@abluescarfonwastonâs idea
styofa doing anything
Alisa U Zemlji Chuda

â
i don't do bad sauce passes
Claire Keane
DEAR READER
NASA

titsay
Show & Tell
Today's Document
todays bird
Jules of Nature
One Nice Bug Per Day
$LAYYYTER
Cosimo Galluzzi
cherry valley forever
Sweet Seals For You, Always
KIROKAZE
occasionally subtle
Three Goblin Art

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@jetcore500
@abluescarfonwastonâs idea

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Happy pride month to everyone! I drew Lumity from the owl house to celebrate :P
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
đŤś
adrian just keeps getting bigger and bigger with every passing fanart so might as well take it to its logical extreme. rocky and his skyscraper-sized gender-neutral mate-wife <3
What should Grace name the baby? I'll make a poll based on the suggestions to this post :3

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cw: for eyestrain and mild body horror
gotta doodle some weird bullshit every so often
Curious pebble (3/?)
Part 1 / Part 2
A massive shoutout to @thereal-sillyguy for making everyone's favorite pebble into a gif! I very literally couldn't have done it without them!
is it everything alright?
Survival Experiments Teto
I need to get back to drawing freaky little cryptid guys I think
His name is Possum please be nice 2 him

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Thank you for 100k views on The Sim!
If not friend, why friend shaped?
Hello its me, weird dog not bear, please let in?
He was, in fact, very close to letting himself in whether I wanted him there or not.
We really gotta get a doorknob that is not a leverâŚ
Were you putting distance there to make him lose interest or to have an escape route?
Actually, the door photo came first. I got closer after that. đ
I went down and locked the door, then took the video.
Iâm well aware of the threat bears pose, donât worry. But I grew up out here so Iâm very familiar with how to deal with them. I had a compound bow with me, a rifle down on the table, plenty of stuff to throw, lots of stuff to make noise, and a kitchen full of knives. If he had gotten inside it wouldnât have been a big deal.
Of all the people I know, you are the person I think would be most capable of beating the shit out of a bear with a random object.
You are also the person I know who is the Most Likely To Need To Beat The Shit Out Of A Bear With A Random Object, so it's probably good that you're so capable.
Curious pebble (2/?)
Part 1
Curious pebble (1/?)
Part 2

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Girls jamming out
Bonus thomspon doodle under the cut:
How to Fix Underwriting
1. Slow down at emotionally important moments.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
2. Add reactions, not explanations.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
3. Ground every scene in the senses.
If a scene feels thin, add one or two sensory detailsâsound, texture, smell, or temperatureâto make the moment feel lived-in.
4. Let thoughts interrupt action.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
5. Expand consequences, not events.
You donât need more things to happenâyou need to show what matters. Focus on how events change relationships, decisions, or self-perception.
6. Strengthen setting where emotion peaks.
The environment should echo or contrast the emotion of the scene. Setting is not decorationâitâs emotional reinforcement.
7. Add specific details instead of general ones.
Underwriting often relies on vague language. Swap âthey arguedâ for one sharp line of dialogue or a specific breaking point.
8. Let dialogue breathe.
Short dialogue exchanges without pauses can feel flat. Add beatsâsilence, gestures, interruptionsâto give the conversation weight.
9. Show transitions between scenes.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
10. Clarify stakes early in the scene.
If readers donât know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
11. Use the âwhat are they feeling right now?â check.
After each major beat, ask what emotion is dominant in that moment. If itâs missing on the page, the scene is likely underwritten.
12. Expand scenes that feel âtoo clean.â
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.