for the arts. So now in order to do a play on Broadway, you have to do the White Lotus or else you're not allowed. They have to replace you with somebody more famous.
(If you hadn't done White Lotus and Gilded Age and hadn't sort of blown up as a "star"â)
We wouldn't be sitting here. Absolutely not.
(Your acting ability, what you do on stage, not enough?)
No, that's not how we make those decisions anymore. And you can ask all these extraordinary theater actors who don't do plays anymore because celebrities are doing plays. It's just a different world that we're living in now.
I would say August Osage County that production would not come to Broadway now. Nobody would take a risk economically on that move with a bunch of Chicago actors, a bunch of unknown actors in a company. I don't think the play would move now. I don't think anybody would pony up to do it.
(And Tracy wouldn't have a Pulitzer.)
That's right. And I wouldn't have married him. I'm just kidding. That's probably not true.
(It's a really sad thing you're saying.)
It is a sad thing! The state of affairs for the arts in this country is a very sad thing. Everyone's fighting for the same dollars, and I would argue the country goes the way of the arts. So, as we see that decline, I think it's symbolic of a greater erosion in our humanity.
boring work shit
my team operates on a mutant cousin of agile methodology: build incrementally, fail fast, refactor and improve, aiming towards a Minimum Viable Product that meets a full set of requirements provided before the work begins.
my team has also been co-opted into an enterprise level project, using traditional (waterfall/milestones/etc) methodology. the requirements are being developed in real time and we're expected to pivot every time the scope expands or the requirements yet again change. and we're being considered the bottleneck.
what i want to do is break in and say, "Listen, our team works on completed requirements, delivers complete solutions, and you're giving us nothing. Get your shit together, do some overall process analysis, and stop expecting raw data to solve complex business logic, then call us back in." but i am not a leadership.
so, as is often my resort, I find myself complying. maliciously. "sure, we'd be glad to expand the scope, but the new work will need to go through our project pipeline. can you please complete this spreadsheet so we can begin that process?" is a canned response that people are getting tired of hearing, but not nearly as tired as I am by hearing "just one more thing--". I will not be moved by outside forces.

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Lol. I'm waiting on child support + my account's -$100 again... Pls help if you can, thanks. âď¸đ
$25/$100
$75/$100 !
new top contender

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Merriam-Webster didnât say it, but I feel that a âyou feckinâ clown shoeâ was implied at the end of their second tweet.
Lol. I'm waiting on child support + my account's -$100 again... Pls help if you can, thanks. âď¸đ
$25/$100
Meanwhile, on the boxed set of Twin Peaks I paid $49.99 for with the worst captioning I've seen in my life
@snozzberries96 @awkwardsocialfailure @ambientradiation
THAT-
that is coheed and cambria. That is the man who wrote the song.
Its mr coheed and cambria

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the cat was sleeping cutely so i took a picture and went to show it to my mom and she burst out laughing and pulled out her phone and showed me a near identical one she'd taken a few minutes before
self-proclaimed free thinkers when the cat is doing a snooze:
HBOâs new Harry Potter TV series is premiering this Christmas Day. Under current plans, it will last at least a decade. The trailer looks li
The harm Rowling has done has been less widely publicized than it should be, although it has, at least, been met with passionate opposition by many fans and ex-fans. But there are also barriers to properly recognizing and combating that harm, even among people who have heard about Rowlingâs politics and find them execrable. People are often tempted to wander down the conversational dead-end that is âseparating the art from the artist.â Harry Potter has historically boasted the kind of approval numbers usually reserved for, say, pizza or âthe concept of joyâ; fans are, accordingly, defensive about enjoying something so synonymous with childhood nostalgia. Surely watching a show doesnât make you a bad person, does it? We all love something made under morally compromised circumstances. Canât someone just pirate the show, or watch it through a friendâs account, and call it a day? On the other side of the equation, some people are overly eager to pat themselves on the back for having never liked Harry Potter, deriding the books as vacuous, or picking out specific oft-criticized elements of the books as evidence that any fan must have always been morally bankrupt. (See also: people who responded to the Neil Gaiman sexual assault allegations by proudly declaring that theyâd always gotten bad vibes from The Sandman.) What both of these reactions share is a focus on varying levels of emotional investment. And while it can be useful to unpick your own feelings about cultural products, at least for the sake of living a life that isnât riven by contradiction and unease, I personally do not actually care if people like Harry Potter or not. It does not matter if you have emotional investments in the books, the films, the other, worse films, the theme parks, the merchandise, or anything else connected to the franchise. I mean that in both the callous and the benevolent sense: It does not matter. What you feel in your heart towards the series is almost entirely irrelevant. What matters is what you do, because J. K. Rowling is out there doing a lot of things. Rowling has fashioned herself into a very powerful enemy of transness. Her intellectual properties, particularly the ones under her control that she directly profits from, are thus, in a very literal sense, tools of the enemy. But Rowling is also in an unusual position of having accrued not just mountains of cash but a particular form of cultural capital; she is often seen as incapable of serious harm because of her association with popular books for children. She is the kindly wizarding lady. If we maintain a space for Harry Potter as a positive, nostalgic bastion of kindness and liberalism, no amount of caveats about the authorâs politics will matter. Nothing is adequate to the situation except the truth. There is no way to watch the new Harry Potter show subversively; whether or not you believe you're being responsible, if you're watching, you are buying in. Harry Potter is now a byword for the industrial-scale erosion of the limited rights trans people had managed to win or squat in, and the equally galling mass indifference to that erosion. She has ruined it utterly.Â