tyusi

Először csak az tűnt fel, hogy mind a ketten hiányoznak az ülésről, dehát nyilván 3 millió meg négy magyarázat lehet erre, oké

Aztán 3:03 és 3:05 között (nem mindig veszi a kamera az egész termet sajnos) magyar péter felbukkan az ülésteremben

Majd nem egészen 10 perccel később, 3:16-kor, már radnai is ott ül mögötte

Like an alternative universe where demons rule, it takes place in Budapest (because the writer is obsessed with the Budapest public transport for some reason) and it's shamelessly 2000s goth. It is for Those Kids yk.

I recently have been seeing them in book stores, they're being reprinted. And how do I put this. They look dogshit.

Like what is this. Where's the pussy. Where's the camp. Where's the goth.

Advertisers, predictably, are whining about profit margins.

The mirror replied "To whom?"

"The miller who made the flour for my bread," the queen would say, or "Whoever spun the thread my shawl was made of".

The second time, she says "To the King," and she is pleased to see herself once more.

The third time, she says "To the Royal Advisor," and is once more satisfied to see herself.

The fourth time, she says "To the scribe who takes the King's letters." She is shown the man's wife. And she seethes, but quiets herself, for it is only right that a man loves his wife.

The fifth time, she says "To the Court Wizard," and is shown the man's departed mother as he remembers her from his youth, radiant and smiling and warm and larger than life.

The tenth time, she says "To the Stable Master," and is shown the fastest horse in the stable, majestic and free as the wind even in captivity

"To the baker," she is shown the man's daughter, young and adorable and full of joy and laughter.

"To the artist who did my portrait," she is shown a painting of a woman done by the man's teacher, who he still looks up to now that he is well established himself.

"To the Royal Knight," she is surprised but not displeased to see the castle's entire guard force in the middle of doing drills.

The one hundredth time she asks the mirror, and it asks her "to whom?" she once again says, "To me." And she does the same the one hundred and second, and again and again and again.