Rosie Lee Tompkins.
let's talk about Bridgerton tea, my ask is open

PR's Tumblrdome
almost home
Today's Document

if i look back, i am lost
YOU ARE THE REASON
Lint Roller? I Barely Know Her
noise dept.

Love Begins
PUT YOUR BEARD IN MY MOUTH
we're not kids anymore.
One Nice Bug Per Day
I'd rather be in outer space 🛸
KIROKAZE

⁂

tannertan36
tumblr dot com
Monterey Bay Aquarium
Jules of Nature

oozey mess

seen from United States

seen from Türkiye

seen from United States
seen from Poland
seen from United States
seen from Poland

seen from United States

seen from United States
seen from Sweden

seen from Hungary
seen from United States
seen from Poland

seen from Netherlands
seen from United States
seen from Poland
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seen from Singapore

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@thatartblog
Rosie Lee Tompkins.

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Mimi Onuoha. The Library of Missing Datasets (2016) Mixed-media installation
The Library of Missing Datasets is a physical repository of those things that have been excluded in a society where so much is collected. "Missing data sets" are the blank spots that exist in spaces that are otherwise data-saturated. Wherever large amounts of data are collected, there are often empty spaces where no data live. The word "missing" is inherently normative. It implies both a lack and an ought: something does not exist, but it should. That which should be somewhere is not in its expected place; an established system is disrupted by distinct absence. That which we ignore reveals more than what we give our attention to. It’s in these things that we find cultural and colloquial hints of what is deemed important. Spots that we've left blank reveal our hidden social biases and indifferences.
(via)
P.A.I.N protest at Louvre
Richard Serra. Television Delivers People
Harmony Hammond. Duo, 1980.

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David Hockney. The Gate. 2000
Lew Thomas. Grass, 1973.
Joan Snyder. Sweet Cathy's Song (For Cathy Elzea). 1978. Children's drawings, newsprint, papier mâché, synthetic polymer, oil and pastel on canvas.
Joan Snyder. Heart On. 1975. Oil, acrylic, paper, fabric, cheesecloth, papier maché, mattress batting, and thread on canvas
Diane Powell. Barely Touching.

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Laura Aguilar. Carla from Latina Lesbians, 1989.
Posters from See Red Women’s Workshop
JEB.
Gloria and Charmaine, Baltimore, 1979.
Pagan, left, and Kady at home in Monticello, N.Y., in 1978.
Priscilla, left, and Regina in Brooklyn, 1979.
Robert Gober. Untitled Closet. 1989.

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August Sander. Painter’s Wife [Helen Abelen] c. 1926. Gelatin silver print.
Hal Fischer. 18th Near Castro Street x 24. 1979