Fanart of Jack in his wildflower cloak from the fic "In the Silence" by Esse ☺️🌷
https://archiveofourown.org/works/81493396/chapters/214285136
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@just-frozen-stuff
Fanart of Jack in his wildflower cloak from the fic "In the Silence" by Esse ☺️🌷
https://archiveofourown.org/works/81493396/chapters/214285136

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The Cast!
Base AU refs for everyone. Some design elements might change down the line.
Height charts below ⬇️
Helsa x Kingdom Hearts ?
A quick question for those lucky enough to have read (and own a physical copy of) the second volume of the Kingdom Hearts III novelization.
In Kingdom Hearts III, there was a segment set in the world of Frozen that featured a scene with Hans and Elsa. Although that scene wasn't exactly the best representation for "Helsa" (yes, I'm looking at you—the "potato-sack carry" moment), I'm curious to know how it was adapted in the novel.
Has anyone here read it? Please let us know what it's like.

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When he first appeared in the comics, he said that his family were a rightful rulers of Arendelle because of that horn
What if he was telling the truth? What if his family were the rightful rulers?
And if he ever does return into a comics or a graphic novel, what if he finds proof that his family were and still all the rightful rulers of? Arendelle
Hi again, Dragonknights-world,
I just read the comic after you had asked so apologies for the delay in replying! The story in this comic sounds SO interesting and has SO much lore for a regular comic you'd find in magazines. But I'm not complaining, I really enjoyed it! I'm all about the lore! So just allow me to do a breakdown on the story first then I'll get to your question! And for those who want to read the story, here's the link to @virtual-winter's Reddit post to part 1 and 2 of the comic story.
What I love about the story
There's so much about this sorry that I love: I like how we have a new neighbouring kingdom that is potentially related to Arendelle. I love how Elsa was intrigued to know more about Arendelle and her family's history since it could be related to the source of her powers - showing us that she's been wanting to find that out ever since she embraced them in Frozen. And I love how they go to Grand Pabbie for information and then are off to do their adventure, just like they did in Frozen 2. I love how we saw actual animals called Narwhals and how they were part of the story in some way. I liked the little puzzle at the end destination in the cave which led to a display of viking elements like the helmet and then the Lure Horn they were trying to find.
Frozen 3 vibes
felt like a mini movie or book which I loved!
This gave me major Frozen 3 vibes with the vikings being part of Arendelle's Royal family ancestry and somehow it linked to Elsa's powers. The Frozen 3 concept art shows a viking so we know that Frozen 3 will dive further into Norse mythology. Also the stranger who claims he's related to Elsa and Anna through ancient family ties is giving the mysterious member of the royal family set to appear in Frozen 3.
Connection the lore and unintentional Frozen 3 foreshadowing?
Also this kind of builds in my theory on the real reason why Elsa stayed behind in the Forest in From 2, which is because she feared danger now that the forest is free and more magic is exposed to the world and doesn't want history, like her grandfather's war, repeating itself. Thord who claims he's related to the sisters, is after the horn because he believes it could give him powers like Elsa's. So we have people fear Elsa's powers and try to kill her, and we have people who envy her powers and try to get their own set with her help. And obviously now we know Elsa's powers came from Ahtohallan all because it was a gift to Iduna as a reward for her sacrifice. The powers made Elsa and Anna the Fifth Spirit because Ahtohallan knew they could, together, balance humans and magic and save the world when those woe sides turn on each other.
