jo qatana

Hiron Ennes: submitted for the approval of the midnight society, i call this the tale of the works of vermin Ennes: a l'art dramatique in three acts Ennes: best paired with a mild sauvignon gris, served slightly chilled, for maximum elucidation Ennes: and your fanciest, frenchiest cheese

King: wow, hiron!! this sure is fancy! Ennes: hmm quite King: and this wine! it's real swell! King: um King: sorry is something wrong? Ennes: pinky finger extended, stephen King: oh right sorry Ennes: after all Ennes: [chuckles] we're not animals now are we?

Ennes: this story takes place in tiliard, where good taste is everything Ennes: just imagine a world run by evil, aristocratic ghouls Ennes: whose main concern is good taste King: well King: well, i can picture that first thing

Ennes: tiliard today Ennes: With bustling streets, machines, cafes Ennes: And the nice, the wise, the eccentric and insane Ennes: There’s prisons made of lead Ennes: And gargoyles of iron shreds Ennes: and guy moulene killing insects dead Ennes: clever little guy with his clever head

Ennes: guy moulene works as an exterminator Ennes: one day, working a job on the rue d' la chrystalized dreams, he pokes his poison clister into the wrong nest Ennes: and finds a giant centipede Brian Keene: a giant centipede, you say? Ennes: almost godlike Josh Millican: almost godlike, you say?

Ennes: now this centipede is so big King: how big is it? Ennes: why, it's almost as big as the overbearingly gauche flavor of a petite pinot cancaret (1835) incongruously paired with poached oceanic salmon in cream zitron remoulade

Ennes: and this centipede is so long! King: how long is it? Ennes: as long as the inter mezzo of Albernauch's retro-cabrian oratorio 'The False Daughter of Jarumundi Bonk: An Operetta on Craft' (1745) Ennes: [chuckles] and we all know how long that was Barker: oh yeah totally

Ennes: and of course we all know what they say about 'The False Daughter of Jarumundi Bonk: An Operetta on Craft' (1745) King: oh yeah absolutely Barker: oh yeah steve? Barker: what DO they say about it King: King: uhhh Ennes: cliveford please, it's gauche to put stephen on the spot like that

Ennes: of course as we all know, the thing about 'The False Daughter of Jarumundi Bonk: An Operetta on Craft' (1745) Ennes: is too much staccato, not enough vibrato King: ha ha ha!! King: oh man it's so true!! King: ha ha ha! Barker: stop laughing steve, you don't know what that means King: i King:

King: no i King: i do King: i'm always saying that about 'The False Daughter of Jarumundi Bonk: An Operetta on Craft' (1745) Barker: too much staccato, not enough vibrato? King: y-yeah Barker: about 'The False Daughter of Jarumundi Bonk: An Operetta on Craft' (1745)? King: y King: yeah

King: joe quick can you explain opera to me? Joe Hill: what? no

All the little Angels, Rise up High

All the little Angels, Rise up High