writer & artist. multi-fandom, multi-shipper, & reader-insert enthusiast. i write to project onto characters and i draw to be a silly goose.
bnha, one piece, haikyuu!!
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Anglerfish part 1 - togachako AU (apr. 25)
Move. - ace x reader, sanji x reader (apr. 16)
But do you see me - sanji x reader (mar. 29)
Out of the Old World - sero x reader (jan. 24)
wip
Anglerfish [togachako AU] - started part 2
untitled sero x reader [nsfw]
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With more and more Ao3 authors restricting their works to the archive (due to AI scraping), they're going to be losing guest interaction. And probably generally feeling down because. You know. AI is stealing their hard work.
So! Now is a great time to stop by your favorite authors/stories and drop them some comments! They really appreciate it!
also put in a request for an ao3 account if you don't have one! an account will let you make bookmarks of your favorite fics, store a reading history of fics you read while logged in, set a profile picture, all sorts of goodies :)
kinda fell off the world for a bit oops sorry itâll definitely happen again. anyways im back reading op and obsessed with how sexy whitebeard is in the flashbacks đŠđŠđ
Put ur slutty chest AWAYđ
but anyways im finally also getting to young shanks and buggy YAYYYY <3
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will we ever be pleased with a sequel to "But You See Me"? no pressure
hi anon i appreciate the interest! i sadly don't have any plans for a part 2 at the moment, mostly because i have no idea what it'd be aboutâmaybe a look into sanji and reader's life in the future, and how they navigate the relationship after their feelings are in the open? i guess i don't have a solid inspiration, so it's unlikely, but also my life got sort of crazy and writing as a whole is going much slower :(
but who knows! maybe sanji will take hold of me again (especially because i'm at wano and WOOWEE he's gonna have some stuff to process lmfao)
warnings: tummy-pusher zoro, squirting, oral (f!receiving), overstimulation, prone bone, chokehold, slight breath play, creampie, violent imagery, religious imagery, bit of aftercare.
zoro thinks you might be trying to say his name.
heâs knelt between your legs, sitting back on his haunches and rocking his hips just enough to fuck you with the fat tip of his cock. thereâs a rhythm to the unsteady rise and fall of your chest. short inhale, long exhale, the same way you always sigh his name when heâs reduced you to this.
tears dotting your lashes, drool seeping from the corner of your mouth, hips bucking mindlessly trying to get him to slip in deeper.
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Ochakoâs earliest memory is a warning: to stay away from the ocean, and what lurks inside it.
[mermaid AU where Ochako is from an island surrounded by sea creatures, and the only one willing to see them as anything but monsters]
part 1: your siren song (my lullaby)
uraraka ochako x toga himiko
ch 1/2 | 16.3k words | masterlist | ao3
cw (includes spoilers for fic): human/monster relationship, blood, blood drinking, descriptions of corpses, illness, major character death, violence, law enforcement, cultural tensions, child neglect (ish), implied kidnapping
notes: shoutout to gigi perez for sailor song and vonabel for the partial beta <3
Oh, won't you kiss me on the mouth and love me like a sailor?
And when you get a taste, can you tell me what's my flavor?
I don't believe in God, but I believe that you're my savior
My mom says that she's worried, but I'm covered in this favor
- Sailor Song, by Gigi Perez
The ocean has a lethal sort of beauty.
Murk darkens the shore, brown sediment clouding beneath the surface. It blooms with each wave against the docksâthe disturbance of a spoon dragging through a bowl of miso soup. The grains expand and disperse, swirling with clumps of seaweed and driftwood and garbage. This water is cold and unforgiving, the result of a recent storm scraping at eroded mountains. Clouds linger above, a shield against the sun.
Itâs not unusual for the water to take this form, especially in the summer when typhoon season sweeps in. The clusters of islands to the south of Japan usually take the damageâmonsters of weather blazing through the Philippines or Taiwan, leaving pleasant stormclouds blowing towards Musutafu. Kaone, the most recent typhoon, was the largest the town experienced in years, managing to dodge Taiwanâs coast in a line straight for Japan, an angry and swirling tirade of rain.
Today, three days after the storm passed, everything is in order when the Urarakas take their Saturday trip to the harbor. Everything but the brown of the ocean, the angry waves that jostle the docks forcefully, the looming darkness of the sky.
The stench of the sea is strongest here, carried in through lines of boats, their wireframes and decks littered with buckets and bins of fish, some still writhing in captivity. The vessels are loudâpainted bright colors with blaring horns to announce their arrival, crew members jumping out with ropes for mooring. A yellow ship docks close to where Ochako stands, hand in her fatherâs. Wide, brown eyes watch as a man leaps from the deck to secure the ship, then drift to the engine. Liquid spills from one of the tubes, coating the water beneath it in a pearlescent shimmerâthe shine of an abalone.
Her fatherâs hand tightens, tugging her firmly. Ochako didnât notice in her staring that she had walked forward, entranced. He doesnât elaborate. She takes three steps back to his side.
She knows what heâs thinkingâan incident from elementary school at the forefront of his mind. Ochakoâs memory is hazy, a series of flashing feelings and images: stomach plummeting as her body tipped over the dock, the blunt force of the water when she broke through its surface. She remembers a warm and sunny day, but the ocean was cold, terrifying. Consuming. It stole her breath, only let her take shallow and stuttered inhales as she writhed in its grasp.Â
(There was a glimmer of something beneath her, a faded gold smeared across her vision in the chaos of her flailing. Something alien, terrifying. Something pulling her deeper.)
She remembers the onlookers above her. They laid safe on the deck, anchored on their stomachs while reaching for her. But nobody would dare join her in the water.
Standing here years later, Ochako still doesnât know what happened. The memory hasnât faded with time, but it was never more than a fuzzy collection of images to begin with.
Her father worries that sheâll trip again, or stand too close to the edge. Ochako understands enough to know that falling was no fault of her own. She was pulled by something beneath the surfaceâsomething calling to her. She knows that if it were to happen againâif whatever song that lured her in the first time is sung againâher fatherâs hand wonât be enough to stop her.
Disappearances arenât common in Musutafu, but they happen enough for locals and visitors to be aware of, to speculate. No one lost has been found, posters with names and contact information stapled over one another, faded on bulletin boards. Oftentimes they display the faces of children, kids the adults assume are lost to the oceanâto the monsters some believe lurk beneath the surface.
Ochako has heard the stories time and time again, words inscribed in the depths of her memory. Tales of writhing beasts in the water, ones that claw through the exterior of fishing boats, tear through nets, and wrench open metal traps. To steal the prey for themselves. To steal people.
But they only exist in stories. Ochako has never even seen a photo of the supposed monsters. There is no evidence of their reality. She has only the mental images of half human, half sea creature amalgamations. Her father says theyâre ugly things, deformed and mangled and lesser thanâakin to old depictions of ningyo in traditional paintings: twisted faces, bodies almost entirely fish, with bony arms and claws for hands.
Theyâre horrifying, enough to make adults shudder. But Ochakoâs fear leans more towards curiosity. Fascination. When she opens her books and traces her fingers over scale patterns and wispy fins⌠She dares to think these creatures are beautiful.
Sheâs wondered beforeâwhat it would take to see one.
âHiga-san,â her father greets as the boat unloads.
The man stands at the edge of the dock, wide shoulders on sturdy legs. One of his crew passes wire boxes of fresh catch. He grips the handles tightly, slamming them against the wood with a thump. The fish inside are slender and grey with darker coloration at the top. They jostle from the movement. One wriggles above the others, still alive.
âUraraka.â
Ochakoâs hold on her father tightens, eyes trained on the fish. Its body inflates slightly, gills flaring desperately. Is it suffocating? She wonders. Is it in pain?
âThe water treating you well?â
Higa grunts, heaving a large crate. Ochako recognizes the fish inside this one, the patterned edges of mackerel. None of them move. âStill not normal. âS murky out there, choppy. Full moon ainât helpinâ.â His slanted eyes move to Ochako, her own glued to the corpses before her.
What would happen if she set them free, if she tipped over that box and put them back into the water? Would they come back to life, righten like zombies, and swim home? Or would they float like buoys on a line, surrendered to their death.
ââgrabbed our net today ân tore it. Had such a creepy grin, all teeth. A nasty thing. Was the first time one came sâclose to the boat, figured we shoot ân haul it. But as soon as the spear hit, bloody thing turned to seafoam.â
Ochako blinks as she tunes back into the conversation.
Her dad makes a sound of surprise. âSeafoam?â
âAwful foam. Red as blood with a nasty stench. Miya was yackinâ for ten minutes at least.â
âYou should report it to the Coast Guard,â Uraraka insists, knuckles white from gripping Ochako.
âYou âMatonchu wouldnât know what to do with the information,â Higa scoffs. âWould just give ya a reason to interfere with our fishinâ. Like hell weâre tellinâem. âS a matter for the Musu.â
The Musu people were the dominant group of the Musutafu township for centuries, even long after the Yamato, or Yamatonchuâthe people of mainland Japanâexpanded to the east. They're recognizable by a difference in features: thick hair as straight as a blade, freckled skin, striking eyelashes. Higa is a descendant of the Musu, a member of one of the few remaining families on the island.Â
His eyes narrow, irises darkening as they train on Urarakaâs face. A warning. âSo ya better keep yer damn mouths shut.â
Ochako doesn't know much about the Musu, her knowledge limited to brief mentions in school. She knows they don't fear the sea the way Yamato do; instead honing understanding from years of navigating canoes on the open water, so skilled they could reach smaller islands off the coast. They had a relationship with animals that was lost over time: one built from reciprocity, responsibility. But it changed when the Yamato came.Â
When she stares at Higa-sanâs angry face, his stern voice ringing as a warning to stay out of his business, she wonders if the Musu ever dream of going back.
The rest of the outing is a blur. Strung along by her fatherâs hand, Ochako wades through rows of markets, eye level with piles of catch. She passes the glistening scales of mahi mahi, the slippery skin of eel, smooth shells of mussels that clack like stones rolling through a current. Her parents stop several timesâat the most affordable standsâto purchase carefully weighed portions of seafood.
Their last stop is at a table filled with shellfish. The woman at the stall shovels handfuls of shrimp in a bag with dark fingers, each addition making a wet plop. She ties the crinkly bag before murmuring a warm thank you, passing it to Ochakoâs mother while taking the bills and coins.
A boy sits on a stool behind the table. His eyes are wide and carefully watching the exchange, curtained by thick and dark bangs. When his mother turns to wave at the Urarakas, he swipes a raw shrimp off the table, the head held between his fingers while he bites the meat and legs and tail. Ochako watches with fascinationâand disgustâas he chews quickly and swallows, shell and all.Â
âHanta!â the woman chides while Ochakoâs father makes to exit.Â
The boy laughs, mouth stretching into a grin plastered crookedly across his face. His eyes meet Ochakoâs and his delight somehow grows further.
âThatâs that boy I was telling you about yesterday,â Ochakoâs father mutters, pulling her attention back to the faces of her parents.
âThe Musu boy?â her mother asks. âWhoâs always in the water at the southern beach?âÂ
He grunts in affirmation. âTheyâre crazyâall of them. Who lets a kid in that water? By himself?â
Ochakoâs eyes return to the market table. The boy is still grinning on the stool, bare feet swinging while the womanâhis mother, Ochako assumesâsoftly sweeps at his bangs with her fingers. She smiles fondly at her son.
Ochako thinks he looks loved.
Ochako is loved too, in a different sort of way. Her parents have a love that inspires protectiveness. They worry about her, for her.
âYouâre precious to us,â her mother says, fingers caressing the plush of her cheek.
Ochako knows this. And she knows the message buried beneath those words: that sheâs important but small, and too young to understand what her parents know. The adults make decisions for her that sheâll come to appreciate when sheâs older.
But Ochako sees other types of love around herâlove like that: a boy and his mom who gives him freedom and choice, and she wonders what sort of love is the best. Maybe certain types of love work for some people and not others. Maybe some people only know one way to love.
Maybe people only ever know the love they were given.Â
Ochako considers this one the longest. She worries tooâabout her parents. The image of their faces twisted in a grimace, murmuring about the bills, is a reminder burned in her memory. They donât discuss these things when Ochako is present, but the kitchen is halfway down the hall; she catches glimpses through the door and slivers of conversation on the way to the bathroom.
Her worry sits uncomfortably in her chest. During particularly restless nights it rises above the skin, a crushing weight.
Itâs the kind of worry that makes her feel small, that makes her say I donât want any, or I donât need it. Itâs the kind of worry that she canât say aloud, because sheâs not supposed to be aware of it in the first place. Itâs the kind of worry that makes her parents worry back, because their sweet girl never wants anything. Never makes a fuss.