Also instead of the horn giving Thord powers, it is called the Narwhals which means their ancestors are connected to the Narwhals in terms of having a relationship with the Narwhals. It's all part of the lore which I absolutely love and makes me believe Frozen 3 will touch on Arendelle's ancestry. And I hope the Narwhals are featured in the movie because they look majestic and could be other physical animals that the sisters connect with. Plus the horn has carvings inside of it of two sisters holding hands who Elsa and Anna believe are their great great great grandmother (Runeard 's grandmother's grandmother) and her sister and Thord said that the horn carried the strength of their family and Elsa and Anna believe it's the love for each other that's the strength so what if the carving sisters are the Fifth Spirit that was mentioned in the Myth short and Frozen 3 expanded on that hence the viking aesthetic the concept art is giving??! I mean it would make sense why Thord thought the horn would give him powers, because of the magical and literal bond the sisters in the carvings had and hearing about it made him envy for powers like Elsa's.
Reading this comic and coming up with this theory is blowing my mind and making me obsessed with lore!
Also one of these sisters has a cape and a single braid and off the shoulder neckline like Elsa whilst the other has two braids, cuff and neckline details/ designs like Anna and also has a viking helmet to show they're from those times. But I obviously don't know if the fight spirit idea it's hinting at was intentional. This comic was released in December 2016 and Frozen 2 was announced in March 2015 so maybe just maybe the Fifth Spirit thing was always an idea and this comic touched on it for the idea it had. I don't know for sure but either way I love this and this is my strongest headcanon theory that these two above are the Fifth Spirit we were told about in the Myth story which had them falling out of sync with the other elements suddenly and was never seen again. So they weren't a very successful Fifth Spirit as far as we know and Ahtohallan spent centuries looking for the next one through Iduna giving her the daughters who'd be the Fifth Spirit and create balance and harmony between the spirits, magic and humans and we're witnessing their story in hopes they'll be successful and prevent history repeating itself.
The Ask
Okay now to your question, do you think Thord is actually related to the sisters and proves so? Possibly yes! Because if the grandmother had a sister, perhaps she got married to a nearby kingdom or wanted to rule her own kingdom and had the Lur Horn. Perhaps that Lur marked their bond, especially if they were the original Fifth Spirit before Elsa and Anna, and it was stored somewhere safe with other artifacts from their era. And so Thord heard of that story from his kingdom and realized Queen Elsa from Arendelle had powers so he would go to the kingdom and find the Lur that he believed would give him powers but instead it just attracts the Narwhals and is a symbol of the love between Runeard's grandmother's grandmother and her sister who could possibly maybe be Thord's grandfather's grandmother's grandmother.
But overall, as much as I love this comic and their theory/ headcanon, I don't think these comics are strictly canon but then again we can consider them so if we wanted to but I wouldn't expect this mentioned if Frozen 3 has a similar story. Thank you for introducing me to this story because I had no idea how much lore could be in a comic story and give Frozen 3 vibes!
That's all for now but I will make a theory post explaining all this soon! ❄️
Thanks for the tag! Sorry it took me forever to respond 😆
It's so funny to think about the impact of some of the Joe Books Frozen comics despite them being a decade old at this point! And I agree that "Lur thief" is among the most interesting written Frozen stories. The strangest thing about it is the cave puzzle for sure. Who built it? How does it operate? Why does it seem like it's designed to react to Elsa's powers even though the place must be many generations older than her? It reminds me a lot of an old episode of the sci-fi show Stargate SG-1 where the team is stuck on a planet and has to solve a Norse mythology-themed puzzle in a cave.
Here are some of my other thoughts about it.
About Thord
I think it's possible he was telling the truth about his origin, or at least some version of the truth. I doubt his claim about being the rightful heir to the throne was accurate but I really like your theory about him being related to the sister of Anna and Elsa's great-great-great-grandmother.
Not Vikings
Despite their attire, there is no chance Anna and Elsa's great-great-great-grandmother and her sister were Vikings as they lived "only" five generations before the time of Frozen (so probably in the late 1600s or early 1700s). The Viking Age was a period at the end of the Iron Age that lasted from around the late 700s to the mid 1000s, so many many generations earlier. Maybe the artist overestimated how distant of a relative the queen really was or perhaps they intended for the queen to be a big Viking-fan and wanted herself and her sister to be depicted as Viking rulers? This second option is definitely more interesting and is something that I have as a personal headcanon regarding Arendelle's history.
