tits

THIS ONE DOES IT TOO!!

I found a bunch more!!

Chapter 1: Prologue: Why LGBTQ Historic Sites Matter by Mark Meinke

Chapter 2: Introduction to the LGBTQ Heritage Initiative Theme Study by Megan E. Springate

Chapter 3: Introduction to Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History in the United States by Leisa Meyer and Helis Sikk

Chapter 4: The History of Queer History: One Hundred Years of the Search for Shared Heritage by Gerard Koskovich

Chapter 5: The Preservation of LGBTQ Heritage by Gail Dubrow

Chapter 6: LGBTQ Archeological Context by Megan E. Springate

Chapter 7: A Note about Intersectionality by Megan E. Springate

Chapter 8: Making Bisexuals Visible by Loraine Hutchins

Chapter 9: Sexual and Gender Diversity in Native America and the Pacific Islands by Will Roscoe

Chapter 10: Transgender History in the US and the Places that Matter by Susan Stryker

Chapter 11: Breathing Fire: Remembering Asian Pacific American Activism in Queer History by Amy Sueyoshi

Chapter 12: Latina/o Gender and Sexuality by Deena J. González and Ellie D. Hernandez

Chapter 13: “Where We Could Be Ourselves”: African American LGBTQ Historic Places and Why They Matter by Jeffrey A. Harris

Chapter 14: LGBTQ Spaces and Places by Jen Jack Gieseking

Chapter 15: Making Community: The Places and Spaces of LGBTQ Collective Identity Formation by Christina B. Hanhardt

Chapter 16: LGBTQ Business and Commerce by David K. Johnson

Chapter 17: Sex, Love, and Relationships by Tracy Baim

Chapter 18: LGBTQ Civil Rights in America by Megan E. Springate

Chapter 19: Historical Landmarks and Landscapes of LGBTQ Law by Marc Stein

Chapter 20: LGBTQ Military Service by Steve Estes

Chapter 21: Struggles in Body and Spirit: Religion and LGBTQ People in US History by Drew Bourn

Chapter 22: LGBTQ and Health by Katie Batza

Chapter 23: LGBTQ Art and Artists by Tara Burk

Chapter 24: LGBTQ Sport and Leisure by Katherine Schweighofer

Chapter 25: San Francisco: Placing LGBTQ Histories in the City by the Bay by Donna J. Graves and Shayne E. Watson

Chapter 26: Preservation of LGBTQ Historic & Cultural Sites – A New York City Perspective by Jay Shockley

Chapter 27: Locating Miami’s Queer History by Julio Capó, Jr.

Chapter 28: Queerest Little City in the World: LGBTQ Reno by John Jeffrey Auer IV

Chapter 29: Chicago: Queer Histories at the Crossroads of America by Jessica Herczeg-Konecny

Chapter 30: Nominating LGBTQ Places to the National Register of Historic Places and as National Historic Landmarks: An Introduction by Megan E. Springate and Caridad de la Vega

Chapter 31: Interpreting LGBTQ Historic Sites by Susan Ferentinos

Pearl Ships Sculptures by Ann Carrington

Entitled  “Galleons and Feathers,” Ann Carrington‘s passion for collecting vintage knick knacks and old pearl necklaces from junk shops aided her creation of her majestic galleons. After watching a documentary about a Chinese pearl jewelry, Carrington decided to construct her project in the Spring of 2014, once she acquired enough pearls. 

just remember you're gay

lmaoo that last tweet did it for me hahaha. 

Here is the screenshots of my post.

i keep seeing AWFUL skintone ranges in art and picrews so here's some advice

skintone darkness is not a light to dark slider. the skin cloud is a good place to start:

notice how there are different undertones- yellow, pink, red, orange. and there's actually a good range of darkness. the skin cloud isn't perfect but it's a really good example!

i want to mention one specific example- there's not enough mixed race skintones represented in art. now obviously i can't speak for other races, but in my experience, i rarely see a good range of latino skintones (which sucks because i am a mixed race latino!!) not every latino person looks like this:

there are afro-latinos, white latinos, asian latinos, and so much more!! we are not represented by one single skin tone. there are different undertones, different darkness, etc.

and of course, this extends to other races. so please make sure you are representing as many people as possible. if you are not willing to put the effort in, help in other ways. people of color want to be represented.

here are some helpful charts i have found:

yes, i will admit, none of these are perfect resources. but they do help you see past that simple light to dark slider- there are so many unique skin tones!!

please, represent more people of color in your artwork.