So Ochako listens to her parents. She heeds their warnings, even when curiosity stirs within her body, pulling her where she desperately wants to be but canât go.
The only water sheâs allowed to play in is the stream behind their home. Itâs a conservative size, just deep enough to reach the bottom of her calves, and with a width barely greater than her wingspan. Thereâs hardly a bank, just clusters of grass that flatten into sparse river sand. The current is gentle and the forest is quiet, deemed safe enough for Ochako to explore aloneâso long as she stays within the confines of the Uraraka property.
(Borders are an imaginary thing, a mental image of a gate or line drawn across the yard. Ochako doesnât understand why people are the only beings restricted by themâthe water and fish and birds donât have any sense of these territories, instead guided by the divots in the ground, the wall of the shallow bank.Â
But Ochako listens. She confines herself to the section of stream and forest her parents allow her, and she enjoys her time here, playing away from watchful eyes.)
Even in the darkness of the settling dusk, she kicks through the water on her own. Red rays of light skim the surface of the stream, kissing the skin of her legs. Her feet stomp quickly, chasing a frog on the bank. She inhales when her hands gently trap it, fingers cupped against the wet dirt. She lifts it carefully towards her face, wide brown blinking with delight.Â
Her pointer finger lifts to press against the back of the amphibian, tracing slimy ridges of skin. A loud croak sounds from its throat, underbelly jerking with the vibrations, and Ochako makes a sound of surprise. Her hand jerks and the frog leaps directly for the water.Â
It lands with a splash, ripples radiating in a disfigured circle. Another blooms when the frog hops downstream, concentric shapes overlapping. Ochako follows carefully, her footsteps another disturbance on the surface.
The frog pauses at the imaginary border: the edge of the stream before it crosses the neighbor's land. Ochako halts. The amphibian croaks again, an overtone song that smothers the buzz of insects. The girl giggles softly at the sound, eyes narrowing as she prepares to catch it once more. Her hands open carefully before they dart forwards. She huffs in disappointment when they cut through water, missing the frog as its legs stretch to launch through the gap between her palms.
Her eyes lift to watch its escape, bounding and croaking down the stream. Her breath catches in her throat.
A trail of lights flicker on the surface.
Ochako cranes her neck to peer at the trees. Littered along the lower branches is a line of fireflies. Their dancing light trails through the woods, bobbing gently upstream. Itâs too weak to illuminate the forest, but the blinks of gold marble along the water.
Ochako steps forward without thinking.
Her steps sparkle when she crosses the borderâthat arbitrary boundary. The rapid shuffling of her feet comes to life, illuminated swirls of ripples. She breaks into a run, frog forgotten as she now chases the light.
Her foot catches on something sharp. She falls with a yelp, arms stretched to catch herself as she lands against a pile of rough stones. The result is painful: scraped skin and a litter of future bruises. Standing is a challenge, arms shakily hoisting her body, knees wobbling as she shifts her weight to her feet.
She stands in darkness.Â
Ochako sighs, staring along the water as if conjuring the light to return. It doesnât, the only glow is now the house at her backside. Her arms pebble from the cold, drenched clothes clinging to her skin. The aches of her fall start to register. She trudges back home.
Her mother tucks her into bed, leaning over her small frame to press a kiss on her forehead.
âI love you.â Her voice is quiet, face half illuminated by the bedside lamp.
Ochakoâs response is a ritual, a whisper of, âI love you too.â
(What does it mean to love someone because youâre supposed to, Ochako wonders. How do you distinguish love from attachment, from comfort and familiarity and habit?Â
Are those things even considered love?)
Ochako thinks her mother would be sad if she said these thoughts aloud. A crease would form along her forehead, familiar wrinkles of confusion and worry. Maybe even hurt.
Instead, in Ochakoâs silence, her mother wears the slope of a smile. She reaches to tuck loose hair behind the girlâs ear, and then to turn off the lamp. Darkness envelops the room, her mother now nothing more than a dark figure.
When she exits and Ochako is left by herself, she hurries to toss off the covers that were so neatly arranged over her body. She sits on her knees and turns towards the window.
The stream is visible, a small dip in the ground that sits in the transition from yard to forest. Dim moonlight flickers atop the water, but thatâs all.
The following weekend, she sees the Musu boy again. This time while his mother efficiently manages the market stand, he sits on a low stool, a bag of peanuts open on his lap as he talks excitedly with another kid. They both have a thin braided band around their ankle, one yellow and the other red. Even in earshot, Ochako has no idea what theyâre sayingâor at least, what the black haired one is saying. The other sits quietly, nodding along.
The former beams when his eyes catch Ochako. His grin engulfs his entire face and he stands, grabbing the bag of peanuts and stretching his arm out. He says something loudly, but Ochako doesnât understand.
The woman behind the table interjects with more unfamiliar sounds. Itâs a musical speech, one that dips low at times, rolling like the tide. The boy's eyes flicker with clarity, turning back with the same grin.
âHave some!â he says this time.
She nods and grabs a fistful in her small fingers. Theyâre goodâgently roasted with a touch of salt, the sweetness of the sea. She smiles.
âIâm Hanta!â he continues, wide eyes watching her eat. He points to his friend. âAnd thatâs Koji.â
Hanta. Koji. Their names ring with song. She tries to repeat them but they fall flat in her voice. She doesnât know how to make their sounds.
âIâm Uraraka,â she replies.
They eat their peanuts together quietly, scooping handfuls into chubby cheeks. Itâs mostly quiet, with Hanta swinging his legs and grinning, asking questions like, âDo you like shrimp?â
Ochako nods to most of them.
The other boyâKojiâsits quietly, never saying a word. But he watches, eyes trailing between Ochako and Hanta as they talk. His gaze falls when she looks his way. She notices his long and dark eyelashes.
Ochako wants to ask her own questions. About the Musu peopleâwho they are, what that even means. She wants to ask about Higa-san, if they know anything about the sea monsters. She wants to know how this boy has gone into the water by himself and come out alive.
She wonders if he knows anything about the fireflies.
A tug leads her away before sheâs ready. She whips her head towards her mother, free hand still cupping a sprinkling of peanuts, face twisted in an uncontrollable plea. Ochako doesnât want to leave.
Her mother pauses, eyes softening with a guilty smile. âWe need to go,â she says gently.
Ochakoâs eyes fall in disappointment, then lift to Hanta and Koji. The former smiles brightly and waves. He looks like he doesnât have a care in the world.
âSee you!â He cheers. Koji timidly waves beside him.
She pouts the entire walk home, but neither of her parents notice. Instead they talk in soft voices, murmurs of words like budgeting and expenses. Normally Ochako would listen carefully, matching their worried expressions, but now an ugly part of her thinks itâs fair, that theyâre all unhappy together.
The disappointment doesnât leave with time. Instead it grows, festers like a mold that sits heavy in her chest. Thereâs a heat in her cheeks, a tightness in her stomach. Does she have to wait until next week to see them again? Will it be for the same amount of time?
She heads straight to her room, sparing no parting words. Her parents donât mention it, voices drifting to the kitchen where they continue to talk in increasing volume. Ochako huffs, kneeling on her futon, hands grasping the duvet in tight fists. Her teeth are clenched as she swallows back tears. Part of her wants to stomp back to the kitchen while sobbing, loud noises that canât be ignored. The other knows that her parents wouldnât like it, that sheâd regret it later.
Abruptly she stands, turning to reenter the hall. The voices carry through the house, louder without the door as a guard. Ochako takes softs steps to the kitchen, listening as she approaches.
ââthink moving is going to give us the most opportunities,â her mother murmurs. âItâs becoming more expensive than the mainland.â
Her father grunts. âIt would take months to get out of our contracts. Besides, thereâs no guarantee weâll find similar positions.â
âWe could stay in Mie. My parents would happily host us until one of us secures a job.â
âAnd give Ochako that kind of instability? Sheâs still so young.â
âYou think itâs worse than living here?â
The air is still as several moments pass. Ochako tries to imagine the faces theyâre making, her motherâs pinched brow, her fatherâs pursed lips. She wants to crane her neck to look through the doorway. She wants to know why they said her name.
Footsteps sound, her parents shuffling. Ochako panics, starting swiftly and quietly to her room. Her heart gallops as she closes the door and stands behind it, taking ragged inhales. When her breathing calms, her chest is still tight with something unsettling. Her parents' voices start again, muted sounds behind the wall.
She exits into the hall again, this time jostling the handle and deliberately thumping her feet across the floor. Her parentsâ conversation halts. They watch expectantly when she enters the dining room. She doesnât say anything.
âOcha-chan?â her mother probes.
The girlâs heart is uneasy. Her body is still swirling with disappointment, with now additional curiosity.
âCan I play outside?â Her voice is small.
Her mother smiles, shoulders relaxing. She glances at Ochakoâs father with an expression the girl doesnât understand. He nods curtly and she answers, âOkay honey. Just remember to stay inside the yard.â
Ochako bobs her head, eyes averting to the floor. Something else gnaws at her chest, not a tightness this time but a sting. She scurries to the genkan, hastily strapping on her shoes before heading out the door. When she reaches the creek and turns around, her mom waves from the window. The sting eases.
The water is cold against her skin, rushing along her sandals as she steps into the stream. It runs to her calves, washing away the itchiness from stalking through the grass.
There are no fireflies.
She pouts, standing and craning her head to the sky. Itâs a royal blue, deep while bright, the quilt of late afternoon. Streams of fluff slice through the fabric, clouds stitching the atmosphere together.
When she brings her head back down, turning to the window, her parents are gone. Her pout pulls into a scowl.
She runs.
It starts with jagged steps, tripping through the water before she returns to the bank, and bolts along the stream. Her heart pounds in her chest when she crosses the boundary into her neighborâs yard, and then the next neighbor, then the third one. She doesnât look back, eyes trained forwards as the water curves into the forest, turning perpendicular to the neat line of houses.Â
The ground is forgiving despite her sandals. She runs with ease, next to the rushing water. It stops shortly, disappearing just before an incline. The trees thin out as she climbs the hill and stands at the crest, overlooking a sunny break of canopy. The light streams along a wide river, a plane of green and brown. Its body snakes in a lazy curve, a weak pulse pumping the current.
Ochakoâs side of the river has a gentler slope, transitioning from water to land via a sea of pebbles. Theyâre bright white, bleached under the sun. As she inches down the hill and towards the bank, she notices that theyâre smooth ovals, sprinkled with occasional sharp stonesâlike fragments of coral or bone. A few large stones sit in the water, ripples wrinkling around them.
She has never been here, hardly knew there was a river so close to home. Itâs a quaint stretch of land⌠a secret. Warm with bright light but also shrouds of trees, the sun dappling through. The hum of water strolling downstream. The call of birds she has never heard.
Her heart slows, steadying as she takes in the serenity. Ochako wishes she could play here, where itâs calm and wide and with more to explore. Her parents might let her, since itâs a river: a pretty river with stones and soft grass. A river thatâ
That smells rancid.
The scent is an ambush, flooding her nose with a horrible kind of sweetness. A fishy sourness that springs tears in her eyes. Her stomach turns, face twisting further with each shallow breath.
A morbid curiosity takes over. Ochako turns her head towards the source, reluctantly breathing in. She takes a hesitant step downstream, stones rolling as she walks. The pungency strengthens.
She freezes after passing a clump of driftwood, wide eyes locking on a figure behind it.
Itâs long and motionless and clearly the source of the smell. Despite the dread pooling in Ochakoâs stomach, a heaviness and nausea, she walks closer. She wants to see.
An animal, a sea creature with slippery skin. It has a bulbous head and a long mouthâa dolphin. A beady eye stares straight into the sky. Ochako can see her own reflection in its blackness.
Two small holes puncture the animalâs body, smeared faintly in red. Crusted blood lines the openings. Along its stomach are gashes. Not long, but deep, like claws were stabbed violently through the flesh. Similarly, there are no blood stains, only faint dried clots and light smears.
Ochako gawks openly, completely frozen. Her heart continues to drum, to thump, thump, thump between her ribs. She struggles to inhale, throat and chest tightening.
Itâs⌠itâs terrifying, naturally. A large creature, longer than Ochakoâs own body, splayed out along the bank, sucked dry by some other animal she canât imagine. But as dreadful as the sight is, sheâs filled with an inexplicable wonder, that persistent curiosity. Pure awe at encountering something this rare, this impossible. The still-fresh skin is grey, a storm stretched taught along muscle and flesh. It fades to yellow at the edges of the fins and mouth, aged like paper. Ochako feels the urge to reach for it, to run a finger along the slippery surface.