Them being from a "modern" time period also makes sense when you consider that the classic image of the Viking wearing a horned helmet is completely false. This idea was only popularised in the 1800s and has no basis in actual archaeological finds. This is such an easy trap to avoid and unfortunately, the franchise has doubled down on this depiction many times and chances are they might do it in the sequel as well. In the first movie though, something much closer to real Viking armour can be seen in the background:
There is some other Viking memorabilia seen in Arendelle castle both in the movies and the comics so it was probably always a big deal in Arendellian culture.
About the lur
I'm puzzled by the decision to call the horn the "elfenben lur". "Elfenben" is the Swedish word for "ivory" and the horn is definitely made of bronze (confirmed by Grand Pabbie in the story). But perhaps it has ivory decorations?
Bronze horns ("lur") of the type shown in the comic were common in Denmark during the Nordic Bronze Age (ca. 1800 – 500 BC) so it’s possible the kingdom mentioned in the story is meant to be Denmark or possibly The Southern Isles that could have had access to artefacts of that type. It’s also possible it’s simply meant to be a “modern” replica since it was engraved with pictures of existing people.
Your idea about the horn being a gift of friendship from their great-great-great-grandmother's own sister definitely adds more to the story! Much more than I think the author intended.
The engraving inside the bell is also a great example of the level of detail that went into these comics. I can totally see the implied resemblance between the two women and Elsa and Anna (upscaled and edited image):
Some years ago, I wrote an analysis covering Anna and Elsa's relatives that has some information and theories about the "Viking" sisters and other characters that appear in books and comics.
About narwhals
I agree they are some of the coolest creatures in the ocean. There was actually a short story released after Frozen 2 that featured Elsa and Olaf searching for a unicorn but they instead found a narwhal in the fjord. Elsa explains that narwhals are known as "unicorns of the sea." 🦄
About the Fifth spirit
IDK how this comic could possibly play a part in the ongoing Fifth spirit lore. Since Jenn, Trent and others are probably not even aware of its existence, I'm (unfortunately) skeptical it'll have any impact on the continuation of Anna & Elsa's story in Frozen III. But it's still a very cool idea!
About Ødemark Isle
My theory is that this island is (or was) a remote Arendellian colony similar to Iceland or Svalbard (still a part of Norway) that offered plenty of natural resources not found on the mainland: "exotic" game like polar bears, walruses etc., whales, minerals, coal etc. In my headcanon, Ødemark was also [Spoiler Warning for the novel Polar Nights] the intended destination of the prison ship that was meant to transport Princess Inger. And yeah, I'm calling it "Ødemark" since the original Odemark is clearly an anglicised version of the Norwegian and Swedish words for "wasteland".
love them <3
Helsa Nosferatu AU
They look so good together.
I want to share my joy *w*
Hey there, friends! I don't have anyone to share the joy of the gift I treated myself to.
I finally managed to get one of the items from the "Fairytales Heroes Villains Frozen Elsa & Hans" collection. The collection includes doll sets, a mug, pins, a tote bag… and a notebook.
I managed to get the notebook :
Look how beautiful it is *v*.
I'm such a huge fan of this gorgeous notebook featuring Elsa & Hans. They look so good.
Just look at the way they're gazing at each other. I'm not going to write in it because it's just too beautiful, but it's definitely going on display on my bookshelf.
Did any of you manage to get any products from this collection? What do you think of the notebook?
**********************
A little bonus ; ) .
I managed to get some small, slightly older figurines of Hans and Elsa:
Even though the figures aren't exactly stunning, since there aren't many Hans figures out there, I'm happy to have them.
**********************************
So, there you have it.
I just wanted to share a bit of my passion for Helsa, even after all these years.
Disney releases THIS and expects us not to ship them.
