we post bullshit here, sir

Just very clearly an attempt at saying, “my what?”

1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.

2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.

3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.

4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.

5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.

Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.

So why do they feel like someone is watching them?

It's Ilya, white knuckled, staring into the bathroom mirror because he sees himself standing behind him in the mist of the shower, blood on his face and something that looks like the jagged remnants of an airplane armrest sticking out of his side. His wrists are a bloody mess of an open wound. There's white powder under his nose and someone else's wedding ring on his right ring finger. His other self is a mess of gore. Harm done to him and harm done to himself. His other self never learned. His other self is nothing more than the sum of a bad childhood and patched-up life, never enough to help him rise from the darkness. A swift and violent end. Blink and he's gone. At least it's fast. Ilya had always thought his life would be fast.

It's Shane, going for a run and suddenly feeling more out of breath than usual. He stops, clutching his chest, trying to breathe evenly. Yoga breathing. But it doesn't matter because the other version of himself is still running, picking up the pace to nearly a sprint. His other self can't stop. He has to win and perfect his form and win and beat his own scoring record and win and get married and win and be a husband be a father be the best be the thing he's always striven to be. He's always had goals. His other self achieved all of Shane's goals. His other self cannot stop running. Shane clutches his chest. His other self has chest pains all the time, but he can't stop to assess them. His other self dies before he can before he can see it coming. His other self dies slowly, while going so fast. Shane feels himself die.

These deaths are more real than their lives, some days. Some days they look at each other and wonder, who are you? What are you doing in my life? When will it all go back to normal? When will I die instead of living a beautiful, wonderful life?

Shane takes Ilya's hands in one moment like this. He puts one on his waist and one on the back of his neck. He presses Ilya's knuckles, encouraging him to squeeze, to bunch up Shane's skin and muscle in his hand. They don't know that the other sees death all the time. They don't tell each other that the alternative to living life apart is death.

the concept of star-eating microbes causing a crisis and the solution being the introduction of space wolves to space yellowstone to control the space elk population. i love a good trophic cascade

dr ryland grace immediately pitching "turn the spaceship into a giant centrifuge to generate gravity" and then not balancing his actual centrifuge later on

the entire "life is reason" scene really

grace forgetting to open the mystery alien container in a fume hood AND immediately sticking his nose in it. if we did this in chemistry lab we were executed on the spot

academia drama being one of the cornerstones of grace's character

grace switching through every spectrum setting on the microscope to try to see into the astrophages and not being able to (relatable)

also: the astrophage dying and grace going "ohhh it died..." (very relatable)

grace having his not-scientist buddy Carl to give him frank solutions when he's overthinking. yes, often the solution is just to put the box in another box

copious duct tape usage

just sticking a filter into the path of the petrova line to collect astrophage goop

eva going "so it's alive" when grace tells them the astrophage are moving, and him being like "WELL ok that could be for a lot of reasons" in the tone of someone who doesn't even know where to start explaining why that's a hasty assumption

grace referring to the first new astrophage as his and carl's baby multiple times (HIGHLY relatable)

They're smart fuckin birds, I believe in them

-the first baseman had no reason to chase Baéz, if he just stepped on the bag he was automatically out

-theres two outs, so if hes out, the inning is over. even if the runner on second base gets home, the run doesnt count. its not until hes safe at first that the run scores

-theres no specific rule in baseball about running backwards from first, just that you “cannot retreat to home base” meaning so long as if you dont touch the plate, its fine

-Baéz ran backwards to kill enough to get the run to score, and then stole and extra base on the base on the bad throw

-HE TOOK THE TIME TO UMPIRE HIS OWN PLAY AND CALL SAFE

Javier Báez (the batter, a Chicago Cub, wearing blue) has just hit the ball. His job is now to run around the bases - 1st, 2nd, 3rd, back to where he started (“home”), at which point he will have scored a point. In practice, he will probably stop partway, wait for the next batter to get a hit, and try to make it home from there.

The Pittsburgh Pirates (in white) are fielding. Their job is to stop the Cubs from scoring by getting them out, by various combinations of catching the ball and tagging people or bases with it.

The scoreboard (top left) shows that one Cub has already made it to second base, so he will resume running now that Javy has a hit. It also shows that two Cubs are out. If a third Cub gets out, their turn to bat will be over, it will be the Pirates’ turn to bat, and the Cubs can’t score anymore (for now, but that’s not relevant).

The Pirate at first base (the first baseman) has the ball. All he needs to do is step on first base while holding it before Javy gets there, and Javy is out. This is probably the number one most common thing a first baseman has to do.

He does not do it.

For some reason he starts chasing Javy, presumably trying to tag him with the ball directly. This is a perfectly legitimate way of getting him out, but also completely unnecessary.

This has never happened to Javy before. Unsure what else to do, he just kind of… jogs backwards away from him.

Meanwhile, the Cub who was at second base (Contreras) has made it all the way back to home. Because the Pirates’ first baseman has helpfully walked the ball back home, he can easily toss it to the Pirate at home (the catcher) who will tag Contreras out.

The catcher doesn’t tag him in time.

The umpire signals that Contreras is safe (not out).

Javy also signals that Contreras is safe, just for fun. He’s never been nearby when a teammate makes it home before, and he’s enjoying himself.

Notice that the score has not changed, even though Contreras made it home. That’s because Javy is still technically running to first base. If he gets out before he reaches it, the Cubs’ turn to bat is over, and nothing else that’s happened since he hit the ball matters.

Javy remembers this, and heads back to first base. The catcher throws the ball to another Pirates fielder, who is frantically running to do the first baseman’s job.

He doesn’t catch it.

Javy is safe at first. Contreras scores (although the scoreboard won’t change for a second).

Javy notices how far away that ball landed, and decides he can make it to second base before anyone picks it up and tags him out.

An offscreen Pirate throws the ball to second base, where another Pirate is ready and waiting to catch it, tag Javy out, and end the Cubs’ turn to bat.

He doesn’t catch it.

Javy is safe at second. The video doesn’t show it, but he will go on to score as well.

This should have been a very easy out for the Pirates, but through two dropped catches and one truly bizarre decision from the first baseman, they snatched defeat from the jaws of victory and turned it into two points for the Cubs.