The body suddenly twitches. Ochakoâs heart drops, body leaping to take two steps back.
Its mouth parts, revealing the pink of its tongue. âHnngh,â it moans.
Ochako yelps, body moving on instinct as she turns to sprint away. Panic floods her veins, icy, as her mind flashes with images of the creature somehow chasing after her. She doesnât look back, head jerking to find the spring and follow it home, fueled by fear.
The journey is longer than she remembers. Low branches swipe across her shoulders, twigs grasping her clothes like hands. Her fatherâs worries race through her head, pictures of something ugly and unfathomable sinking teeth in her neck and leaving her drained on the shore. His warnings thump through her head, spinning on repeat.
Stay away from the water Ochako.Â
Relief floods her system as she catches sight of the neighborâs home. Sheâs close, so close. Only a minute later and sheâll be safe. Safe in the stream, safe in her backyard. Safe with her parents. She wants to cry in their arms and hear their soothing voices, their gentle hands cradling her hair and cheeks.Â
When she crosses the final imaginary border, relief swells so heavily in her stomach that she halts. She heaves, lungs burning as she sucks in air. Mud and scratches splatter her legs, stinging. Her eyes burn as they fill with tears.
Her parents are right: she should listen to them, to keep herself safe. This worry they have, these limitations and rules, are to protect her, because they love her. Ochakoâs heart hurts. Guilt claws at her stomach.Â
When her breath settles she anxiously turns to the house, ready to run inside.
Her parents are still out of sight.
The guilt in her gut hardens into something sheâs never felt before. Something heavy, and dreadful.
The week is hard for Ochako.
Confusing feelings swirl inside herâa typhoon of feelings that scare her, make her want to do things she knows are wrong. She doesnât understand what she saw, what her parents are whispering about, why sheâs too young to know.
(Will she ever get to know?)
Nobody is safe enough for her to share these questions. Instead she sits quietly with this storm inside her chest, raging winds and murky water pounding against the cage of her flesh. If itâs lucky it will find its way to the surface of her skin, emptying itself through her lashes. She doesnât notice when this happens.
Her parents do. They catch the faraway look in her eyes, her subdued attitude, a lack of focus. They worry, brows furrowed when they ask if sheâs okay. Their expressions make her stomach turnâdo they know she disobeyed them?Â
âOchako, do you want to go to the mochi stand tonight?â her father probes. His voice is soft.
She recalls hushed voices in the kitchen, discussing work and money. She frowns and says, âNo,â in a quiet voice.
Her motherâs face falls. Ochako feels worse.
When the weekend returns and her dad asks if theyâre ready to go to the market, her mother offers to stay home with Ochako.Â
The girl shakes her head, mumbling, âI want to go.âÂ
The adults trade glances, confused by her attitude. Her mother watches her daughterâs face carefully.Â
âAre you sure?â she asks.
Ochako nods quickly, and thatâs enough to convince them.Â
She walks through the markets with a hand in her motherâs. Her eyes skim along the lines eagerly, brightening when they land on Hanta and Koji. They sit on the same stools as the previous weekend. She waves when they notice her.
Her mom tugs her arm. She started towards them without realizing it.
âCâmon Ocha-chan.â
Her round face lifts, eyes widening in a plea to stay. Her motherâs breath hitches, chest freezing in apprehension. She looks nervously to the table, the boys sitting on their stools as the older woman bags orders of fish.
Another second passes. Ochako lowers her gaze, turning to follow where her father walks ahead.
Her mother folds. âWe can go say hi,â she offers.
Ochako beams, eyes sparkling. She misses her motherâs flicker of guilt as she turns and barrels ahead.
âHi,â she says, breathless, when she stands before Hantaâs grin and Kojiâs reserved interest.
âHi!â the former replies. He stretches his arm to offer a bag of sunflower seeds.
Ochakoâs mother releases her, letting the girl take a handful and work them open with her teeth. The shells splinter easily, falling into her palm to be discarded in a bag by Kojiâs feet. Ochako relishes the nutty flavor, audibly humming. Her mother smiles.
She likes this table, the company of Hanta and Koji. Theyâre kind and carefree. Hanta does all the talking, but Koji nods along, occasionally making hand gestures that Hanta translates with words. She giggles at one of his jokes and turns to her mother to see if she caught it too, then pauses when she sees her talking to the woman behind the table.
âThatâs my mom,â Hanta says plainly. âYour mom is nice.â
Ochako nods immediately. âI love my mom.â
Her eyes avert to the ground as soon as she says it, brain pausing. Not in apprehension or uncertainty, but in question. Why do they love each other?
âMe too,â Hanta responds. He chews the seed shells and swallows them. âI love lots of things.â
Ochako straightens. âYou do?â
He nods, humming in affirmation.
âHow do you know?â
âI just do,â he asserts. His eyes lift in thought. âMa says we have love for everything inside us.â
Ochako stares at him with bewilderment. âReally?â
âMhm. Everything comes from love, so we love everything. She says when we do things for love, thatâs when the best things happen. Like the fireflies.â
Ochakoâs breath halts. âThe fireflies?â
Hanta grins. âYou havenât heard?â
Ochako shakes her head. She wants to say she has only seen them, but the words catch in her throat.
âA very long time ago one of our oldest grammas was in love. But granpa had to go away, and they were both very sad. He left on a boat by the river next to their home, so gramma waited every night for him with a torch to help him find his way home. The people and animals called her the âLady of Fireâ.
âShe stood there every night with her torch, finding ways to keep it burning even in heavy rainâuntil there was a typhoon. But even when the wind and rain blew it out, gramma stood there waiting. She cried and cried, only wishing for granpa to come home safe. Her love was so inspiring that the moon herself came down to light the way. She turned into a million twinkling bugs that could fly in the rain. Granpa came home that very night.â
Ochakoâs mouth hangs ajar as she listens, eyes full moons. Sheâs never heard such a beautiful story.
âThatâs where fireflies come from,â he reminds her.
âWow,â she breathes.
Hanta nods, grinning. âYup. And Koji can talk to them!â
The smaller boy jolts at the mention of his name, but he doesnât make any gesture of disagreement.
âReally?â Ochako asks in amazement.
âMhmm! People from old grammaâs family can do things like that when they love.â
Something in Ochakoâs chest expands at his words, like itâs grown. Then it clenches in envy. Urgency.
âIs that something I can do too?â she asks.
âMa says anyone can do it,â he answers. He parts his lips to speak, but no words escape. They pull into a frown and Ochako thinks the expression is out of place. â⌠You can lose it too, like Higa-san.â
The brunette blinks in surprise. âHiga-san? He lost it?âÂ
Hantaâs wide eyes dart to his mother, then to Ochako. She is captivated, clinging onto every word.
âHis love.â
âOh.â Ochako frowns. She thought he would say more.
âYeah,â he answers with a shrug, swinging his feet.
Ochako wants to probe but she doesnât know how to navigate thoughts like these. Where does she start? What sort of question makes sense for this?
âWhat did he love?â she tries.
Hanta frowns again.Â
âThe ocean,â he says flatly, as if itâs the only thing worth loving.
Ochako doesnât understand. She knows love as a feeling for people: for family members and marriage and maybe a cat. Even so, love isnât openly shared, instead kept for private conversations and the gaps in speech. How can you love something so big, so vast, so⌠inanimate?
So terrifying.
âOcha-chan.â
She blinks, turning to her motherâs voice.
âWe should go now.â Itâs a command disguised as a suggestion. âBut we can come back next time, okay?â
Ochako turns to Hanta, questions brimming at the base of her throat. She wants to know what it means to love the ocean, how Hanta knows that Higa-san lost his love, how he knows that the man had it in the first place.
She wants to ask Hanta and Koji what their love feels like.
Her motherâs hand slips into her own. Itâs warm, and Ochako grasps it on instinct.
âNext time,â she repeats.
Ochako nods, mindlessly shoving the remaining seeds in the pocket of her jacket as they turn away. When they walk along the dock and her dad raises a hand to Higa unloading his boat, something stirs beneath the surface of Ochakoâs subconscious.
Her parents watch her wander through the stream under the falling sun. They sit by the window absorbed in conversation, but focused enough to occasionally glance her way. Ochako finds it burdensome. Part of her wishes they would leave again.
She busies herself with her bucket and net, grinning triumphantly when she catches a minnow. It circles the bottom of the net, darting within its cage. Ochako giggles as she lifts the mesh, minnow flopping in the air. Her chubby hand traps it and she laughs again at its slippery skin. It writhes in her grasp, along the tunnel of her palm.
Brown eyes peer through the opening. Its small head comes closer, inching towards her thumb. Without warning it slips through her hold and leaps into the air. The girl shrieks and lifts her opposite arm to catch it in the bucket.
The fish lands with a plop, splatting against the empty bottom. Plop, plop, plop follows as it thrashes against the plastic. Until it stops.
Ochakoâs smile falters as she stares at the creature. Its tiny body is motionless. Stripes of silver and green shimmer in the light. Its eye is a black bead, small but swallowing her whole.Â
The dolphin flashes through her mind, and she moves quickly, dipping the rim of the bucket under the water for a second before raising it. She stares into the shallowness, holding her breath.
The minnow twitches, jolting to life, and Ochako exhales.
She pours the water back into the stream, watching closely as the fish darts upstream to the bank. A mix of guilt and relief sits inside her chest.
âOchako,â her father calls behind her.
She turns to see him standing half outside the door. He waves.
âDinnerâs ready.â
The girl nods, understanding the order. She gives the bucket a final shake and walks up the bank. Red seeps into the sky from the horizon, dusk creeping in. When she finally reaches the door she steals one final look at the water. A white heron swoops in, standing in the shallows. It steps slowly, then jerks forward to thrash its beak into the stream.
A faint flicker of yellow bobs above it.
They have tuna for dinner, sashimi on rice with pickled plums and stringy cucumber. Ochako eats slowly, letting the softness of the meat melt over her tongue. She wonders what the fish looked like when it died, if it thrashed in a bucket.
âOcha-chan,â her mother interrupts her thoughts. She speaks gently. âWhat do you think about going to Mie soon, to see baachan and jiisan?â
The girl looks up to her parentsâ faces. Theyâre uncertain, almost nervous.
âOkay,â she answers easily. Her mother relaxes until she adds, âFor how long?â
The adults trade glances. Ochako is not given an answer.
When night falls and Ochako is tucked into the covers, she is restless.Â
The water calls for her, floods her ears with the ghost of its song. Her mind is powerless to her body, watching as she rises from her futon and makes for the bedroom door. The house is silent, her parents in slumber. She shuffles to the genkan without a sound.
The night is alive, loud as despite its darkness. Humidity thickens the air and buzzes with the call of insects. A dense cluster of yellow twinkle above the stream, and Ochakoâs breath catches.
Fireflies.
They breathe along the water, one entity dancing through the branches. Their trails smear behind them, illuminated strokes of a pen. They are the only light littering through the woods, miniature lanterns tracing the stream back to its source.Â
Ochako follows obediently, walking the trail of water through the neighborsâ territories, through the thick wooded land and up the hill to the river. Her heart is steady, mind too concentrated to let unease seep through her skin. In an instant she is at the top of the hill, stepping down towards the bank. The fireflies thin as she nears the water. They flicker for a moment more, then fade away just as the moon breaks over the trees. The river stones bathe in its gaze, bands of brilliant white creeping along their surfaces.Â
The night is quiet here. Ochakoâs never stood in such darkness alone, never even considered it. She thinks she should be scared, filled with jitters to run, to get away and get safe as fast as she can. Instead sheâs calm, at peace. The night has a special sort of serenity.
Or it would, if it werenât for the stench of death.
Itâs the same smell from last time, sourness that pulls her attention to the carcass on the shore. There the same dolphin rests, tipped on its side and properly rotting. The flesh is a patchwork of black and grey, body half decayed to reveal the skeleton beneath. A spine rests in the center, attached to an unbroken cage of ribs. The skull is partially visible, skin peeled from its mouth. Even in the darkness, the bones shine like pearls, like the stones along this shore, bleached from time in the sun.
It almost looks human, Ochako muses, with shorter arms and a misshapen head.
Human, with a tail.
She thinks of Koji, his ability to speak to animals. Would he have understood that last dying breath she witnessed? Would he be able to talk with it now, with its body half gone and more bone than flesh.
Ochako wishes she had such a gift, something to connect her to the world she inhabits, to make life clearer. To make it herâs.
A splash erupts from the river.
She turns, heart racing. The water ripples, waves echoing from the cluster of jagged rocks. The wrinkles gather moonlight in a woven pattern, scaly slithering skin. Something is lurking, dragging its body through the shallows.
