Iām no longer really a Miraculous Ladybug watcher but I was struck by the idea of Adrien writing the Miraculous universe equivalent of Iām Glad My Mom Died about his dad. Do you see the vision
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@keeperofthequill
Iām no longer really a Miraculous Ladybug watcher but I was struck by the idea of Adrien writing the Miraculous universe equivalent of Iām Glad My Mom Died about his dad. Do you see the vision

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What if you loved me so much it literally undoomed me haha jk unless
What if I had so much faith in you it literally reshaped the narrative into a happy ending HAHA JK UNLESS
I know this is a silly question but I literally don't know anything about describing environments in writing as in weather or surroundings etc. When do you think it is most relevant to mention them?
I'm asking this as someone who has HARDLY EVER written anything before
HELLOOO!!! THIS ISNT A SILLY QUESTION AT ALL this actually one of the first things my lecturer taught us when i started my uni course!
Describing environments, weather and outfits is one of the trickiest things in a novel/fic because if done at the wrong moment it can take the reader out of the story and break the flow that a paragraph has, SO HERE ARE MY TIPS FOR WRITING SCENERY:
One of the most important things to think about when writing is that a reader is going to be entering a story with pre-conceived ideas and images of everything that will be mentioned inside it. E.g., if the author writes about a 'house' and its innards, the reader will often put in its place an image of a house from their own memories, because of this when an author goes out of their way to describe anything inside that house it will break the flow and immersion that the reader had.
To stop this, you want to describe as little as possible while retaining as much of your concept as you can. What this means, is you need to describe the "vibe" of a room and any important objects inside it.
Examples of this: "The room was cold, damp where rotten wallpaper sagged astray from each wall." Here, we know that the room has been abandoned/is in a state of disrepair, but the readers imagination is not hindered - they are still able to insert their own furniture and layout. The exception to this rule is as I mentioned previously, when an important object lies within the room.
Let's say that a messy room is important to a characters personality, or, that a character needs to pick up an item from a table, or interact with any kind of furniture (as most characters do.) Continue to use this rule, but add to it.
Example: "The room was cold, damp where rotten wallpaper sagged astray from each wall. It's contents, a sofa and a small coffee table, lay rotten with disuse; littered with scraps of old trash and food wrappings. 'Character-A' took a small, cautionary step forward and grabbed at a half melted piece of chocolate from atop of a couch cushion, a grimace settling across her face." Instead of bombarding the reader with a full paragraph description of the room at once, you are slowly feeding objects to them and telling them how they are supposed to feel about the environment. Without hindering the readers imagination too much, you guide them into seeing the version of the room that you want them to.
A key thing to note is that you should always mention how light or dark a room is, as it sets the tone for an entire scene.
When it comes to outdoor environments, there is a lot more freedom to describe and explore your surroundings. Since being outdoors means a character is going to be in a much larger space with less semantic connotations, a reader is going to have a harder time inserting their own images into this environment.
There are two approaches you can take to describing an outdoor environment: The worldbuilding approach or the pathetic fallacy approach:
Example of worldbuilding: "I took a sharp breath, a cloud of condensation forming before my face. A crisp chill filled the air, carried along by dry, orange leaves that rattled across the pavement and stuck to the wet concrete." This scene suggests the story takes place in late autumn/fall or perhaps early winter, it has no relation to the main characters emotion and merely serves as an environmental tool to help the reader understand the time and place in which the story takes place.
Example of pathetic fallacy: "My nostrils flared as I let out a sharp breath, the air before my face fanning out into a sodden cloud. A crisp chill filled the air and sunk itself deep into my bones, it bit at the swollen skin beneath my eyes; delicate from tears freshly shed, and carried along with it dry, brown leaves that rattled across the pavement and stuck to the wet concrete." By connecting the weather to the main character, there is an inherent connection between it and their emotions. Pathetic fallacy uses the weather as a tool to set the mood for the main character. E.g., if it is storming then the reader will understand the main character is upset, if it is sunny the reader will understand that the main character is happy.
