Long dandelions in overwintered grass - Paula von Goeschen-Rösler
German , 1875-1941
Paper cut, gouache on Japanese paper , 35.8 x 40.8 cm.Â
RMH
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă

Love Begins
Peter Solarz
d e v o n


#extradirty

JVL
we're not kids anymore.

izzy's playlists!

Origami Around
todays bird
Sweet Seals For You, Always
AnasAbdin

blake kathryn
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space đž
Not today Justin
Cosimo Galluzzi
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@kodutoo
Long dandelions in overwintered grass - Paula von Goeschen-Rösler
German , 1875-1941
Paper cut, gouache on Japanese paper , 35.8 x 40.8 cm.Â

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Alla Horska's Map of Ukraine (1960, 1970)
its boring when things are very beautiful. it needs to be a little bit ugly. like smudged makeup. anatomy in a drawing you didnt get quite right. knickknacks strewn about. you understand
im uninterested in your "Perfect Thing" id prefer something real

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Halloween, but high fashion. by Wisdom Kaye
NOOOOO MY ART GOT NUKED
poetic, really.
Strangest of all is the fact that today, with the best will in the world, I cannot remember how we managed to keep house in those years, when everyone in Austria had to raise the thousands and tens of thousands of crowns and in Germany the millions of marks they needed every day just to survive, and had to do it again and again. But the mysterious fact was that, somehow, we did manage.
We got used to the chaos and adapted to it. Logically, a foreigner who did not see those days at first hand would probably imagine that at a time when an egg cost as much in Austria as the price of a luxury car in the past, and later fetched four billion marks in Germanyâroughly the basic value of all the buildings in the Greater Berlin area before inflationâwomen would be rushing through the streets tearing their hair, shops would be empty because no one could afford to buy anything, and the theatres and other places of entertainment would have no audiences at all. Astonishingly, however, it was just the opposite.
The will for life to go on proved stronger than the instability of the currency. In the midst of financial chaos, daily life continued almost unchanged. Individuals, of course, felt a great deal of changeâthe rich were impoverished when their money in banks and government securities melted away, speculators grew rich. But regardless of individual fates, the flywheel of the mechanism kept on turning in the same old rhythm. Nothing stood still. The baker made bread, the cobbler made boots, the writer wrote books, the farmer cultivated the land, trains ran regularly, the newspaper lay outside your door every morning at the usual time, and the places of entertainment in particular, the bars and the theatres, were full to overflowing.
For with the daily loss in value of money, once the most stable aspect of life, people came to appreciate true values such as work, love, friendship, art and nature all the more, and in the midst of disaster the nation as a whole lived more intensely than ever before, strung to a higher pitch. Young men and girls went walking in the mountains and came home tanned brown by the sun, music played in the dance halls until late at night, new factories and businesses were founded everywhere. I myself do not think I ever lived and worked with more intensity and concentration than I did in those years. What had been important to us before mattered even more now. Art was never more popular in Austria than at that time of chaos. Money had let us down; we sensed that what was eternal in us was all that would last.
-- Stefan Zweig, The World of Yesterday
Tallinn
Krulli kvartal, Tallinn

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ĂismĂ€e, Tallinn
"Flower Nails", made by Masaharo Ono (2005)
Here's a look into the project I've been working on. Still a ton to do.
âManuelâ - Rodrigo (Rodrigo Muñoz Ballester)
âManuelâ was showed in the 1983 edition of ARCO, Madridâs contemporary art fair. It was deemed âthe first gay sculpture at the fairâ and caused some commotion in Spainâs cultural scene. The artist, Rodrigo, made this sculpture based on a man he met and fell in love with at a public pool in 1976.
Rodrigo is also the author of a graphic novel (also titled Manuel, 1985) about his experience, and this is the last panel:
the edition i have also includes some process photos and alternate angles of the sculpture itself:

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Cuno spotted on VĂ€ike-TĂ€he street in Tartu, Estonia !!!! Holy shit living in the same country that DE was made in has so much benefits.
There were paint drops around the art so it must be somewhat fresh
Found it today!!!
Pierre FouchĂ©. 1994.77 or LebenslĂ€nglichen ExplosionsglĂŒck, 2020.
Rayon chords from a World War II parachute.
PBY Blister Gunner, Rescue at Rabaul, 1944, photo by Horace Bristol
oh my god he did a bobbin lace. out of parachute cords, both military and protective in nature. of the guy who saved someone from the water and then ran to fire his gun with his fine ass out. This is so gorgeous and so gay
HEY @sweaterkittensahoy LOOK AT THIS
Genuinely one of my very favorite pieces of art ever. It's a masterpiece of design, materials, and execution.
I never get tired of seeing it.