A limb appears, breaking through the surface. Itâs scrawny and withered with a misfigured hand attached to the end, sharp claws hooking into the divots of the rock. It tenses, weary muscles twitching to heave itself upwards. Another gurgled sound passes as it fails to lift itself. Ochako steps away from the bank carefully, wide eyes trained on the creatureâs arm.
Her heart leaps when it rises above the rock, a face coming into view before it slumps over, grunts and wheezes shuddering through the air. Strangled sounds.
The rest of its body is as withered as its arm, flesh tight to the boneâ
Human bones, Ochako thinks. Human mixed with the remains of the dolphin beside her.
It has a human face, at least, but its body is akin to a ningyo. Sharp fins creep out the side of its head, darkness pooling at the edges. It has something like hair, something matted and mangled with tufts of feathers slicing through the scalp, jutting out as if placed by force. The torso is gaunt, skin tight against a hollow stomach and quilted with the skin of other creatures: more feathers, slippery dolphin skin, the hard shell of shrimp. Theyâre scattered along the body, dipping down the length of a withered tail.Â
Despite the fear shooting through Ochakoâs veins, pure ice frosting her blood, she canât move or look away. She is enchanted by this creature, drawn to its angles and curves, the slices of fins that sprout from its arms and tail, matching the webbing between its fingers. Itâs mangy; itâs starved.Â
Itâs something she never knew existed.
âItâs hideous,â her father would shudder.
In one handâone clawâis the squelching body of an octopus. It splats against the rock, tentacles lolling into the water as the body slides between hasty fingers. Under the moonlight, the faintest tint of red is visible.
The ningyo lowers to its prey, lips parting to bare pointed teeth. They lurch forward, sink into rubbery flesh, hands clenched so tight that fingernails pierce through the cephalopod. Dark liquid dribbles down: blood, a blue hue, splattering on the rock. The skin immediately loses color.
This is a hunger Ochako does not know. Every movement strikes a tremor through the ningyoâs body, hands shaking as they struggle to hold their meal. Its face, almost human (almost girlish), is smeared with fluids, a long tongue lapping the excess. A twisted face, sharp and angled and boney.
An honest face, a lively face that Ochako can read. When claws sink into the octopus for a second time, tearing open its body to drain every drop of fluid, the creatureâs eyes soften. Jerking movements smooth, now reduced to lazy mawing. Its mouth curves into a crescent moonâa grinâand Ochako is captivated, paralyzed by fascination and fear. It looks happy, almost euphoric. Ochako has never seen such a pure expression of joy.
When the ningyo finishes it drops the scraps of its meal in the water. A slithering tongue laps over its hands and arms, boney things splattered with scales. In the unreliable light of the moon it almost looks like its forearms are darkening, the underside spotted with growing suckers.
Ochako has no choice. Her feet carry her forwards without permission or warning. In an instant she is ankle deep in the water, wide eyed under the spotlight of the moon.
Her steps splash loudly. The ningyo snarls, twisting its face into a glare before jerking its body off the rock and into the water. A tail breaks through the surface, glinting before thrashing downwards, splattering Ochako with a quick pelt of rain. In the next moment, the water calms and the girl is once again alone on the shore. Alone except for the skeleton laying behind her.
Standing in the water, in occupied water, Ochako is no longer cold with fear. There is no warning repeatedly blaring stay away, stay away, stay away. She is still and quiet, frozen except for the one thing she can process:Whatever this creature is, itâs beautiful.
No fireflies blink along the stream the following day.
Ochako stands in the water, chest vibrating with an urgency sheâs never felt before. Despite the lack of light, she trudges forwards to the river. When she arrives she is left only in the company of the rotting dolphin.
She yearns for another glimpse. Somewhere in these strange sights and terrifying encounters lay answers. Answers about living, about love. Theyâre at the edges of her fingertips but still too far away, an insect flying just out of reach.
The fireflies donât glow for two more days. The following night they return, but fade moments later. Still, the girl slips from her bedroom to the genkan, and then up the stream. Five days pass like this, with each visit the dolphin fading further to bones.
The next night she leaps the instant her parents quiet, pacing down the hall and past the kitchen. She stands at the entrance of the genkan, peering out the window of the door to the stream. Itâs dark, her eyes needing time to adjust before the forms of the trees become visible.
âOcha-chan?âÂ
The girl jumps, body tense with caught, caught, caught as she faces her mother.
âWhat are you doing here?â
She doesnât know what to say. Even though this is her mother, something in her stomach yells that she canât be trusted. If she speaks honestly she will be scolded, or worse banned from playing outside altogether. If she is dishonest, she will have to carry the weight of her guilt, of deceiving someone she lovesâof someone who loves her.
Silence, she quickly learns, is another poor choice. Silence makes room for suspicion. It grows in her motherâs eyes with each passing second.
âI was looking outside.â Itâs the best answer she can conjure.
âOh,â her mother says plainly. Ochako canât read the tone of her voice. âDo you want to play in the stream? Itâs late.â
Ochako shakes her head honestly. She doesnât want to play.
âDid you see something?â her mother tries again.
The girl nods. It is also honest, but delayed. Does it hurt her mother to keep secrets like this? Her parents do the same, having hushed conversations that Ochako never hears about, discussions with her name spoken softly, secretly.
âWhat did you see?â
Ochakoâs chest flares with something prickly and tight. She doesnât want to answer.
âI donât know,â she answers, and thatâs the end of it. She returns to her room.
The next day when night settles in, she can hear her parents murmuring in the kitchen when they would normally be in their room. Ochako, for the second night in a row, is forced to stay inside. She sits under her covers, staring out the window towards the stream.
The fireflies dance again.
Excitement vibrates through her veins when the family leaves for the docks, Ochako teeming with questions she wants to ask Hanta. But her dadâs grip on her is tight while her mother exchanges bills and coins for todayâs purchaseâa bag of crab legs, long and orange with spikes stretching the plastic.
âOcha-chan, we donât have time to stop today.â
Disappointment floods the girl and her instinct is to pout. Why didnât they say anything ahead of time? Why tell her now, when they know her sparse conversations are the best part of these trips?
Her dad furrows his brow. âDo you need to tell them something?â
She turns to the boys perched on their stools. Hanta is watching curiously, eyes wide as ever, searching her face and what lies beyond it. Those questions she wants to ask, but questions that can only be shared in confidence: Do you know what I saw? Is it the same thing Higa sees, what everyone else is so afraid of?
Hanta follows her example, silent as he holds her gaze. Something in his expression shifts, something subtle, like the glint in his eyes.
Will she come back?
Koji clutches his friend, a hand to the wrist. Hantaâs head twitches, offering the tiniest nod. Ochako inhales, brightening.
The stream is calm, capturing Ochakoâs gaze through dinner as the yellow blinking of fireflies settle along the bank. Her parents tuck away in their bedroom when itâs time for bed, and finally she can run along the water, through the forest, up the hill to the steady river.
The moon isnât present except for the bugs holding the remnants of its light. Ochakoâs eyes adapt, allowing her to trace the silhouettes of the river bank, the skeleton, the large stones in the water.Â
The creature strewn atop them. Feasting.
Ochakoâs heart pounds as she watches sharp teeth sink into a fish, the wet smacks of its tail sounding against the stone. The predator growls, almost a high pitched hiss. Ochako steps forward unconsciously.
This time when their eyes lock, neither are shocked. The ningyo halts, eyes darkening. Fins flicker, glinting under nonexistent light. Ochako holds her breath. She can feel her blood pulsing through her skin, pounding against her ears.
The creature lowers its head to resume its meal, but its gaze never falls. When it finishes and drops the corpse into the water, it cleans itself, tongue tracing every smeared remnant of blood. Ochako takes one step forward, fascinated.
The ningyo hisses before disappearing into the water once again.
Days pass. Ochako slips away every night dutifully, wanting to catch another glimpse. She wonders if she visits often enough, just to watch it feed, will these moments eventually add to an entire conversation? Could fragments of standing at a distance in careful observation lead to flickers of understandingâcould she learn to distinguish its sounds and motions, grow to know what each one means?
But she wants more than distance. She wants to take one step and then another until her skin is pressed against the ningyo. She wants to run her hands over scales and fins and the slivers of other beasts nestled into the skin. She wants to hold the creatureâs face close and stare into its eyes. She wants to whisper questions between them: to ask what inspires it to make such complicated faces, faces that look like love while draining a life of everything it had.
If Ochako steps forward she will instead witness the twist of a horrible glare, a growl, and loneliness for the remainder of her night.
âHanta,â she says firmly, though breathless. She rushed through the markets to reach him, her parents bobbing through the other tables as they make their way over. âHowâhow do I get closer to the water?â
He blinks and looks at Koji. The latter averts his eyes.
âI want it to trust me. HowâŚâ
Hanta hums, turning his gaze to her again. âYou have to give.â
âGive?â
âMhm. Every time you take from the water, you ask for permission and offer something in return.â
Ochako frowns. âWhat do I give?â
âDepends,â the boy answers plainly. âI sing before each dive and I leave flowers where I catch mussels. Stuff like that. Koji braids the grass.â
Ochako wonders what she has to give. Her eyes fall to the bins of shrimp and oyster, the piles of sleek fish shimmering on the table. But the ningyo only takes blood, and Ochako is not sure if it will eat prey from the Uraraka refrigerator. Maybe she can catch a frogâthough the thought makes her stomach queasy. A flower is easier to start with.
Koji nudges his friend with an elbow, glossy eyes dancing as if to communicate on their own. Hanta gasps, a grin spreading across his face as he digs into his pocket.
âOh yeah! Here.â He stretches out his arm, his fist clenched.
Ochako raises her palm to receive the gift. Itâs a soft and small bundle of thread. When Hantaâs arm retreats, she sees a band of braids. The width is the same as the anklets the boys wear, only the string is a deep pink.
âYouâll be safer with that in the water, especially with a Kono. We can make a different color if you donât like pink.â
âKono?â The girl holds the bracelet carefully. âI like pink.â
Hantaâs grin grows. âPerfect. Put it on your right leg, âkay?â
Ochako nods dutifully. A promise.
The fireflies do not shine for several days.
When they finally light again, sparks flickering in the trees, Ochako leaps with excitement. A feeling deep within her says that this time will be different, somehow. The touch of her anklet is barely noticeable as she hurries along the creek, whispering thanks to the miniature lanterns for lighting her way.
When she arrives, the ningyo is not present.
The girl frowns, turning to the woods where the fireflies still bob. She inches towards the water to get a look, stones shifting with each step. Maybe they just missed one another. She sighs.
The river is cold against her skin when she dips her feet into the shallows. A shudder rattles up her body, raising the hair along her arms. Only the thrum of bugs carry through the night. Ochakoâs stomach sinks in disappointment. Maybe the creature could sense she did not find anything to give.
Something lurches from the water.
Itâs just in front of Ochako, a roaring splash against one of the larger stones. A tail whips through the river while spindly arms grip and heave. Droplets scatter through the air, pelting Ochako in a moment of rain. Her chest blossoms with hope.
The feeling tightens when she is met with hissing and growling, voice holding the coarseness of a thunderstorm. A voice of thirst and a voice of fear.
Back away, Ochako can hear it scream. Your kind are not meant to come this close.
She swallows the onslaught of tears that threaten to spill, stinging her nose with something close to shame. Why is she always forbidden from the places she wants to be? Would she be welcomed if she had something to give? But what does she have to offer? Her eyes dart along the creatureâthe marred face of a bird protruding from its shoulder, amphibious legs twisted within its skin. She thinks of Hanta and his eagerness to share, whether he is offering snacks or jewelry or knowledge. He gives what he has, whatever Ochako might want.
She moves without thinking. With empty hands, she stretches out her arm.
The beast reacts with a flinch and a hiss, backing away as if threatened. Then it pauses, fins flickering while its eyes dart skeptically.
Ochako nods. She takes one step forward and rolls the sleeve of her nightshirt. Her chest and stomach ache with nerves but she does not move.Â
A growl erupts from the belly of the creature while it bares its teeth. Ochakoâs breath hitches as it lurches forward, moving erratically to latch a claw onto her arm. It stings, but brown eyes donât waver from the ningyoâs glare. The air stills, as if the insects are holding their breath in anticipation.
This is all I have. The words are buried at the base of Ochakoâs throat.
Gentleness is not what she would have expected, but when the creature leans forward, the first thing Ochako feels is the featherlight touch of lips against her skin. Theyâre soft, ghostly, careful. Until they curl back to unleash sharp fangs. The pinch against her forearm is painful when they puncture the skin. Blood begins to trickleâonly for a moment before soft lips return. The slippery wetness of a tongue laps along the trail, saliva like a balm that turns the pain to a buzz.
