jeepers, gang!

Yes, I was tearing through books constantly, and talking to this teacher at least weekly. Because even though I always loved reading as a kid, literature was always a very weak subject for me in terms of a teaching-to-standardized-test school setting (I just do awful on "what color were the curtains" type multiple choice questions. Those details don't stick in my memory THEY JUST DON'T). But that didn't matter for this class. I could just read my way out of any bad test score. I have always had fond memories of how I "fudged" my way through that class and "abused' the extra credit policy.

here's what you actually want in a thrift store:

in a rich town

run by a church

staffed exclusively by little old ladies

Anyhow, actually a quick rambling how many fairy tale motives are in Utena. some referenced to, some overtly named, some just by my personal associciation:

The only fairy tale where the story is actually changed is Sleeping Beauty. There the visual reference is extremely strong with the duel plattform (a tower) being hidden in a forbidden forest, surrounded by thorns and roses, a princess waiting/sleeping (in her coffin) on a bed of roses. But unlike in the tale, the princess isn't woken up by the whimse of the prince but is allowed to choose if she even wants to wake up. [By the way, here's an essay comparing the pschycological literary interpretation of (The contemporary reading of) Sleeping Beauty with RGU.]

On the theme of girl locked away in a tower: Rapunzel come to my mind. Indeed Rapunzel loves her prince but he's also her co-conspirator as well as mean to escape her captivity. Their scheming is interrupted, both get horribly injured while attempting to escape. They both wnader around for a long time until their finally find each other. Scarred, they still are deeply happy to have found each other once more.

One OST track is titled "Bluebeard's castle". So fitting to be played in Akio's tower. The titular Bluebeard appears at first charming. Yet his bride discovers his secret chamber of previously killed women, relaizing what a monster her once so enarmoured husband is. It's a fairy tale beginning with a slight snese of unease, building up dread the longer the bride resides in the castle. What a perfect association for Akio's facade and body count of abuse.

The next Bluebeard in the making, Touga explicitly compares Utena with "the golden Goose"; In which every one tries to rip out the bird's golden feathers, creating a gigantic queue of greed. Even though Touga most likely wants to compare Utena to something precious worth exploiting, his comparison misses how the goose's doing finally made a princess laugh, and none actually was able to rip out the precious gold feathers.

Speaking of animals... In an conversation during which Nanami has a hard time naming her ever growing distress towards Touga's and her relationships, one statue in the background switches in the form of the "Musicians of Bremen". Nanami carriesway more animal associations than even Anthy. In fact Nanami turning into a cow is her being treated as domestic labour animal. In "The musicians of Bremen", labour animals are to be slaughtered after they can't labour anymore. So they flee their circumstances, band together (heh), and find a new home as band of misfits. Whereas the statue is a string of visual warnings about Nanami's dangerous situation, it gives me hope, that Nanami might, like the Bremen musicians, escape to a not glamorous but future full of support and friendship.

Last association coming to my mind. This is an entire free-falls association but with so many Utena-Nanami-paralles, why not make an animal comparison, too? Utena reminds me so much of the "Puss in Boots". Not destined to be anything but a cat, anything but a girl, she puts on clothing that shoul dnot be hers. It suits her quiet well. Yet the puss does it's deeds to help out their master who gave her the boots. They trick an evil magician with nothing but cleverness and ligt up their master into fortune. Utena doesn't help out of thanksfulness yet, like the cat, she does act out of care and adoration for the rose bride, and triumphs over a sinister figure that seemed once so overly powerful. LIke the wizard turning himself into a mouse, Akio turns out to not be overly powerful but actually a scared manchild who refuses to grow up, and actually isn't the allmighty figure he paints himself to be.

[Bonus: Saionji as the frog prince. Very serious analysis. Even though the popular image is one of a princess kissing a frog, and him turning into a prince, the actual tale is... not so gentle. The frog asks the princess to take hiom with her, in return to giving her back the ball that actually belongs to her. The princess feels humiliated having to play-act a romantic dinner scene at the frog's demands to sit on her side and be fed. Her protests are overruled by her father reprimanding her to hold her promise towards the frog. (Anthy mentioning how Akio is more like her father to her.) But the princess has her fill with the impertinent frog, throws him against a wall, and there: He becomes a prince. The parallels between Saionji getting beat up like a punching bag until he finally chills (somewhat) down are almost too obvious. Also, the frog and him share the colour green.]