Melt The ICE

what master katara doesn't know is that zuko will take this advice, but after a couple of weeks he'd invite his friend to dine with him every friday and try every restaurant caldera and surroundings have to offer. she doesn't know that it's a strategy to make the people see her as just another member of their country; she doesn't know that zuko plans to make their dates a tradition that will last for years.

fire lord zuko and ambassador master katara leaving the palace every other afternoon to attend festivals and try the new noddle shop that opened recently, as if they were two lovers strolling through the land of fire.

what katara and zuko don't know is that the nation is delighted with them; to mingle with the people, play with the children, dance until dawn, and drink tea with the owners of that trinket shop by the harbor. to be free to hold hands as they walk, steal a kiss under the lanterns, and look into each other’s eyes during a romantic dinner.

New card back design for the 3rd Sefirot Tarot edition

Dizzy's morning routine🪽

you would receive the supply once a month

the brand/type will vary so you could

A selection of photos from photographer Charles Fréger’s “Wilder Mann”, a visual catalog of the “savage” archetype as it exists in European folk traditions.

“These images, like archetypes, half-man half-beast, animal or vegetable, resurface from the  depths of time on the occasion of ritualistic, pagan or religious festivals, celebrating the cycle of the seasons, the fat days, carnival or the eve of Easter. In the common fund of the European rural societies, these characters or emblematic animals represented protective figures or symbols of fertility. Today they evoke an imaginary, impulsive and physical world where everyone perceives an ancestral relationship with nature where the springs of our animality and sometimes the regressive desire inherent in some of our behaviors emerge.”

I love the depth and breathe of the characters and the materials used to create them. Fur, straw, seeds, leaves and a host of other natural materials evoke the distinctly natural (some would say, primal) role these creatures play in European folk mythology. Many of these characters and the traditions they’re part of are explicitly pagan, still evolving personages dating back to a pre-Christian Europe.   

You can also see the way these folkloric costumes influence character design across every single narrative genre from films to video games. If you’re a costume designer, concept artist, or animator attempting to create something dramatically primal, I can think of a few better places to start for visual inspiration than Fréger’s book. 

Photos + copyright belongs to Charles Fréger in their entirety. Quoted section from the website of Charles Fréger.

See more photos!!

$612,500/3 br/2.5 ba

Hoover, AL