A thrill runs through Ochako as the ningyo drinks from her. Part of it comes from the novelty and the riskâthis adrenaline of disobeying, doing that she wants. But the other part is something much deeper, something inexplicable. Watching the creatureâs face soften as it eats, sucking at the life running through Ochakoâs arms, blooms a warmth through her body.Â
Being relied on and having capacity to giveâOchako has never experienced this before. This is intimate beyond her imagination.
Maybe this is how love begins.
When the two finally part, the ningyo slipping away unceremoniously, Ochako is left lightheaded under the first glow of the moon.
The trek home is both endless and instantaneous. The forest stands still and dark when Ochako turns to take one final glance back. She enters her home with trembling legs.Â
When she lays to sleep, she presses two fingertips against her arm, imagining them as pointed teeth. Her vision suddenly bursts with flames of static and her body goes limp, trapped beneath the weight of the blankets.
When the sun rises and morning arrives, she is too weak to wake.
Two days pass. While fevers wrack her body, Ochako is plagued by visions of the waterâof dark fins and a bright tail, of a smile like the crescent moon. Her parents fuss diligently, clouds of worry spilling from their bodies and gathering by the bed, ready to suffocate and swallow Ochako whole. But as she slips in and out of consciousness, eyes heavy with exhaustion, she fixates on the bedroom window.
âOcha-chan?â her mother asks after the girl mumbles something incoherent. Lines run through the skin of her foreheadâan unending tide. âIs something wrong?â
The girl groans. âHnghâŚfâflies.â
âOcha-chan?â Her voice rings with the pitch of panic.
âFireflies,â the girl manages, gasping. Her vision is too unreliableâsmearing every color and shape togetherâto see if the bugs are dancing through the trees.
âWhat about them sweetie?â
Heat courses through her body, swallowing her brain. She whines, breath quickening as tears of futility pool in her eyes. Everything feels so urgent, and she is imprisoned in her bed.
âOcha-chan⌠Ochako!?â
The girl sighs in defeat, losing to the force of her eyelids. Like a wave against the shore, sleep washes over her with ease. She has no choice but to surrender.
But she canât stand the thought of the ningyo waiting for her, alone.
When Ochako is finally strong enough to stand, she spends her day feeling restless, anxiously waiting for the sun to fall and darkness to seep through the sky. She routinely lifts the sleeve of her shirt to stare at the markings on her arms, a finger running over two small, dark scabs. During dinner, her eyes focus on the window, waiting eagerly for a spark of yellow.
ââchan? Ochako!â
She jolts from her trance, turning to face her mother.
âAre you still not feeling well?â
She shakes her head. âIâm okay.â
âReally? You still seem out of itâŚâ
âTry to eat more,â her father encourages. âMeat will help you regain your strength.â
Ochako nods as her eyes descend to her bowl, watching shrimp wontons bob through a thick soup. The meat is sweet on her tongue, chewy and coated in salty broth. Her stomach tightens when she imagines the animals in front of her, long and spindly bodies skittering out of the bowl and across the table. They track soup along the floor as they make their escape, leaping when they reach the stream. Skinny legs shuffle through the water, leading all the way to the river she yearns to return to.
âOcha-chanââ her motherâs voice tears her from the window once again. âAre you sure youâre okay?Her spine straightens as she nods, spooning another dumpling into her mouth. This time as the flavor floods her tongue, she has the morbid curiosity of what she tastes like.
She is not the first to arrive at the river.Â
When she crests the hill she immediately looks for the water, searching for the stones standing in its darkness. A figure rests on the one closest to the bank. Ochakoâs heart stirs as she descends to the shallows, itching to run but restraining herself. Heated excitement boils along her skin when she finally stands before a slippery tail and sharp fins. Her eyes shine as they trace claws and teeth and scales.Â
âHi,â she whispers, a reverent breath.Â
The ningyo inhales, eyes rapidly scanning the girlâs skin. It leaps into the depth of the water.
Ochako blinks, swallowing the disappointment rising in her chest. It floods her lungs while a weight sinks in her stomach, plummeting somewhere deeper than she knew existed. Her eyes water, brown lakes of hurt and confusion. Should she have tried to return sooner? Was that enough to lose her merit, her trust?
The water stirs.
A head slices through the surface, ripples circling pale hair. Ochakoâs breath catches. Itâs too easy for her to hope, her heart switching between guilt and glee with commitment she is not prepared for, rocking her like a ship through a storm. The ningyo inches closer, carving through the water until it begins crawling along the bank. Its stare is enough to beckon Ochako forwards.
Yes, she feels the answer nestled in her chest. Always yes.
The two meet in ankle deep water, where a stone is wedged into the sand. The ningyo heaves itself on the flat surface, dragging with it the writhing body of an eel. Itâs long, longer than Ochakoâs legs, and wide enough that the beast's fingers donât touch in their gripâinstead digging sharp nails into the flesh. The animal wriggles desperately, tail slapping against the rock and water in protest.
The ningyo extends its arm. An offering, Ochako realizesâfor her.
She immediately shakes her head, hands raising in gesture for the creature to take it back. Her eyes scan spindly arms and visible ribs, the hollowness of the creatureâs cheeks. âI donât need it.â
Pale eyes twitch, furrowing in a glare. The ningyoâs lips part, exposing teeth as they lower to piercing the slippery skin. The head of the eel squirms violently, beady eye twitching as fins flare, making futile attempts to breatheâor maybe scream. Blood pours from the puncture wounds, a line of crimson. The ningyo extends its arm a second time.
Panic bubbles in Ochakoâs chest as the liquid rolls down the side of the eel, threatening to drip from the bottom of its belly. Without thinking, she reaches for it, cupping the animal where itâs bleeding before it can be wasted, and pushing her hand towards the ningyoâs mouth.Â
âTake it,â she insists. âIâm okay.â
Hesitantly, the creature obeys, finally lowering its head. It refuses to break her gaze as it drinks, lips touching the slippery flesh before sucking. It laps hungrily, hurriedly, claws digging to keep the animal still. Eventually the eel goes stiff, unmoving as the last of its life is drained. Ochako watches in fascination, stomach twisting the way it did at dinner.
This feels different than the shrimp, somehow.Â
When the eel is discarded, thwacking against the stone before sliding into the water, Ochakoâs hands are all that remain between the pair. They are still smeared with scarlet, precious blood.
The ningyo reaches for them, clutching her softness between careful claws. Its tongue laps through her fingers and the lines of her palm, tracing every bump and curve and wrinkle. Ochako is frozen, watching with bated breath as if this moment will end if she makes the wrong move. Her eyes dart with greed, roaming with the intention to memorize every detail of this creatureâthe sharpness of its eyes, the softness of its lips. Wet hair clinging to its face. The occasional flicker of fins.
The creatureâs touch is warm despite the chill of the night. Heat radiates from her hands until it nestles into her chest. This feeling blooming inside her, this buzz, is like the warmth of the sun. Something divine. Something like love.
âHimiko.â Ochako breathes the word like a prayer, a promise. She doesn't know why she says it; what depths it bubbled from. But it rises with urgency, like a secret impatiently waiting to escape its confines and make itself known.
The ningyo pauses, Ochako fears from displeasure, until a moment passes and those lips (so, so, so soft) curl against her skin.
Something akin to a purr rumbles through the chest of the ningyoâof Himiko. Itâsheâgrins while nuzzling her face into Ochakoâs palms. A hum sounds, high and clear, the trill of a bird's sweetest song. Ochakoâs skin is alive, hands searing as she dares to press them firmer against Himikoâs cheeks.
âHimiko,â Ochako repeats, this time louder. Confident.
Himikoâs head shakes, burying itself further in Ochakoâs hold. Another sound releases from the ningyoâs lungs: a high pitched babble. Ochakoâs grin grows uncontrollably, cheeks tight with glee. Her heart is warm, so warm.
A sudden pressure captures two fingers, a firm but dull row of edges and points. A biteâsoft and playful. Ochako watches with awe as Himiko scrapes her teeth over skin, the vibration of giggles accompanying the rough sensation. The girl is reminded of a cat: their flickering ears and affectionate gnawing. Himikoâs eyes flutter closed and open again, holding Ochakoâs gaze. Her irises flood with the blackness of the sky, and her mouth pulls sharply into the curve of the moon.
Ochakoâs chest tickles, and all she can think isâ
Cute.
The remainder of Ochakoâs summer break flies by, passing like a riptideâall at once, exhilarating. The night becomes her ally, the fireflies her friends. Her parentsâ sleep and lack of attention a source of peace.Â
Himiko waits for Ochako as dutifully as Ochako waits for the evening. The ningyo perches along the stones, fins flickering with anticipation. The human finds a special warmth in knowing someone is waiting for herâsomeone who counts on her making an appearance, who will sit with the anticipation and the urgency for her.
One night, Himiko offers a return gift: a handful of pearls. Theyâre perfectly smooth, shining like tiny moons in her palm. Ochako inspects them under the lamp in her room, marveling at the variety in color. Cream, pink, gold. A single black one. They make soft clicking sounds as they roll through the divots in her hand, and Ochako is taken by their perfection. Afraid of what her parents will do if they find them, she keeps them in a bag under her pillow.Â
On nights when the insects take longer to light, she rolls her hands through the pearls while glancing out the window, urging the clock to hurry.
Ochako wants to know if Himikoâs heart also hurts when the time moves too slow. Does she pray the sun will fall faster, plummeting the sky into darkness just so they can meet a few minutes sooner?
The cynical part of Ochakoâs heartâthe one weathered by her parentsâ view on the worldâsays yes, but only because of what the girl can offer. It says Himikoâs grin is only a display of sharp teeth eager to sink into her flesh, to taste and to drain her.
(The desperate part of her heart says she doesn't care. That this is an exchange where she can feel needed. Why should she care why Himiko waits and grins under moonlight, eyes shining like the moon itself?)
But Himiko takes from Ochako sparingly, spaced out by days and in small quantities. The hopeful part of Ochakoâs heart assumes this is a form of consideration, for her small body that fell ill days ago. During the nights in between, Himiko eats from Ochakoâs tender hands, letting the human watch as the ningyo steals life from other creatures, breathing them into herself before discarding them to the water.
How many corpses live in this river, Ochako wonders. How many skeletons line the murky floor? All these stones that cover the bank, sun bleached and brilliant whiteâare these pebbles the smoothed fragments of bone? Is Ochako sifting her feet through a cemetery every night, walking along a graveyard where the deceased are never buried? The skeleton of the dolphin is still in sight, greeting her every time she visits.
Now, she finds its presence comforting.
After each meal, Himiko will clean Ochakoâs hands and steal any evidence of their encounters. Ochako places those hands on Himikoâs cheeks, runs fingers along the fins that sprout beneath her temples. Himikoâs eyes flutter, mouth stretching into a smile that Ochako can only describe as sweet before the creatureâs head shakes to latch her teeth onto fingers, gnawing down chubby knuckles and grasping the plush skin of Ochakoâs palm.Â
Ochako feels a rush every time she gives herself to Himiko. The sting of fangs pierce through her skin and tear through the scabs attempting to heal, but the pain brings a rush of heat through her body, settling in her stomach and chest. She loves the feeling of being relied on, not coddled and fussed over. This is a love of need. Ochako is used to a love outlined by bordersâlimits on what she can do, what she can give, what she can take. But Himiko takes and takes and takes. And Ochako wants her to.
Ochako lets herself be greedy in return. She pulls Himiko closer, runs her eyes over her body, touches her skin and nails and teeth. Fingers thread through the creatureâs hair, prodding at the clumps of other animals that are forced into her flesh. Himiko lets her, happily preening under the attention and the touch. It makes Ochako greedier, hungrier to know this unusual being.
Ochako learns that there is a part of her heart she did not see before, one that clings and aches and yearns. One that wants to spear inside of Himiko the way the ningyo sinks teeth into Ochakoâs arms.
It scares her.
âOcha-chan, are you picking at your arms? Those cuts arenât getting any better.â
The girlâs heart quickens, instinctively running her opposite hand along the scabsâscabs that have not faded in a week. Luckily theyâre small and easy to keep out of sight, but with her mother holding her hand as they walk along the dock, she scrutinizes them closely.
Ochako doesnât answer.
âWhatâd you do to hurt yourself, anyways?â her father interjects. âTheyâre weird marks.â
She shrugs on instinct, frowning at her arm in a manner that convinces the adults of her ignorance. Ochako has learned that this is her failsafe, the best way to avoid outright lying or telling truths that will take important things away from her.
âTry not to make them worse,â her mother adds softly. âYouâve never had this problem before.â
The girl nods, only half listening as the trio enters the market. Brown eyes spot her friends before glancing towards her mother, pleading.
