Hi bich

« Talking to the mirror like I’ve seen him somewhere before »

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“His feelings for Adam were an oil spill; he’d let them overflow and now there wasn’t a damn place in the ocean that wouldn’t catch fire if he dropped a match…Ronan held out his hand; Adam took it. Ronan hauled him up, his mind all palm against palm, thumb crossed over thumb, fingers pressed into wrist bone – and then Adam was facing him and he released his hand.

– So, when did it happen? – Over coffee. – Lame. – Shut your mouth.

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Hi, I've been keeping myself from sharing OCs lore and doodles for far too long, it's time to correct this very bad habit. Give 14 yo me some joy.

Happy pride ❤

And when it comes to films, there's actually quite a lot about older queer people! In addition to what was listed above, off the top of my head there are films like Cloudburst, Supernova, Turtles, Salut Victor

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

“Back in my day we didn’t have any of these childhood protective things, we were smart enough not to do stupid shit on our own!” Except your little neighbour, who got the funniest idea at the age of seven, and got his skull pierced when he slipped?

“Back in my day nobody got divorced, we stuck together and fixed our problems!” What about your cousin, who was slowly killed by her husband because she had nowhere to escape him?

“Back in my day nobody had ‘mental problems’, we didn’t whine, we just toughed it out and endured life!” Hey remember that guy you used to work with, who seemed really friendly and normal, and then suddenly hanged himself ‘for no reason’?

“Back in my day we didn’t have any of this ‘gay’ or ‘transgender’ thing.” You did, but your family cut all ties with her before you were born.