haunt me, then!

I get road rage as a pedestrian

something i would love the wider fandom to internalise is that while ASOIAF takes inspiration from historical medieval texts, it is not a medieval text (nor is it necessarily an accurate imitation of one), and is in fact for a modern audience. to apply a feminist reading to ASOIAF is not to 'modernise' it, since these books were written largely in the 90s/00s. in fact, i'd go as far as to argue ASOIAF expects you to sympathise with characters who seek to change social conditions so that they are granted freedoms to love and work and live as they wish regardless of gender (and to a lesser degree class), expecting the audience to view these gendered expectations as unfair. a lot of ASOIAF's interesting work with gender comes in through contrasting audience assumptions of what is 'right', with the blatantly unfair oppressive conditions of Westeros, and providing insight and invoking sympathy to a range of characters who are navigating the unfair and seemingly unchangeable gender norms enforced on them, while pulling on the audience's knowledge that things can change and need not be as oppressive or patriarchal as they are in text.

I try to microwave Mickey Mouse to make a statement on corporate greed but I accidentally grabbed the Kingdom Hearts version of him out of my unethically small Cage of Mickeys and now he's flipping around dodging the beams like Yoda fucked an ant

ok i’ll bite. what’s the pope

Today's high schoolers romanticizing 2016 as if there weren't the clown incidents

i hope that one day i will finally be ok….i’ll make a cherry pie when it is all over