âCan I talk to Hanta?â
The response is as usual: an apprehensive nod. âDonât leave their table, okay?â
Ochako bounds over, openly grinning when she stands before the table. She turns to wave at her parents before shining eyes meet wide, black ones.
Black eyes that drop to her arm.
Her heart stutters, hesitating at the shock on Hantaâs face. Heâs never looked so surprised.
âWoah,â is all he says.Â
Koji doesnât share his disbelief. Ochako watches them both, brow furrowing.
âYou⌠the yellow one? At the southern shore?â
Her frown deepens as she shakes her head. âThe river in the woods. I donât know what color she is.â
âThe riverâŚâ he trails off, turning to Koji.
The shorter boy responds with a nod and series of hand gestures. One includes him opening a balled fist, like sunrays flaring, or a blooming flower.
âThatâs Musu land,â Hanta says, watching Kojiâs hands as they continue dancing. âAnd freshwater. The Kono live in the ocean. Maybe she swims upshore for food, to avoid the boats.â
Kono, that word again. Ochako repeats it. âWhere⌠where do they come from?â
Hanta shakes his head. âTheyâre people. Lost people.â
âPeople?â
âUsually kids. Younger than us.â
Ochako frowns. âBut they becomeââ monsters, her brain continues. Beasts that incite fear and inflict pain. Though, only if you see them that way, if you choose to be afraid. âThey become Kono?â
Hanta nods.
âWhy do they change?â
He shrugs. âSometimes the water is the only place you can go.â
Her frown deepens. What circumstances would force someone to the water, for it to be their only solace? What happened to Himiko for this to be her lifeâdarting between river and sea, no choice but to drink from animals, to be reduced to skin and bones.
âDo theyâŚâ her eyes widen. âCan they turn back into people?â
Hanta blinks, processing the question. He doesnât know.
Ochako wishes she could sit here forever, sharing questions with Hanta and Koji. They answer her freely, honestly. They admit when they donât know. She wants to share more, to share the beauty she was shown, to ask if they have seen it too. Admiration waits on the tip of her tongue, descriptions of Himikoâs smile, the unexpected gentleness hiding in her claws and teeth.
She thinks they already know.
âThank you,â she says instead, voice low and soft. âFor teaching me.â
Hanta shakes his head. âYou already knew.â
Ochako has hardly a moment to consider what that means when a commotion stirs at the entrance of the markets. A deep shout, followed by a thrum of voices chattering at onceâpanicking. Ochako frowns as the crowd shifts, people rushing by the table and forcing her closer to the boys. A hand finds her arm, her father materializing to lift her on his hip.
âSorry kid. Itâs getting busy, so weâll have to leave sooner than usual.â His voice is level, but he looks troubled.
âWhat happened?â she asks quietly, shifting in his arms. The crowd is thick around them. Her eyes donât travel far.Â
âJust Higa-san causing some excitement. He got something strange today.â
Ochakoâs heart jolts, eyes scanning furiously. Her stomach sinks with the heaviness of an omen. Her fatherâs hand cups her hairâan attempt to redirect her attention. Her unease grows.
âI wanna see.â
âNo you donât.â His reply is rushed, unconvincing. Irritating. âWe need to go.â
Ochako cranes her neck, wriggling in her fatherâs arms. He grunts, voice hardening. âOchakoââ
She sees it. Past the tables lining the square, towards the exit on the docks, stands a swarm of people. With her hand pressing on her fatherâs shoulder, she has the leverage to skim her eyes overhead and catch the center of their attentionâHiga-san, face twisted in a victorious grin. Itâs sinister, sending chills through her veins.
In his hand thrusting triumphantly in the air is an arm: mangy, green, coated in scales. Purple fins protrude along the side and claws hang from the end. Itâs been severed at the bicep, a loose tangle of flesh and skin, stringy muscle with the sharp splinter of bone.
Ochako panics, breaths turning to the staccato of panting. The air doesnât fill her lungs, leaving her chasing for more, hurried.
âOchakoââ
She screams, a blood curdling sound. Harsh and high, raspy, one that floods any adult with fear. Heads turn towards the sound, eyes catching her twisted face, reddening furiously and flooding with tears.
Her parents move, attempting to calm her with soothing words that she canât hear. Her father runs a hand along her back as he continues for the closest exit, people freely parting to let them through. But it only pushes Ochako further, pulling another round of wails from the depths of her throat, spilling from the sickness in her stomach. The cries are broken and unrelenting. Hands touch her face. Her motherâs mouth moves to catch her attention, but Ochako misses every word, deafened by her own screams.
â---be okay. Thereâsâsafe, onlyâin the water. ⌠protectââ
Ochakoâs face crumples further, eyes squeezing with pain. She knows what her mother is trying to say: that sheâs safe, the danger is only in the water, that people are here to protect her from whatever that was.
Ochako wails, but not from fear.
Or at least, not the fear her mother thinks she feels.
She cries herself to sleep and wakes in her room, staring out the window as soon as her eyes flutter open. The sun hangs low, casting orange through the clouds. The smell of cooked fish rises from the crack beneath her door.
Ochako hardly eats before returning to bed. She waits as the moonâs fullness lifts above the trees and dots of yellow blink above the stream. As soon as her parents close their bedroom door, she runs into the night.
There is no flirtatious dance with the shore. Ochako stomps through the water, charging straight to the stones where Himiko usually waits. The ningyo is present, pressed against her usual rock. She freezes at Ochakoâs erratic movements, alarmed. Before the creature can react, small hands and arms engulf her shoulders and torso.
Only now is the unease in Ochakoâs stomach settled. Himiko is here, alive and in front of her.
Himikoâs head jerks, nuzzling itself into the nook of Ochakoâs neck. The girl sobs.
Red fins flicker against the brunetteâs skin. The ningyo shifts and Ochako panics, arms tightening on instinct. Himiko stills. Ochako continues to sob, one hand shakily moving to Himikoâs forearm, tracing the skin, squeezing the flesh. Sheâs intact, whole. Both arms. Skin and bone and fins.
Confused, Himiko mirrors her actions. She runs sharp nails over Ochakoâs skin, scraping as they squeeze in return. The pain is stabbing, sharp, but Ochako welcomes it, leans further into the touch.
Himiko is here.
The girlâs cries donât wane for a long time, but the ningyo never protests or makes for an escape. Instead she lays pliant, easily held as if she welcomes the worry.
A sharpness grazes Ochakoâs collarbone, the base of her throat. The girl doesnât flinch, one hand raising to nestle into pale strands of hair. Encouraging. When the teeth finally pierce her, the sting comes with a wave of relief, body falling limp with relaxation. With Himiko wrapped in her arms and buried in her flesh, Ochako is reminded that she has something to give.
When Himiko finishes she runs her tongue along the skin, lapping until the runs of scarlet are fully cleaned. It tickles, pulling giggles from the girl. Himiko makes a throaty sound in response, the vibrations running along Ochakoâs throat.
Bodies still wound in a tangle of arms and legs and tail, Ochako finds the strength to pull her head from Himikoâs. Under the full strength of the moon, she sees details that were previously secrets: the touch of gold that seeps through Himikoâs skin and scales, shimmering in her irises and every strand of hair. The fins lining her body are deep crimson along the edge, like blood seeping from her veins. Himikoâtrue to nameâis the embodiment of light. Ochako is lost in the way Himikoâs body shimmers under the moon, illuminating the growing plush of her cheek, the point of her teeth.Â
Then Himiko blinks, and something sparkles.
Pink sprouts from the center of Himikoâs irises, blooming to settle in the rims. Rosiness dusts her hair, runs along the veins that trail from flesh to fin. When Ochako finds the will to look away from Himikoâs face, she finds the sparkles trail down to her claws, clustered in her nails. They run along her tail, fluttering through scales and pooling in her largest fin.
The sight is beautiful, impossible. Here by the water with the Ochakoâs blood running through her body, Himiko glows. Her light holds its own against the strength of the moon, her own lantern to navigate wherever she yearns to be.
Ochako thinks she is witnessing magic.
Is this what everyone fearsâso much they wonât even skim their fingers over the water? Himiko grins, the glint of a knife, before yanking Ochakoâs arm to drag her deep into the darkness. Ochako does not resist, does not know how to resist. She only hopes that Himiko will not let her go.
Ochako bursts awake, sitting upright with a gasp. Dreams and reality dance through her mind, still hazy with sleep. A hand reaches for the base of her neck, right beneath the collar of her shirt. The raw skin stings beneath her fingers. Itâs sticky, the residual ooze glistening when she pulls away.
She flops backwards with a sigh. Memories of Himiko bloom behind her eyes: her pretty grin, her tight embrace, the pink bioluminescence that scattered along her body. Her teeth, piercing through the skin of her throat.
Ochako exhales, hands fisting the blanket.
Eventually she stands, stealing a glance out the window while she tugs up her collar and makes for the kitchen.
Her mother prepares an omelet, laid neatly across fried rice at the base of the bowl. The egg unrolls perfectly when cut.
âDid you sleep okay Ocha-chan?â
She nods.
âYouâve been waking up later than usual,â her father notes. âTry not to stay up so late. You start school again this week.â
Ochako nods again.
âIâll be working again,â her mother adds. âSo weâll both be gone when you come home. Are you interested in any clubs? Maybe itâd be good to have something to keep you at school.â
Ochako pauses, considering. Nothing comes to mind. She isnât particularly interested in sports, and the other clubs usually have fees or requirements to buy supplies. She shakes her head. She would rather spend that time elsewhereâwith Himiko.
âThatâs fine,â her father answers. âThe neighbors will be around if you need anything. Just stick to the usual rules, okay?â
Stay in the backyard, Ochako thinks. A promise routinely broken. She nods.
Her mother frowns. âAre you sure you donât want to try anything? I donât want you to get lonely if we get back late.â
Ochako watches her parents trade glances, uncertain what they mean. Her father is uncharacteristically relaxed. Her mother is unusually stressed, pushing.
âLet her do what she wants,â her fatherâs voice is firm. His brow furrows before his eyes widen. Ochako doesnât know what that means, but her mother sighs and nods.
The air has a tension Ochako is not used to. She prods, curious. âWhy are you working late?â
Her mother smiles tightly. âJust changes in the company. Donât worry about it.â
The tension thickens.
After her first day back at school, Ochako returns to an empty house. The neighbor waves as she walks home, letting the girl know she can call if anything happens. Ochako hurries after nodding, running inside to drop her bag and change clothes. There is no hesitation as she treads outside, beyond the boundary of her home. No fireflies light her pathâthis time wandering under the heat of the sun.Â
Inexplicably, Ochako intuits that Himiko knows she is coming. She crests the hill, panting and flustered. Brown irises scan the rocks, the waterâwater incredibly blue.
A head bursts from the plane, scattering ripples across its surface. Himiko, hair like starlight and eyes molten gold, bobbing towards the shore. Ochako grins, racing forwards.
They no longer rely on the moon to meet, neither the darkness she rests in or the bugs that carry her light. Himiko is a ritual to Ochako, now under the sun.
Ochako thinks this is how it was meant to be, that Himiko was made to be seen in her fullness, in the confidence of day. Sheâs easier to understand, to watch, to know. The depth of her colors are apparent, the flashes of gold and flushes of pink. She internalizes that light, shines it along her scales and fins when she leads Ochako through murk and shadow.
Maybe Himiko is a star, a sun. A source of light and warmth.Â
(Of love.)
Ochako knows she should return home when red blooms along the horizon; her parents will be home in less than an hour. She turns to Himikoâs delicate frame, her soft face.Â
âThank you.â
She struggles to elaborate. This is a thanks that holds weight in its ambiguity. She wants to add, For depending on me. For trusting me. For sharing with me things that are special to you.
âThank you,â Himiko parrots, words coated in the scratch of thirst.
Ochako swallows. She canât tell whether Himiko understands the words or not, if this language means anything to a creature of salt and claws and blood. But Ochako thinks she understands what Himiko has buried in her speech.
For seeing me. For taking me under your care. For coming back, time and time again.
Himikoâs body fills out with time, flesh over bone thickening with sturdiness and strength. Smaller animals still find their way into her skinâthe sharp curved shell of a horseshoe crab, the spots of flounder. But her face remains soft, kind.
One afternoon, when the sun hangs hot at an angle, Ochako only has a moment to appreciate the sight of Himiko before the ningyo pulls her from the bank of the river. They fall into the crystal of water, clear aquamarine. Himiko holds Ochako tightly, the girl squeezing with equal strength as she kicks her legs.
Ochakoâs gaze follows the now familiar floor of the river: large stones smoothed by time, white and banded and broken. Like bones of an unfathomable giant that used to roam the earth. Tufts of grass peek through the cracks. Fish dart through the hairs, small and silver, glittering when a ray of sun catches their scales.Â
They pass banks Ochako knows, stones that she holds fondness for, pockets along the shore that she recognizes as homes. Her eyes light with familiarity, catching sight of other creatures she has come to love.
The river is a second home.
Himiko leads Ochako further than theyâve been before. When the river widens as it winds around a hill, the stones grow into boulders. They line an opening beneath the bank, a set of ancient teeth framing a mouth of darkness. Himiko carries forward without pause. Ochako does not resist.
A minute stretches slowly, rolling like a stone against the current. Light shortly fades to blackness as the pair is swallowed by the cave. The water squeezes Ochakoâs temples, ears popping when she adjusts her jaw. Stone wraps around them, faults and fragments jutting just out of reach. Ochakoâs heart races, lungs tightening.
Darkness claims her vision for an instant before it blooms with pink. Himikoâs body glows, dust sparkling along her form. It illuminates the walls, the shadows of figures dancing as they carry forwards.Â
Himiko is the lightâshe is Ochakoâs compass and way.Â
The water shifts, heavier against their bodies. A chill rushes over Ochako as Himiko twists through the channels. Her lungs start to burn.
Before air comes, Ochako has her first taste of sea. Salty, sweet. A light streams ahead and brown eyes widen, catching a rush of colors blooming beneath her.Â
They slip through an opening, one that overwhelms Ochako with blue. Blue when she takes her first glimpse of the open water, blue when Himiko drags her through the surface to breathe. Ochako gasps, heaving deeply as she clutches to the ningyoâher lifeline. Her heart races, fueled by her desperate breaths, and rooted in the warnings she remembers before anything else: Stay away from the water.Â
Danger, danger, danger, blares through her mind, punctuated by each erratic heartbeat.Â
Himiko adjusts her grip, wrapping an arm around Ochakoâs waist. The calamity quiets.
Ochakoâs breaths slow and her body relaxes, eyes roaming with wonder. The pair float next to a cliff: a slab of dark rock jutting between sky and ocean. Though sheâs never seen it from this angle, Ochako knows cliffs like these only exist in the south of the island. The face of the rock curves around them, hugging Himiko who holds Ochako. Along its surface are blooms of coral, lengths of kelp, seagrasses woven together. The rocks are a second shore beneath the surface, a forest for fish to bury themselves in, before dropping straight down.
Ochakoâs stomach sinks, falling through the abyss below her. Heights have never been an issue, but floating here, above a depth she cannot fathom, her body buzzes with a fear she did not know she could feel. She latches onto Himiko for life.Â
The ningyo holds her steady. Her tail sways to propel them around the face of the rocksâslowly, to let Ochako take in the force of blue, the lives that drift within it, depend on it. Wonder swallows her and steals every sense in her body, coating her eyes and squeezing her ears. Something aches in her chest, hollowing out her heart in a yearning to understand, to learn. Himikoâs touch helps to soothe the sting, but the pain lingers.
When they round the corner, they glide over reefsârooted in an ocean floor. Ochakoâs stomach eases at the sight of sand and stone beneath her.Â
Her stomach drops again when she looks up. A figure bobs in the water ahead of them, a notable distance from the proper shore.
In a panic she clutches Himiko and kicks her legs. Itâs a futile attempt to escape, to protect the ningyo from being spotted. The creature doesnât budge, her tail much stronger in the water than Ochakoâs legs. The human struggles, eyes wide in fear and confusion.
âHimikoââ she wails, breathy. Doesnât she understand that sheâs in danger?
Himiko looks at Ochako with equal confusion, head cocked. The girl frowns, sparing another glance at the figure in the water. Her breath catches.
The figure is Hanta, floating on a surfboard. His dark hair sticks against his head, lean frame covered by a sleeved shirt she does not recognize. His head twitches before turning towards the pair, large eyes meeting Ochako. He freezes, then grins. The contact only lasts another second before he paddles through a wave, board sliding against clear blue and towards the shoreâwhere Koji sits in the sand, Ochako realizes.
A heaviness tugs at her heart. Her lips twist in a pout as she rests her head in the crook of Himikoâs neck. Her stomach hurts with something. Something like envy.
When the ningyo returns her to the bank of the river, Ochako soaked in her day clothes, words bubble up her throat without warning, spilling with urgency.
âI love you.â
Himikoâs fins flicker against her head. Her lashes flutter twice before a grin spans her face. All sharp, bright teeth.
âLove you,â she echoes, voice the smoothness of a pearl.
Ochakoâs eyes pool with tears. Her chest and stomach hurt. She wants to hear Himiko say it again and again. Himikoâs voice makes the words mean something sheâs never known before.
âWish I could stay,â she whispers, searching for an answer. A lump forms in her throat.
âStay,â Himiko whispers back.
But she canât. So Ochako walks home, that lump in her throat never settling.
âOcha-chan,â her mother starts at dinnerâthis one rare, before sunset. Alarm bells had blared through the girlâs body during the afternoon, alerting her to come home just in time for their arrival. âYour dad and I are planning a trip to Mie for winter break.â
She nods, scraping the rice at the bottom of her bowl. It's a tradition for their family to visit the Ise shrine. âFor New Years?âÂ
Her mother hums in affirmation.
Ochako frowns, pausing mid-bite. Will Himiko be okay alone for that long?
âOchako?â
Round eyes turn to her fatherâs wrinkled face.
âIs there something wrong?â
âNo, justâwill we be there the whole break?â
âMhmm. Your mother and I need to take a couple trips to a couple cities we havenât been before: Kameyama and Suzuka.â
Her brow furrows further. Her grandparents are in Matsusaka; they only ever visit the south of Mie or east, where her other extended family live. âWhatâs in Kameyama and Suzuka?â
âSome businesses we need to visit for work,â her mother answers. âBut we can also visit some of the historical sites. Iâd like to see the neighborhoods, too.â
âOkay.â It sounds boring to Ochako, and she doesnât get why a neighborhood would be worthwhile to see. âWhy do you need to visit for work?â
They make a few comments, but none of them feel like an answer.
The last time Ochako runs along the stream, she doesnât bother changing from her uniform. After dumping her backpack by the door she makes a run for the woods. Urgency pulls her, a fish reeled along Himikoâs line.
She bursts from the thick of trees, shoes sliding against the pebbles as she slows. Her eyes dart anxiously across the shore, feet stuttering when they catch pale gold glimmering above a stone. She steadies herself, marching forwards while Himiko clutches the rock in tense arms. Ochako grins as the ningyo pulls itself to shoreâ
Ochako nearly slips down the bank. Her feet freeze while her eyes grow to full moons.
Himiko walks.
Theyâre shaky steps on unpracticed legs, but she rises. The ningyoâor now humanâstands. Her figure is bare except for the water rolling down her skin. It glistens in the sun, daytime stars raining against her body. A human body. A body like Ochakoâs, with sturdy legs and a round face.Â
Ochakoâs heart stutters, lips parted as Himiko inches closer, soft feet pressing sharp rock. She carries herself with uncertainty, alien in a body that she once knew well. The brunette takes one step forward, encouraging.
âHimiko.â The sound is hardly a breath, lungs emptied in awe.
Is this what love can do: transform creatures, let them take the parts of one another that bring them closer together? Ochakoâs every step, her diligence to returnâis this the result of her careful questions, her patience? It must be her blood running through Himikoâs body, her flesh covering her bones. Every taste of Ochakoâs blood was a pact, the whisper of a swear.
A promise that brought them here.
Himiko continues with the shake of a fawn. Ochako watches carefully, stepping slowly. Patiently, always patiently waiting for her. But her heart thrums, buzzing all the way to her fingertips as she imagines meeting Himikoâs hands. Their fingers can interlace into a basket of tenderly woven flesh, letting Ochako pull Himiko along her own worldâthrough grass and trees and sky.
Ochako can bring her home. She can bring her two homes together.
She holds her breath for Himikoâs final steps, speeding her own so they can meet in the middle. Her hands raise, palms facing the sunâfacing Himikoâs reaching for her.
A sharp snap sounds from another part of the woods. A spear releasing, shooting across the bank to pierce Himikoâs back. Ochako flinches and Himiko screams, teeth bared and eyes shrunken in pain. The sound is cut a second later when her flesh dissolves midair, cells bubbling into red liquid that bursts, coating Ochakoâs front and splattering the ground before her. She stumbles, arms still stretched as she collapses, knees bruising against Himikoâs stain.
Sounds erupt from the side, chaotic but muffled while Ochakoâs lungs tighten. She heaves, half gags and half desperate gulps of air, as she frantically shoves her hands against the stones. The world is split, torn into two as she wails. Saltwater floods her vision, splattering against the spill of Himiko.Â
Commotion follows. A hand grasps Ochakoâs arm and she screams, thrashing in the hold of someone wearing two shades of blueâa police officer. She catches similar figures scattered throughout the shore, surrounding her.Â
Her cries are deafening. Under the scorching light of the sun, her body is hot, too hot. The sizzling crack of lightning. She doesn't want to be touched. She wants Himiko. Himikoâs flesh, her own flesh, a body she had yet to understand and love in its entirety.
She blinks through her storm, vision clearing enough to spot Higa-san by an officer. He holds his speargun in hand, face twisted in that sinister grin of victory.
For all her questions about love, all her curiosities and her doubts, Ochako is certain when she sits atop Himikoâs melted remains. Staring at Higa-san through her pinched face, all Ochako knows is that this feeling in her chest and stomachâthis tightness and sickening voidâis her first experience of hatred.
being a sanji fan is so humbling bc u write sad angsty fanfic exploring his complexities as a character and how he would act in really hard situations and then turn around and he pulls this again
âAce! Donât say that. You know I donât want anyone who isnât you.â
âHeâd treat you so well,â he continues easily, lifting your fingers to his lips. âBaby, if something happens to meââ
âAce,â you growl.
ace x reader, sanji x reader
3k words | oneshot, complete
gn reader, implied acesan, major spoilers for marineford, partner death, angst, hurt/comfort, guilt
note: this is an extension of a drabble i wrote last month
read on ao3
âCrossed paths with Luffy.â
You grin against Aceâs chest, his skin hot beneath your lips. Hotter than the sand that surrounds you, the dust of shore on this quiet island.
âYeah?â
âMhmm,â he hums. âHeâs got the beginnings of a proper crew. Theyâre good people, the kind whoâll look out for him.â
He doesnât continue, but you can tell he has more to say. Youâre on edge to hear about this fated interaction, a day Ace dreamt of aloud often on the Moby Dick. But thereâs a haze in his eyes, a distance that clues you into what heâs thinking. Your smile falters.
âIfââ he halts.
You wait.
âTheyâre good people,â he tries again. âReal good people. They know how to take care of each other. Luffy⌠heâs gonna be okay in their hands.â
You nod.
âThe cook, SanjiâŚâ his eyes dart to yours, mouth twisting. âHe⌠If I werenât so selfish, Iâd tell you to find a guy like him instead.â
âAce!â You frown, pulling your head from his chest. The sad, resigned smile he sports is heartbreaking. âDonât say that. You know I donât want anyone who isnât you.â
âHeâd treat you so well,â he continues easily, lifting your fingers to his lips. âBaby, if something happens to meââ
âAce,â you growl. You yank your hand from his so you can cup his cheek, holding his head firmly so he canât escape your glare. He has the courtesy to look embarrassed. You sigh. âI love you.â
He inhales. You watch the inflation of his chest, the surprise in his eyes that you wish you could steal and bury somewhere far, far away.
âI love you,â he echoes easily, fingers tracing up your sides.
Your chest buzzes, but you shake your head. âI love you.â
He pauses, eyes uncertain. You nod with encouragement.
âYou love me,â he breathes, voice trembling.
You smile before leaning to capture his lips. Theyâre hot against yours, the same burning heat that lives in his heart. When you break, still close enough to ghost his skin, you whisper, âI do.â
âYou love me,â he says again, voice sturdier but chest aching.
âOnly you,â you promise. âAlways you.â
Only, you said. Always. Theyâre promises buried in your throat, sitting in your airways, sliding down to sink in the guilt of your stomach.
Lies, youâd call them now.
You wake surrounded in warmth, swaddled between the softness of the bedsheets and a firm chest. Your eyes flutter against bare skin, and your partner moves, shifting careful arms around your waist. Heâs awake too, but neither of you speak, sitting in the stillness of deniability.Â
Instead you breathe slowly, gripping onto a semblance of calmâblinking before your eyes can sting, swallowing the tightness over your heart. The steady rise and fall of the lungs youâre pressed against helps, guiding you through the motions.
