the YEE to my HAW

Xoxo

-Designer

They would’ve gotten married eventually….

inspo

bonus:

Moreover, men literally have no clue how much they talk. When Spencer asked students to evaluate their perception of who talked more in a given discussion, women were pretty accurate; but men perceived the discussion as being “equal” when women talked only 15% of the time, and the discussion as being dominated by women if they talked only 30% of the time.

Spencer’s conclusion, if I may parahprase: you only think we talk too much because you’d rather we were silent.

Then we meet Hama, who due to years of torture and hatred has found a way to turn the classic gentler waterbending ways into a weapon of destruction and manipulation, and honestly I can’t think of a better way to introduce people to the fact that things are never as clear cut as they seem.  We’ve thought of waterbenders as the good guys up until this point, so it’s jarring to find out that no, despite stereotypes and traditions, there are always going to be good and bad people in every culture/group, but that’s the point of the entire show.

MC, to Julian: Do you wanna roleplay tonight? We could play doctor~

Julian: Of course dear, I have the outfits prepared!~

*later that night*

MC: Oh Doctor~ I fear I have fallen ill!

Julian: *bursts in wearing this*

Arcana Randomness

Rian Johnson, The Last Jedi — completely ignored & disregarded the 3-film narrative arc J.J. Abrams has planned out for the sequel trilogy, and instead developed his own messy narrative full of subversions for the sake of subversion, and completely disrespected the legacy of Luke Skywalker’s character (Mark Hamill himself has reported several times that he doesn’t recognize the character).

Russos, MCU — give out fake scripts, actors play against green screens and are cut & pasted together in post, show fake/edited scenes in trailers, throw away previous character development (Thor, Ragnarok vs Infinity War and especially Endgame).

D&D, Game of Thrones — throw away a decade of foreshadowing and character development for shock value, not to mention they missed a whole ass Starbucks cup in a shot in 8x03 (either on set or in post, somebody should’ve noticed this).

I’m sick and tired of this. It’s not good writing, and it’s no longer entertaining to fans when the characters they know and love become complete strangers. There’s good shock value — “No, I am your father,” for example — and then there’s ignoring years of character development and turning a kind and caring character into a murderous maniac. There’s a difference, and I think writers still know what that difference is, but they’re pressured to create an ending that fans can’t predict because of this mass panic over “no spoilers”.

This needs to stop. Give me a happy ending. Who the fuck cares if we guess what comes next? That means the writers have done their fucking jobs. If we can guess what comes next that means the writers have successfully developed their characters and foreshadowed future events as you’re supposed to do in a well-written narrative.

me: