STRAWBERRY

Phil Lord and Christopher Miller's direction gave Project Hail Mary a distinctive aesthetic, characterized by a radical choice: the almost complete absence of green screens. The directors opted for an in-camera approach, building complete physical sets and using LED walls to generate realistic interactive lighting on the actors. This technique, already used on productions like The Mandalorian, allows for natural reflections and shadows to be captured on the ship's metal surfaces and spacesuits, eliminating the sense of artificial detachment that often plagues space-set blockbusters.

project hail mary I love you so much my head hurts. I love you stories about friendship I love you stories about science I love you stories about language I love you stories that are unabashedly hopeful and kind and forgiving. I love you empathy and curiosity. I love you ryland grace you are so scared and so sad but you are so loving and caring. project hail mary you are so special

so I’ve become inspired to reset my entire island

not to steal pruchnicki’s thunder, but I just took photos of my animal crossing island that look just like this

“what are you doing this weekend” i am going to fantasy land. i am hiding under the covers in bed. i am making things up. i am contemplating events that didnt happen. i am talking to fake people. i am listening to my tunes. i am envisioning scenarios

every time you;re not looking they add another skarsgard brother

Yeah so why was this actually right