WAKE UP JELSA NATION

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If Hans returns in Frozen 3 (hopefully with a redemption arc)
Someone needs to draw this, when they get five minutes and if I do not see fanart of this and at least a few more weeks from now then I will draw it myself.
I would love to see your rendition queen.
If Hans returns in Frozen 3 (hopefully with a redemption arc)
I will color this in later but here is a rush sketch of it.
I squealed when I saw this! Absolute perfection
I just finished read “All is Found: A Frozen Anthology”
In the chapter “Coronation Day”. Elsa gets trapped in a perfect dream like reality created by Ahtohallan. In this version of her life, her parents are alive, Anna always knew about her powers, Arendelle accepts her magic from the very beginning, and her coronation goes exactly the way she always wished it would.
And then there’s Hans.
What’s fascinating is that this isn’t the Hans from the end of Frozen. This is Hans as he exists within Elsa’s idealized version of reality. He dances with her, talks with her, charming her, and is simply part of a world where everything went right instead of wrong.
What makes the scene so interesting is that it gives us a glimpse of what Elsa’s perfect life looks like. In a reality built from her hopes rather than her fears, Hans isn’t a threat. He’s just… there.
It’s such a small moment, but it raises so many questions. How different would things have been if the coronation had gone perfectly? If Elsa had never lived in fear? If Hans had entered a completely different version of her story?
And honestly? As a longtime Helsa fan, I can’t help but find that incredibly interesting.
Arrangement - Part 1
Childhood would end for Prince Hans exactly the second he stepped onto the gangplank. He would be happy to get rid of the oppression of his brothers, the stigma of being the spare, but for this he needed to leave behind a lifetime – eighteen boring, often wretched and lonely, yet years spent in familiar surroundings.
But who said anything would change? Why is it that even if he is a stranger and unnecessary in his native home, he would finally find his place in distant Arendelle? Maybe he shouldn't have agreed to it at all. Since when does the groom travel to the bride, and not the other way around! On the other hand, she would be the queen, and he would be her king. And he would never be superfluous again, never left in the shadows. And the time would come, and he would set conditions for his older brothers.
The suitcases were still on the beach. Hans couldn't bring himself to give the order to bring them in. He stood before the first step, unable to take it. As soon as his hand twitched towards the railing, he looked around. Behind him, at the port, his brothers were standing and staring at him with cold, indifferent looks, as if saying, "Just leave already – we have more important things to do." It was a shame, but it was familiar. They were another reason to finally take this step.
But besides them, he left behind the palace in which he grew up – his room, where he and his beloved nanny learned to read and played with toy soldiers. She was his dearest person in this world that seemed to push him out at every turn. The nanny had been working for other people for a long time, all he had left was correspondence. Where once he had waited less than a week for a reply, soon even a month would not be enough.
The king looked at his youngest son with the same coldness as his older children, and the queen, as if she were out of this world, did not even look at Hans. She looked at the sea and the sky, gray, cold, but still calm. And Hans knew she was the only one who cared about him today. She wasn't ignoring her son; she was simply making sure the weather would hold. And he would arrive safely.
His mother nodded imperceptibly at him, and he took the difficult, fateful first stride. Then the queen couldn't stand it and ran out to the pier to hug her son one last time. The young man turned around before he could step higher. Now he felt calmer: there would be a person who would pray for him, there would be a person on whom he would rely in case of trouble.
She took a deep breath and released the prince, but remained standing on the dock until the gangplank was raised and the sails lowered. Then she returned to her family and waved a tear-stained handkerchief after the departing ship for a long time.
The prince also stood at the stern and watched as his huge family gradually turned into indistinguishable figures, then into dots, and then completely merged with the surroundings. And so the horizon became unfathomably far away from all sides. Where the house used to be, there was now a dark strip of land where seagulls flew to their nests. His path lay in the other direction, to where the sea and sky merge, hiding behind them the mysterious closed kingdom of Arendelle.