SOME IMPORTANT THINGS TO NOTE:
It is always relevant to describe the characters surroundings. There should be a description every time they enter a new room; how in-depth this description is should be dependent on how important the room/environment is to the story - if the room only appears once, then it isn't necessary to give it too much thought, but if it is a room that the character will enter multiple times then you want to be as descriptive as possible so that they can remember it when the character returns.
With creative writing, there are no rules; what I've said in this post isn't definitive and does not need to be followed, if you believe that your work would be best understood if you offered your audience an in-depth description of the environment (something that should most commonly be done if the surroundings are not 'common', i.e., a fantasy world or something wildly specific) then you shouldn't stop yourself from doing that! Writing is all about experimenting and figuring out what works best for you.
Environments shift dependent on the perspective in which the fic is being written in, 1st POV often creates a biased narrative that follows the strict memories of the main character which allows an author to be more creative with the psychology of an environment (an example of this would be the 'Red Room' from Jane Eyre and how Jane's memories of the room paint it differently from how the room really is), while 3rd POV allows a more realistic and direct description.
I KNOW YOU ONLY ASKED about the relevance of describing environments but i lowk went off on one... I JUST LOVE TALKING ABOUT LITERARY TECHNIQUES i get excited, i hope this helps! if you plan on writing anything, you should share it with me i would love to read š
No, you see, I wish to be an author. Not in marketing. Or an influencer. I wish to tell my stories, be told I did a fantastic job, and then go back to my hovel to scribble some more. I am delicate of constitution and awkward in crowds.
my book and i are taking a break. no we are not seeing other people. yes i am flirting with three new ideas.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i love making playlists for my book. one day i may even write the book.
My therapist: āWell, you found two different types of beer cheese dip you like already, so even if the are both discontinued, logically speaking, that means you must like different ingredient combos that make beer cheese dip.ā
Me: āNo. All other beer cheese dips are shit. These are the only two I like and will ever like.ā
My therapist: āHere, I will show you the ingredients so you can see that you like different things.ā
My therapist: ā¦
Me: ā¦
My therapist: āThese two brands have the exact same ingredients. They are exactly the same. This is the same beer cheese in different packaging.ā
Radical news, everypony! I made a perfect dupe
Things to consider when Writing about Schools/Academies!!
ā¹ What is this school actuallyĀ for. training mages? knights? spies? just normal education? because "prestigious academy" means nothing if you don't know what they're prestigious at
ā¹ Who gets in and how. is it merit based, do you have to be rich, legacy admissions, secret tests, random selection, born with the right abilities. what happens to kids who don't make the cut
ā¹ What's the age range. are these literal children or young adults or mixed ages. because a school with 11 year olds has very different problems than one with 18 year olds
ā¹ How strict is it. prison vibes with tons of rules? pretty chill? different rules for different student groups (which is unfair and causes drama)?
ā¹ What are the social hierarchies. obviously there are cliques but what are they based on. wealth? power level? what year you're in? family name? talent?
ā¹ What happens if you fail or get expelled. are you just sent home in shame or is it worse. do people sometimes not survive the training. how often do students drop out or disappear
ā¹ Who are the teachers and why are they teaching. washed up former heroes? people who never left? actually passionate educators? suspicious people using it as a cover? mix of all of them probably
ā¹ What's forbidden. certain magic, certain areas of campus, relationships between students, leaving grounds, specific books/knowledge. and obviously your protagonist will break these rules
ā¹ How do students get sorted/grouped. houses? teams? specializations? randomly? and do these groups have rivalries because they should
ā¹ What's the curriculum actually like. is it actually useful or are they learning weird outdated stuff. are there classes that are just covers for something else. what are the hardest classes
ā¹ Where is this school located. isolated castle? middle of a city? pocket dimension? floating island? does it move? can students leave or are they stuck there
ā¹ What traditions does the school have. tournaments, festivals, hazing rituals (the dark kind), graduation ceremonies, weird old customs nobody questions
ā¹ Is there corruption in the faculty/administration. favoritism, taking bribes, secret agendas, covering up student deaths, embezzling, working for the villain
ā¹ What's the diversity situation. is it segregated somehow (by class, species, magic type)? integrated but with tension? do some groups face discrimination from staff or other students?