Finally you stir and tilt your head. âGâmorning.â
âMorning, sweet,â Sanji answers, voice thick from sleep. His arms shift, hand coming to your neck as he leans to kiss your forehead. âYouâre up earlier than usual.â
You hum, leaning into his touch as your lashes flutter. The words are lost; you donât know what you want to say.
âDream?â he asksâthat intuitive sense for you.
You exhale, nodding on instinct. Thereâs no point in lying. âYeah,â you breathe shakily.
Sanjiâs arms constrict, bringing you closer. Warmer. You nuzzle into him and let yourself grimace against his skin. A sting flares behind your eyes, matching your chest.
âIntense?â he asks carefully, a murmur in your hair.
âNot graphic. Just sad.â
âSad to dream about? Or sad to wake up from.â
Your vision blurs, water swelling over your irises. You donât know. âIâm not sure. Both, maybe.â
Sanji hums, body still. âWant some time alone?â
âI donât know.â
Experimentally, he loosens his arms, heat slipping away. The absence sends a chill through you; it leaves you breathless with panic. You shake your head with fervor, burying your face further into his chest. His arms return in an instant, tighter.
You choke out an exhale, muffled by his skin. A tender hand combs through your hair, promising understanding. Reassurance.Â
ââM sorry,â you whisper brokenly.
âPlease donât apologize to me, angel. Never for this.â
The tears flow freely, wetting the hairs along his chest. They trace through the divots of his muscle, taking long journeys to blot against the bedsheet.Â
You think you wonât ever stop apologizing, that there will always be reason to plead your guilt. For the love that lingers in you for the dead. For dreaming of him, even when you now sleep in Sanjiâs arms. For sometimes needing Aceâs arms around you instead.
Later, when your voice finds its steadiness, youâll share snippets of your dreamâmemories of your time with him, the insecurities you fear you are now validating when you lean into Sanjiâs touch and voice and love. Another apology will fall through your lips, you donât know for which man, and the cook will once again tell you that you have nothing to be sorry for.
Youâll purse your lips and swallow every following confession that rises to the surface. Guilt will spread through your blood knowing you did not tell him everything. But Sanji will smile sadly, understanding that some things are better left unsaid.
Like his own dream last night, where Ace visited him too. They were placed in a familiar scene, aboard the Merry and draped in protective robes. Sanji sliced vegetables while Ace sat at the table with a grin. Blue eyes flickered between the food and the company, lingering on the front of his cloth, imagining the hollowness hidden beneath it.
The same scene that you heard Ace recount in your own dream, his brief time with the Straw Hat pirates. Except in this version, he leads Sanji through a different conversation.
One where he says his gratitude for taking care of you.
Your relationship with Ace was like the man himself: passionate, fiery, burning. Tender, sweet. Gentle, giving. All-consuming. Life-affirming. Worth everything you had. Worth more. Worth chasing him. Worth putting your life on the line to save himâyou and the entire crew of the Whitebeard Pirates.
You didnât know your last time in Aceâs arms was going to be on the shore of that little island, the short space of safety nestled between his trip to Alabasta and Banaro. You wish you had clutched onto him firmer, longer. You wish you had tried to discourage him at all.
(But you know this isnât trueâyou could never have attempted to dissuade him from what he wanted, what he needed to do. You fell for Ace; you fell for everything he was. Is.)
Marco had called for you in the midst of chaos, a voice thick with hurt. Garbled, marred, breathless. A gasp of your name.
Your blood ran cold at the sight, a river frozen through your body. The commander held your lover in his arms, both of them splattered in his remains, the red richness of his life. His flame.
âHeâsâheâs so lightââ Marco sobbed.
He was. When he was placed in your grasp he felt weightless, the touch of a feather. His skin was wet, slick with blood, red oozing down your wrists. The coppery scent overpowered the spray of salt, the stench of fish and sea. Black curls nestled against your elbow, an opened curtain. He looked peaceful, not a wrinkle on his face. The dust of a smile lingered across his lips.
The last time Ace laid in your arms, you learned that his heart was the heaviest thing in his body.
These dreams are the hardest, the worst days. The first thing to escape you is your hunger, the second is your ability to feel. Sanji faces the worst of the consequences, your avoidance of his food and his touch. But he knows these patterns well, and he knows how to break them. The first step is patience, the second is strategy.
Eventually youâll appear, wanting to sit adjacent to the space of others. Soaking in the comfort of presence. Itâs when he starts dinner, assuming his attention is too focused to notice you.
But this is Sanji.
âA snack, my love,â he coos unprompted, setting a plate of sliced fruit beside you. They were prepared earlier, waiting in the fridge.
Your heart squeezes, face pinching. âSanjiââ
A gentle hand brushes your shoulder. âWhatever you can manage.â
Tears surface. âSanji,â you say again, this time the hiccup of a sob.
He breaks you, crumbles the stone of you into shards, into clumps of dust that dirties his hands. It hurts to watch you fall apart, but you need it. The release will free you, let you sift through yourself with a sense of clarity, allow you to pick out the gems and the treasures and hold them closer.
You only manage to eat a few slices of orange.
ââM sorry,â you cry into his chest.
Sanji sighs, a protest for the apology, but he buries it quickly. Instead he redirects its origins. âLuffy will finish it.âÂ
The confusion disarms you, distracts you as you realize he means the fruit. You feel heavier in his hold, more relaxed.
âCome sit with me in the kitchen, love.â
You obey, let him tug you by the hand and sit you behind the counter. He leaves the plate at your side before resuming his position at the cutting board. The knife thumps against the wood with each slice, soft taps. A reminder that Sanjiâs here.
He glances at you after chopping an onion. As soon as he meets your eyes he grins, and you are struck by the warmth of it.
âThanks for keeping me company, dear.â
Another crack slides through your resolve. Before you know it youâre crying, furiously scrubbing tears away. His smile saddens.
âIâmââ you cut off your own apology, exhaling. âI wish it could be easier⌠for you.â
âThe only part that hurts is knowing I canât take away the pain.â He would, if there was a way to take your hurt as his own, to physically carry it for you.
You shake your head. The pain is part of loving Ace, of remembering.
A part of you wishes you didnât cling so hard to him. That you could move forwards. Maybe even move on. The thought strikes you in the heart, and you immediately regret it.
âYou deserve someone better.â Your voice is a whisper, a whimper.
âOh.âÂ
The knife is discarded and in an instant heâs transported across the kitchen to hold you. You cry into his chest, the warmth of his arms. He knows how to hold you, to cradle his arm over your head and tuck it into his neck, nestle you where you can breathe him in. His touch is careful, knowing. Well practiced and sliding across your skin to soothe you.
âI take it back, my dear. The only other part that hurts is this guilt you feel for me.â
You sob into his skin.
Sanji pleads for you to know that he could never fault you for loving another man. Youâve chosen him now, and thatâs enough.
You think you can understand what Ace meant, what he tried to say before you cut him off, If something happens to meâSanji is understanding, with no expectations for you, but ones of the highest standard for himself. He is the only man you know who could watch you love another, and then still love you without limits, without fear slowing him down. Aceâs wordsâIâd tell you to find a guy like him insteadâring through your mind. If anything, this is the love he deserved. Were you able to show him a love this genuine and authentic when he was living?
But what Sanji doesnât tell you is why heâs so understanding: because he met Ace, years ago when the two of you were together. He met the gentleman of fire in the throes of the desert and learned first hand how easy he is to love.
Some days are good, fulfilling even. You feel alive. You can carry the weight of everything with ease. Reminders of Ace are welcomed; they make him feel close, impossibly so. You see him in your captainâs smile and know that you chose the right place to be.
You can lean further into Sanjiâs touch, let his whispers of love settle into your heart. You grin even, and say it back.
âI love you,â you promise, tangled in his limbs and sheets. âI love you so much.â
His smile is blinding as he preens under your words. The yellow of his hair splays across the pillow, a rumple of a man before you. Itâs a rare moment where you can see both his eyebrows, the unmirrored swirls. You press your thumb to the one near his temple.
A thought crosses through your mindâwhat Ace would think of this, if heâs watching you now. Did he mean it when he said, If something happens to meâ Did he picture it looking like this, years after your commitment to the Straw Hat Pirates. Is that long enough to be with someone else? Is it too long to still be thinking about him?
Sanji kisses the corner of your eye, brushing stray hairs behind your ear. The knot that began in your chest starts to loosen again.
Sometimes, in these moments, you can feel Ace sitting in the space with you two. Today you have courage; you tell Sanji.
He agrees.
You press yourself closer to him, try to burrow into his skin. He huffs a laugh and then exhales, an ocean wave emptying from his lungs. A conch shell, his clavicle the opening against your ear.
Ace rests with you, his essence heavy at your backside. Itâs so warm like this. So full of love.
In these moments a string of hope runs through you, a thread of gold in your veins. You wonder if your previous lover is watching with a smile on his face. If thereâs a sort of joy in watching you love again, love another. Is it fun even, to watch you dance with a man he thought was good for you, to watch you sweep Sanji off his feet and fall for youâthe same fate Ace was subjected to.
Maybe heâs watching with bated breath, following the journey of you and his little brotherâall while waiting, knowing there is a future where you will be with him again.
Tonight, when you fall asleep in Sanjiâs arms, you have a different dream. Not a memory, but a new conversation.
You stand on an island youâve never seen before, Aceâs hands clutching yours. Water laps at your feet, coating sand the color of his skin. Black grass blows inland, bending under the wind. The man grins before you and you are struck at the realization that heâs slightly agedâthis is the Ace you would know today. His face splattered with freckles and sunlight and smiles.
Your tears spring immediately. Heâs here, living and breathing. Grinning.Â
âAce,â you callâa whisper.
Heâs all sweetness when he answers, murmuring your name while he wraps his arms around your torso. His warmth is stronger than the sun, his touch searing against your skin. He holds you with an ease you arenât accustomed to.
âI love you.â Itâs all youâve wanted to tell him.
His mouth stretches into a smile against your hair. âI love you too, baby.â
You tilt your head to catch his expression. His grin pulls wider when he sees your face.
âI love you,â you repeat.
Pink dusts his cheeks, but his smile doesnât waver. He kisses your forehead. âI know you do. You and everyone else.â
Tears prick your eyes again, and you nod into his neck. This is what you fought forâso you could stand here with Ace in his afterlife and hear his confidence in the love he was shown. Even if you couldnât save him, he knows he was loved until the very end of his life, and after.
Your smile flickers before it dies, a candleâs flame. Does he still believe in your love for him now, when you wake up in the arms of another man? A sob escapes you.Â
His grip tightens. âBaby?â
âIâm sorry,â you cry, gripping his skin.Â
âOh, babyâŚâ he whispers, a broken sound. âNone of that, please. I know you love me.â
The crying continues, a waterfall as you babble. âI donât deserve your forgivenessââ
âBaby,â he pleads. Fingers clutch your arm, burning with a heat that should only belong to the living. âThereâs nothing to forgive.â
Your face twists, mind racing with confessions. Leaving the Whitebeard Piratesâleaving Marcoâto join Luffy instead. Letting yourself fall for the cook, letting yourself fall into his arms and build a relationship with him, all while remembering how Ace felt about him.
Baby, if something happens to meâ
You sob again. âI love youââ
âI know, baby. I know,â he assures, running fingers down your arm, flickers of flame. âBut youâre alive. You deserve to move and love and be loved back. âM never gonna fault you for that.â
Ace will hold you through the night, through the entirety of your dream as you find a sense of peace. When you wake, his fingerprints will leave the sting of a burn, and Sanjiâs cool touch will smooth over them like a balm. Your heart will have a heaviness, the weight of grief, but the pain will feel more life-affirming than anything. Youâll have the urge to apologize when you meet Sanjiâs blue eyes, but stop yourself; you know how he will respond.
(The same as Ace, saying there is nothing to forgiveâthere is nothing to be sorry for. That you arenât at fault for living and feeling, and that ultimately, you deserve to feel loved, too.)
i had two songs in mind while writing this, the first being the one that inspired the fic: move by the lone bellow (i imagined this one being ace's pov about reader) and ghostin' by ariana grande (reader's pov)
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u ever frolicking in the sun thinking life is amazing and ur having the best day ever and then u remember a song u loved from a few years ago when u were going through a hard time and u start singing it but now the lyrics have new meaning and it plants the most heart wrenching fic idea in ur mind and you stop skipping and stand there in the wind while your heart spills out on the pavement
three months later and the fic idea is still haunting me and growing and slowly being written but im bashing my hands against the ground because i have nobody to talk about it with