It wasn't going to be a long journey, and at the end, it was going to be unknown. For many years now, the doors of their palace had been kept sealed. Hans would be the first one to enter there in a long time, and it was unclear how long he would be confined. And for what reason... What were they hiding that was so terrible? What was the threat to the new inhabitants of the palace? After all, Their Majesties forbade even taking a chamberlain with them, promising to provide a servant from their staff in order to let as few strangers into their house as possible.
"Your Highness, the cabin is ready," a voice sounded somewhere to the Prince's right.
Reluctantly, he let go of the fence and turned away from the house. His old house. Then he turned and made his way to a temporary shelter on the way to a new one.
A modest sailor's cabin. It didn't look like a prince lives here at all. No portraits, no silk sheets, no golden forks. Only the carvings on the baseboards betrayed the noble origin of the guest. There wasn't even a fireplace, did his father think his son was that stupid, even thinking that he might have burned down the ship trying to keep warm? Hans was left with only a kerosene stove, which can only light up a desk. And the prince would be kept warm by a brand-new woolen blanket in the colors of the Southern Islands - blue and white. His last warm reminder of his abandoned home.
Now he was going to become the king of a distant kingdom. Marry a girl locked in a golden cage, guarding something. Is the castle protecting her, or from her? What is it about this strange place? His father had traded with Arendelle. Very successfully. They supplied fine wood, and the rarest marble was mined in their mountains, on which Hans spent his childhood slipping on the palace corridors. He knew the Arendelle rocks, so to speak, by sight.
Even now, the deck beneath his feet was covered with pine planks, sawn from trees once owned by this strange kingdom. So many years had passed, and the ship was still moving. The ship had served for the royal family's short cruises, and the lessons of all thirteen princes in navigation. When each of them took the helm for the first time, he ordered all sails to be lowered and drove, pushed by the wind, cutting through the waves, to meet the open sea, the smell of salt and freshness, storms and gales — everything that made up the free and exciting spirit of life on the water. And here he was, Hans, on the same ship, with his own crew, but he was no longer interested in the steering wheel or the white crests.
As a child, this adventure had no end, the boys simply sailed the waters, having fun while the teachers drew routes on the maps to be able to return home. And now the end is quite obvious. There is a country, and in that country there is a port, in the port there is a pier. The pier is the end. The end of his past life as the last heir, the youngest son, and the loser by birthright. The pier is the beginning. The beginning of his era, the reign of King Hans.
The already leaden sky darkened even more under the onslaught of twilight. Darkness enveloped the cabin and pressed on his eyes and temples. The kerosene stove could no longer cope with its task, and Hans was in no hurry to pour fuel into it. After hours of brooding over his uncertain future, the walls began to close in on him. He wanted to relax so much, to feel the spirit of sea adventure, the power of the elements, the roar of the sea, the waves. Like any boy, Hans wanted to let all the colors of life pass through him: danger and salvation, threat, luck, fear, and that feeling of being on the verge of death and surviving — rebirth.
He went out onto the deck and lay down dangerously on the railing. The rounded railing did not provide reliable support, and his feet slipped on the wet deck. The sailors squinted at him and exchanged glances.
The sailors exchanged looks that said plainly: the prince is off to marry and rule, yet he looks darker than the sky. One wrong move and he'll go overboard. What's gotten into him? That, at least, was what their glances seemed to say.
Hans was glad to get a chance to build a new life, but the problem was the fear of failure. He couldn't become someone when he was born a prince, and now he had to become a king when he arrived as an outsider. The feeling of anticipating difficulties stifled the expectation of something new and joyful.
The wind played with his hair. Drops of water, foaming under the keel, pleasantly splashed against his face. The chill of the sea sent shivers down his spine.
This must be what the breath of change feels like.
If Hans returns in Frozen 3 (hopefully with a redemption arc)

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Continuing my princess fixation, Queen Elsa! ❄️❄️❄️
He’s fine.