ā¹ What happens outside of classes. clubs? underground fight rings? secret societies? banned parties? students sneaking out? romantic drama?
ā¹ Why is your protagonist specifically there. chosen one nonsense? hiding from something? forced to attend? actually wants to learn? found out they have powers and got dragged there confused?
Reasons Why Fans of Color Leave/Donāt Interact with Fandom
Casual racism that is brushed off as āan innocent mistakeā or āthey didnāt mean itā and then everyone pretending like it didnāt happen and moving on with their day (repeat)
Speaking over fans of color about issues that pertain to them specifically
When fans of color speak out about something that makes them uncomfortable or why that donāt interact with it (usually because of the racial/ethnic bias) they are accused of being antiās or pro-censorship
Characters of color being used as scapegoats/bashed/plot devicesĀ
Characters of color never getting happy endings/real development
Backlash against characters of color if they do anything other than be a white characterās side kick/best friend
Actors of characters of color being harassed for something their character did or didnāt do
White characters/actors getting all the attention/credit despite the fact that they are a side character to a POC or on the same level as the POC
Fanfic authors patting themselves on the back for writing a ārealisticā character of color and itās just a bunch of stereotypes
Being told that they should be happy they were even included when they call out the above people
White fans crying about persecution/exclusion because their fav character/trope/kink/ship isnāt loved by allĀ
Fan artists re-imaging characters of color as white/lightening skin tone
Everyone rushing to a white fans defense after a well deserved call out while the fan of color receives hate
Never having a safe fandom space and always having to be on guard with new people/fandoms/chats etc because theyāve been burned before
Feel free to add
- fetishization and depersonalization of characters of color (to serve the white characterās narrative)
- (re)writing characters of color as abusive and/or violent to infantilize white characters
- being asked to explain why ___ is racist when itās been spoken about at length or could be googled
- Characters of color being used as plot devices to push a bigoted narrative (ie. being queerphobic, misogynistic, even fascist/extremist)
- A lack of intersectional feminism when it comes to how female characters of color are written and portrayed (especially black women from personal experience)
- Fandom drama being treated as a nothingburger when it involves racism, fans of color are forced to take the āit is what it is/there are real world issues to worry aboutā

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Ready all these fics and watching all these comics about grace starving is making me realize Mt malnutrition is lowk alot worse than I thought š like obvi not as bad as him but what do you mean these are Symptoms
the thing about writing is that it's very hard unless you have to leave the house in 15 minutes or perhaps go to bed
not now kitten. daddy's realizing that the scene he invested 1000 words into could be significantly improved but only if he started over from scratch
the thing about media literacy is that understanding why the author chose to specify that the curtains are blue is the same skill set as understanding that the way the author characterizes all black characters as angry or all chinese characters as meek and silent is racist. it is the same skill set as being able to identify when a news source is biased or when someone is feeding you propaganda. the ability to ask "why did this person choose to present this premise in this specific way?" is a critical skill in a world full of misinformation. why are the curtains blue? maybe it's a characterization detail. maybe it's extraneous worldbuilding. why is this character written as being right all the time? maybe you're intended to disagree with them. maybe it doesn't matter. maybe you should still ask why.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
idk which OC owner needs to hear this but it's time to retcon/retool/overhaul that OC's trait without explanation or justification that you've been wanting to. you're allowed to and you can do it
I feel like a very important part of worldbuilding for any universe with a magic system is asking yourself āhow would people use this to do crime?ā