violent, unfeminine, and untrue

Gule rølliker, hvide skærmplanter og brombær ved en mark, 1896 by Emma Auguste Løffler (Danish, 1843-1929)

A Canosan Askos depicting Medusa flanked by two Tritonesses • Apulia, Late 4th ~ Early 3rd Century B.C.

Jusepe de Ribera, The Sense of Touch, 1632. Oil on canvas, 125 x 98 cm. Museo del Prado, Madrid

'stag at sharkey's,' oil on canvas; framed: 110 x 140.5 x 8.5 cm; george bellows american, 1909.

Encircling the amulet are the verses of the priestly benediction (Num. 6:24-26) and Jacob’s blessing to Menasseh and Ephraim: “The angel who has redeemed me from all harm—bless the lads. In them may my name be recalled, and the names of my fathers Abraham and Isaac, and may they be teeming multitudes upon the earth” (Gen. 48:16).

Jules Tavernier, New Lake-Volcano of Kilauea, 1887

Ottoman School - "A Moonlit Woodland Scene"

BL, Add 17333, fol. 20r

Agnolo Bronzino 2. Lucas Cranach the Elder

Unknown artist of the English School, Byron's Room in Palazzo Mocenigo Venice, undated, watercolor.

Jessica Hayllar, A Coming Event, 1886, oil on canvas.

Detail from The Dead Christ with Angels, Rosso Fiorentino, 1524-1527

Porcelain Towers (Pinckney Marcius-Simons, 1867 - 1909)

Undine, 1843 by Eduard Steinbrück (German, 1802-1882)

Shawn Huckins (American, 1984) - Hand of a Boy in Off White Satin Fabric (2024)

Jonny Greenwood - House of Woodcock