Emotion is Expensive
The Bowery Presents
let's talk about Bridgerton tea, my ask is open

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occasionally subtle
taylor price

gracie abrams
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trying on a metaphor

roma★
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Xuebing Du
Lint Roller? I Barely Know Her

Origami Around
Jules of Nature
I'd rather be in outer space 🛸
Sweet Seals For You, Always

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@lacegoat
Emotion is Expensive

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Aggressively Happy
Watch it with me
Gotthard Sonnenfeld - Vanquished - (1913)
Mount Chocorua by e e cummings, 1949, via E.E.C. Society
Didn't know he painted

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Working on my dad's booked - selected works - doing the selecting
It's okay to be okay
Death cab for cutie is one of those bands I discovered much later that I would have loved much earlier
Scripted Rituals
Le bonheur vient quand on ne le cherche pas.
Happiness is a state of which you are unconscious.
The moment you are aware that you are happy, you cease to be happy

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Death is the ending of everything that you know. It is the ending of every attachment—all the money you have accumulated, which you cannot take with you—therefore you are frightened. Fear is part of your life. And so whatever you are, however rich, however poor, however highly placed, whatever power you have, there is the ending, which is called death. And what is it that is dying? It is the “me” with all the accumulations that it has gathered in this life, all the pain, the loneliness, the despair, the tears, the laughter, the suffering that is the “me” with all its words. […] Can one live with death and understand the meaning of ending? That is to understand the meaning of negation; ending one’s attachments, ending one’s beliefs, by negating. When one negates, ends, there is something totally new. So, while living, can one negate attachment completely? That is living with death. Death is an ending and has extraordinary importance in life. Not suicide, not euthanasia, but the ending of one’s attachments, one’s pride, one’s antagonism or hatred for another. When one looks holistically at life, then the dying, the living, the agony, the despair, the loneliness, and the suffering are all one movement. When one sees holistically, there is total freedom from death. There is a sense of ending and therefore there is no continuity; there is freedom from the fear of not being able to continue, even though the body will be destroyed.
Jiddu Krishnamurti, "The Full Significance of Death" in The Krishamurti Reader (ed. Ray McCoy)
Hans Bellmer
Hans Bellmer | 1965
Hans Bellmer, "Self-Portrait", 1971
Dickhead 😂

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Ashik Kerib (Georgian: აშიკ-ქერიბი) (“strange ashik”) is a 1988 Soviet art film directed by Dodo Abashidze from Georgia and Sergei Parajanov from Armenia that is based on the short story of the same name by Mikhail Lermontov. It was Parajanov’s last completed film and was dedicated to his close friend Andrei Tarkovsky, who had died two years previously. The film also features a detailed portrayal of Azerbaijani culture.
An ashik wants to marry his beloved, but her father opposes since he is poor and he expects rich prospects for his ‘daughter from heaven’. She vows to wait for him for a thousand days and nights until he comes back with enough money to impress her father. He sets out on a journey to gain wealth and encounters many difficulties, but with the help of a saintly horseman, he returns to his beloved on the 1001st day and they are able to marry.
The entire story is told in a way of Azerbaijan folklore with music and colour playing a key role. Dialogue is minimal and scripts are used to narrate the plot changes. The director included intentional anachronisms such as the use of submachine guns and a movie camera.
Parajanov’s previous three major films Shadows of Forgotten Ancestors, The Color of Pomegranates, The Legend of Suram Fortress were colourful illustrations of Ukrainian, Armenian and Georgian culture respectively. Ashik Kerib similarly explores traditional Azerbaijani clothes, music, dance, art and customs.
Sounds good